Baroque · 1654

Self Portrait (17) (Rembrandt, 1654)

Self Portrait (17) is an artwork by Rembrandt (1606–1669). It dates from 1654. It belongs to the Baroque movement. It is made in oil on canvas. It is kept at Staatliche Kunstsammlunen in Kassel, Germany. It measures 72 × 58 cm.

Self Portrait (17) by Rembrandt, 1654, oil on canvas, Staatliche Kunstsammlunen
Self Portrait (17) by Rembrandt, 1654, oil on canvas, Staatliche Kunstsammlunen. Public domain.

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Self Portrait (17): catalogue record

Title
Self Portrait (17)
Artist
Rembrandt (1606–1669)
Artist born in
Leiden, Netherlands
Date
1654
Medium
Oil On Canvas
Dimensions
72 × 58 cm
Where to see it
Staatliche Kunstsammlunen, Kassel, Germany
Movement
Baroque
Subject
portrait, self-portrait, rembrandt, dutch art, baroque painting, light & shadow

Self Portrait (17): subject and meaning

Rembrandt’s Introspective Gaze: A Masterclass in Self-Reflection

This 1654 self-portrait by Rembrandt van Rijn is far more than a depiction of physical likeness; it's a profound exploration of the human condition, rendered with the masterful technique that defines his legacy. Painted during a pivotal period in the artist’s life – marked by both professional success and personal hardship – this work offers a uniquely intimate glimpse into the soul of one of history’s greatest painters.

A Portrait of an Era: Style & Technique

Executed in oil on canvas, measuring 72 x 58 cm, the painting exemplifies Rembrandt's signature Baroque style. Chiaroscuro, the dramatic interplay of light and shadow, is employed to stunning effect, sculpting the artist’s face and drawing the viewer into a deeply personal space. Note how the light doesn’t simply illuminate; it *models* form, revealing texture in his beard, the folds of his clothing, and the subtle lines etched by time and experience. Rembrandt's brushwork is loose yet deliberate, creating a sense of immediacy and vitality. The layering of paint – known as impasto – adds a tactile quality, inviting close inspection. This isn’t merely representation; it’s an embodiment of presence.

Decoding the Image: Subject & Symbolism

Rembrandt presents himself dressed in respectable attire—a dark hat, white collar, and suit—suggesting his established status as a prominent artist. However, this outward presentation belies an inner world of contemplation. His gaze is averted, lost in thought, inviting us to ponder alongside him. The subtle details – the slightly furrowed brow, the gentle curve of his lips – hint at a complex emotional landscape. Self-portraits were a common practice for Rembrandt, serving not as vanity projects but as opportunities for self-study and artistic experimentation. They are visual diaries, charting his evolving understanding of himself and the world around him.

Historical Context: The Dutch Golden Age

The 17th century Netherlands was experiencing a “Golden Age” – a period of unprecedented economic prosperity, scientific advancement, and artistic flourishing. Rembrandt thrived within this environment, becoming one of its most celebrated figures. However, his later life was marked by financial difficulties and personal tragedy, including the death of his wife Saskia and several children. This self-portrait reflects that complexity; it’s a testament to resilience in the face of adversity, a quiet dignity born from lived experience.

Emotional Resonance & Lasting Impact

What makes this painting so compelling is its universality. It transcends time and culture, speaking to our shared human experiences of introspection, vulnerability, and the search for meaning. The portrait doesn’t offer easy answers; instead, it invites us to confront our own inner worlds. It's a work that rewards repeated viewing, revealing new layers of nuance with each encounter.

Collecting & Interior Design

A reproduction of this self-portrait would serve as a powerful focal point in any space. Its rich color palette and dramatic lighting complement both traditional and contemporary interiors. Consider placing it in a study or library to encourage contemplation, or in a living room to spark conversation. The painting’s inherent gravitas adds sophistication and depth to any collection.

Where is Self Portrait (17) kept?

Staatliche Kunstsammlunen

Kassel, Germany

A Legacy of Artistic Excellence: Discovering the Staatliche Kunstsammlunen Kassel To step within the walls of the Staatliche Kunstsammlunen in Kassel is not merely to visit a gallery; it is to embark on an immersive pilgrimage through the grand narrative of European artistic endeavor. This institution, nestled in the heart of Germany’s picturesque landscape, breathes life into centuries of human creativity. It is a place where princely patronage meets scholarly dedication, offering a breathtaking dialogue across epochs and continents.

Self Portrait (17): image files and credit line

Self Portrait (17) by Rembrandt, 1654, oil on canvas, Staatliche Kunstsammlunen
Free download

Public domain: the artist died in 1669.

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Credit line

Rembrandt, Self Portrait (17) (1654), Staatliche Kunstsammlunen. Public domain.

Expert-prepared file

The file is prepared from a higher-resolution image in our database, not the catalogue image, and reaches at least 300 DPI. A digital expert checks the colours against the original and retouches it, faithful to the brushwork.

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Frequently asked questions: Self Portrait (17)

Which museum holds the original "Self Portrait (17)"?

The original "Self Portrait (17)" by Rembrandt is held at the Staatliche Kunstsammlunen, Kassel, Germany. A reproduction allows the work to be displayed at home.

In what year was "Self Portrait (17)" by Rembrandt created?

"Self Portrait (17)" by Rembrandt was created in 1654.

What technique was used for "Self Portrait (17)" by Rembrandt?

The medium of "Self Portrait (17)" by Rembrandt is oil on canvas. Reproductions aim to render the appearance of this technique.

How big is the original "Self Portrait (17)"?

The recorded dimensions of "Self Portrait (17)" by Rembrandt are 72 x 58 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

What subjects appear in "Self Portrait (17)" by Rembrandt?

The subjects of "Self Portrait (17)" are portrait, self-portrait, rembrandt, dutch art, baroque painting, light & shadow, reflection, humanism.

Can the image of "Self Portrait (17)" by Rembrandt be freely reproduced?

Regarding copyright, "Self Portrait (17)" is in the public domain - its copyright has expired.

Who is the artist behind "Self Portrait (17)"?

"Self Portrait (17)" was created by Rembrandt. The information on this page describes Rembrandt's original work.

Which artistic current is "Self Portrait (17)" by Rembrandt part of?

The movement associated with "Self Portrait (17)" by Rembrandt is Baroque. This classification situates the work among related artists and artworks.

What stage of Rembrandt's development does "Self Portrait (17)" represent?

"Self Portrait (17)" represents the Mature Period of Rembrandt.

Rembrandt: biography

Rembrandt

1606–1669, Netherlands

Rembrandt

The Life of Rembrandt van Rijn Born on 15 July 1606 in Leiden, in the Dutch Republic, Rembrandt van Rijn entered a world of modest means. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. His life was one of immense productivity, spanning many decades of creative output. By the time he died on 4 October 1669, he had left behind a vast legacy that includes about 300 paintings, 300 etchings, and several hundred drawings.

Further works by Rembrandt

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