بورتريه لـ Bartolomeo Passarotti

قائمة بأشهر 56 لوحات للفنان Bartolomeo Passarotti

تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 59 أعمال لـ Bartolomeo Passarotti في كتالوجنا

ملخص

تُعد لوحة Portrait of an old woman (1582) هي العمل الفني الأكثر شهرة للفنان Bartolomeo Passarotti، وهي ضمن مجموعة متحف الفنون التاريخية في فيينا. المدخلات التالية هي The Anatomy Lesson (1550) و Family Portrait (1585). يوثق الكتالوج 59 من أعمال Bartolomeo Passarotti؛ وتُعد المدخلات الـ 56 أدناه هي الأكثر شهرة، وهي مدرجة حسب الترتيب مع التاريخ، والمتحف الحائزة عليه، والوصف.

1529 – 1592, Bologna Renaissance أكبر مجموعة أعمال: متحف برادو

Bartolomeo Passarotti: أهم 10 لوحات

2
The Anatomy Lesson (1550) للفنان Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · غاليريا بورغيزي, روما

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) للفنان Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · متحف الفنون التاريخية, فيينا

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

6
Saint Jerome (1550) للفنان Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · National Gallery of Ireland, مدينة دبلن

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) للفنان Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) للفنان Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) للفنان Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) للفنان Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Bartolomeo Passarotti: من 11 إلى 56

11Portrait of the Physician Carlo Fontana (1570) للفنان Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) للفنان Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) للفنان Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) للفنان Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) للفنان Bartolomeo PassarottiPortrait of a Man1580 · متاحف هارفارد للفنون 16Poultry dealer (1580) للفنان Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer للفنان Bartolomeo PassarottiBlood of the Redeemerمتحف الفنون الجميلة 18Portrait of Ignazio Danti (1597) للفنان Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) للفنان Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · متحف الفنون الجميلة 20Copy after Michelangelo (1550) للفنان Bartolomeo PassarottiCopy after Michelangelo1550 · متحف نيلسون-أتكنز للفنون 21DIANE CHASSERESSE للفنان Bartolomeo PassarottiDIANE CHASSERESSEمتحف اللوفر 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) للفنان Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) للفنان Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) للفنان Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · بيناكوتيكا كابيتولینا 25The Fishmonger's Shop (1580) للفنان Bartolomeo PassarottiThe Fishmonger's Shop1580 · غاليريا نازيونال د آرت آنتيكا 26Portrait of a Man with a Dog (1585) للفنان Bartolomeo PassarottiPortrait of a Man with a Dog1585 · بيناكوتيكا كابيتولینا 27Study of Male Nudes Fighting (1572) للفنان Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) للفنان Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait للفنان Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi للفنان Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg 31Lute palyer للفنان Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure للفنان Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) للفنان Bartolomeo PassarottiA Butchery1575 · غاليريا نازيونال د آرت آنتيكا 34Male Nude (1550) للفنان Bartolomeo PassarottiMale Nude1550 · متحف برادو 35Copy of a Statue with A Female Nude From Back (1550) للفنان Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · متحف برادو 36Lucretia's Suicide (1550) للفنان Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) للفنان Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada 38Portrait of Pope Pius V (1566) للفنان Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) للفنان Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) للفنان Bartolomeo PassarottiDouble Portrait of Musicians1579 · متاحف الكابيتوليني 41Double Dressed Portrait of Circe and Ulysses (1575) للفنان Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) للفنان Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · متحف برادو 43The Holy Family Accompained by an Angel and two Saints (1565) للفنان Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · متحف برادو 44Portrait of a Gentleman (1580) للفنان Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) للفنان Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) للفنان Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) للفنان Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 48St. Dominicus and the Albigensians (1580) للفنان Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant للفنان Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman للفنان Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait للفنان Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders للفنان Bartolomeo PassarottiPortrait of a lady, head and shouldersمجموعات بافاريا الحكومية للرسم 53Portrait of an Unknown Soldier in Armour للفنان Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria للفنان Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables للفنان Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) للفنان Bartolomeo PassarottiThe Butcher's Shop1580 · غاليريا نازيونال د آرت آنتيكا

Bartolomeo Passarotti: أعمال حسب الفترة الزمنية

المواضيع الرئيسية في أعمال Bartolomeo Passarotti

المواضيع الأربعة الأكثر تمثيلاً في هذه الأعمال، مع ذكر أشهر مثال لكل منها.

Bartolomeo Passarotti: متاح في المتاحف

المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال Bartolomeo Passarotti لوحات من هذه القائمة
متحف برادو, مدريدمتحف برادو مدريد 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
متحف الفنون التاريخية, فيينامتحف الفنون التاريخية فيينا 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
غاليريا نازيونال د آرت آنتيكا, روماغاليريا نازيونال د آرت آنتيكا روما 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
مجموعات بافاريا الحكومية للرسم, ميونخمجموعات بافاريا الحكومية للرسم ميونخ 2 Portrait of a Man, Portrait of a lady, head and shoulders
متحف الفنون الجميلة, بوسطنمتحف الفنون الجميلة بوسطن 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
بيناكوتيكا كابيتولینا, رومابيناكوتيكا كابيتولینا روما 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
غاليريا بورغيزي, روماغاليريا بورغيزي روما 1 The Anatomy Lesson
National Gallery of Ireland, مدينة دبلنNational Gallery of Ireland مدينة دبلن 1 Saint Jerome

Bartolomeo Passarotti: اللوحة الرئيسية لكل عقد

الأعمال حسب العقد

اختر عقداً لعرض لوحته الرئيسية.

لوحات Bartolomeo Passarotti: أسئلة مرجعية

ما هي اللوحة الأكثر شهرة لـ Bartolomeo Passarotti؟إظهار الإجابة

Portrait of an old woman (1582)، متحف الفنون التاريخية, فيينا. المدخلات التالية هي The Anatomy Lesson (1550) وFamily Portrait (1585).

كم كان عمر Bartolomeo Passarotti عندما رُسمت Portrait of an old woman؟إظهار الإجابة

53 عاماً: وُلد Bartolomeo Passarotti في 1529، وتعود لوحة Portrait of an old woman إلى عام 1582.

ما هي أشهر عشر لوحات للفنان Bartolomeo Passarotti؟إظهار الإجابة

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe و Three Men with Two Dogs. يسجل القائمة أعلاه تاريخ كل منها والمتحف الذي يضمها.

كم عدد الأعمال الموثقة لـ Bartolomeo Passarotti؟إظهار الإجابة

يسجل الكتالوج 59 من أعمال Bartolomeo Passarotti، المؤرخة بين 1550 و1585.

ما هي المتاحف التي تضم أشهر لوحات Bartolomeo Passarotti؟إظهار الإجابة

بشكل أساسي في متحف برادو (مدريد), متحف الفنون التاريخية (فيينا) و غاليريا نازيونال د آرت آنتيكا (روما). يوضح جدول المتاحف أعلاه التوزيع الكامل.

في أي فترة زمنية رُسمت أشهر أعمال Bartolomeo Passarotti؟إظهار الإجابة

في 1580s: 15 من أصل 56 من الأعمال المدرجة في هذه الصفحة تعود إلى تلك الفترة، بما في ذلك Portrait of an old woman.

ما هي الأعمال الأقدم والأحدث تاريخاً لـ Bartolomeo Passarotti في هذه القائمة؟إظهار الإجابة

أقدم عمل مؤرخ مدرج هنا هو The Anatomy Lesson (1550)؛ وأحدثها هو Family Portrait (1585).

ما هي الموضوعات الأكثر تكراراً في أعمال Bartolomeo Passarotti؟إظهار الإجابة

Man (15), Beard (7) و Book (6) من أصل 56 من الأعمال المدرجة في هذه الصفحة.

ما هو الأسلوب الفني السائد في أعمال Bartolomeo Passarotti؟إظهار الإجابة

Oil On Canvas، في 15 من أصل 56 من الأعمال المدرجة في هذه الصفحة.

ما هي الحركة الفنية التي ينتمي إليها Bartolomeo Passarotti؟إظهار الإجابة

Renaissance و Mannerism، كما توثقها الأعمال المعروضة في هذه الصفحة.

ما هي الأعمال التي تخص Bartolomeo Passarotti والموجودة في مجموعة متحف برادو؟إظهار الإجابة

تُعد Male Nude, Copy of a Statue with A Female Nude From Back و Copy of the Good Thief, From the Last Judgement of Michelangelo من بين 4 عمل فني في هذه الصفحة ضمن مجموعة متحف برادو, مدريد.

Bartolomeo Passarotti: نبذة عن السيرة الذاتية

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.