تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 129 أعمال لـ كورنيليس فان هارلم في كتالوجنا
ملخص
وفقاً لهذا التصنيف، تُعد Portrait of Dirck Volckertsz. Coornhert (1590) اللوحة الأكثر شهرة للفنان كورنيليس فان هارلم؛ وهي محفوظة في متحف فرانس هالس في Haren. يتبعه Venus and Vulcan (1590) و Pomona Receives the Harvest of Fruit (1626). تستند هذه القائمة إلى 129 من أعمال كورنيليس فان هارلم في الكتالوج، وتستعرض أشهر 100 منها، مع ذكر تاريخ كل عمل، والمتحف الذي يحتفظ به، ووصف لكل مدخل.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
In this 1590 oil on canvas, we find ourselves drawn into the heat of a mythological forge. The composition is anchored by a profound physical presence, where the muscularity of the figures commands the space. On the left, Vulcan sits in a dynamic, heavy pose, his body a study of strength as he prepares to strike an anvil. His skin is rendered with a fleshy, tactile quality that contrasts sharply…
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The painting Jester in a Fool's Cap is a work by Cornelis van Haarlem. Created in 1596, this oil on panel piece functions as a tronie, focusing on the expressive potential of a specific character type rather than a formal portrait. The subject of this study is identified as Pieter Cornelisz van der Morsch.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
is an oil on canvas work by the artist Cornelis van Haarlem. The painting captures a moment of profound intrusion, a scene where the quietude of a private ritual is shattered by the presence of others. It is also recognized by the title Susanna im Bade. The canvas holds a tension that resides in the space between the subject and the watchers.
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
is a painting by Cornelis van Haarlem, executed in 1600. The work centers on the mourning over the dead Christ, a somber religious subject rendered during the transition between the late Mannerist period and the Dutch Golden Age.
Venus and Adonis is an oil painting by Cornelis van Haarlem. The artist, born in 1562 in Haarlem, Netherlands, captured this mythological scene around 1603. His hand moved through the transition of styles in the Netherlands, a life that spanned from his birth in the mid-sixteenth century until his death in 1638.
Christ with the cross and the chalice1591 · المتحف الوطني في وارسو
12
Mars and Venus as lovers.1609 · المتحف الوطني في وارسو
13
Allegory on the Brevity of Life1617 · Statens Museum For Kunst
14
Christ holding the Cross and a Chalice1591 · المتحف الوطني في وارسو
15
De H. Familie met Elisabeth en de jonge Johannes de Doper als kind1589 · Staatliche Kunsthalle Karlsruhe
16
Adam and Eve1599 · المتحف الوطني في وارسو
17
The Judgment of Paris1590 · Rhode Island School of Design Museum of Art
18
Baptism of Christ1590 · Centraal Museum
19
Madonna and Child1591
20
St. Sebastian1591
21
The First Family (Genesis 4:1-2)1589 · Musée des Beaux-Arts de Quimper
22
Venus and Cupid1602 · Worcester Art Museum
23
Vanitas1601 · المتحف الوطني في وارسو
24
Portrait of a man1595
25
Juda and Tamar1596 · متحف فرانس هالس
26
The deluge (Genesis 7:17-24)1592 · Herzog Anton Ulrich Museum
27
The Prodigal Son among the Harlots (Luke 15:13-14)1607
28
The Manalese1610 · Gemäldegalerie
29
Portrait of Dirck Volckertsz. Coornhert1618 · Fitzwilliam Museum
30
Sine Cerere et Baccho friget Venus (Terentius, Eunuchus, 732)1614 · Staatliche Kunstsammlungen Dresden
31
The prodigal son (Luke 15:11-13)1614 · مجموعات بافاريا الحكومية للرسم
32
Suffer the little children to come unto me (Matt. 19:14)1614 · مجموعات بافاريا الحكومية للرسم
33
Adonis1620 · متحف الفنون الجميلة في هيوستن
34
Venus1620 · متحف الفنون الجميلة في هيوستن
35
Before the Deluge1615 · المتحف الوطني في وارسو
36
The last 5 commandeurs of the order of St John in Haarlem1615 · متحف فرانس هالس
37
Venus and Adonis resting in an extensive landscape, with Cupid and hunting dogs and their quarries1610
38
The Unequal Lovers1619
39
Feast of the prodigal son (Luke 15:11-13)1615 · المتحف الوطني في وارسو
40
Mars and Venus1609 · المتحف الوطني في وارسو
41
Female Semi-Nude with Rose1623 · Niedersächsisches Landesmuseum
42
Rest on the Flight into Egypt1634 · Museum Catharijneconvent
43
Portrait of Andries Pietersz van Souwen (1549/1550-1625)1624 · Museum Catharijneconvent
44
Baptism of Christ1623 · Staatliche Kunsthalle Karlsruhe
45
Sine Cerere et Baccho friget Venus1624 · Palais des Beaux-Arts de Lille
46
The Mirror of Time1628 · المتحف الوطني
47
The Fall of Man (Genesis 3:4-6)1625 · Musée des Beaux-Arts de Quimper
48
Noah's festival to thank God1632
49
A Young Man with a Crown of Laurel Leaves1632 · متاحف هارفارد للفنون
50
Banquet of the Officers of both companies of the Haarlem Militia1597 · متحف فرانس هالس
51
The Holy Family1590 · معرض ييل الجامعي للفنون
52
Portrait of Pieter Cornelisz. van der Morsch1650 · Museum de Lakenhal
53
The Wedding of Peleus and Thetis (detail) (12)1593 · Frans Halsmuseum
54
Portrait Of A Man As Apollo
55
A Man and Woman Singing1620 · متحف الإرميتاج
56
The Massacre of the Innocents1591 · متحف فرانس هالس
57
The Israelites release Achior (Judith 6:10)1601 · متحف فرانس هالس
58
Bacchus and a Satyr1608 · متحف بويجمانس فان بيونينغن
59
Adam and Eve (Genesis 3:1-7)1616 · المتحف الوطني في وارسو
60
The baptism of Christ (Matt. 3:15)1590 · Musée de la Chartreuse de Douai
61
The Wedding of Peleus and Thetis1597 · Worcester Art Museum
62
Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 15941594 · Rijksmuseum
63
Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 15961596 · Rijksmuseum
64
Madonna and Child1617 · Amstelkring Museum
65
The Mirror of Time1631 · المعرض الوطني الكندي
66
The baptism of Christ (Matt. 3:13-17)1627 · متحف بوشكين الحكومي للفنون الجميلة
67
Venus and Mars, Cornelis Cornelisz. van Haarlem, 16281628 · Rijksmuseum
68
The Good Samaritan1627
69
Nude Figure Studies1630
70
Democritus2000 · Teylers Museum
71
The Golden Age (Bacchanal) or the Garden of Love1614 · متحف الفنون الجميلة
72
Hercules and Achelous
73
The Wedding of Peleus and Thetis (detail) (10)1593 · Frans Halsmuseum
74
The Wedding of Peleus and Thetis (detail)1593 · Frans Halsmuseum
75
Massacre of the Innocents (detail)1590 · Rijksmuseum
76
A Scholar in his Study1606 · متحف آشمولين للفنون والآثار
77
Venus1617 · متحف بونسي للفنون
78
Venus, Instructing a BacchanteBomann-Museum
79
Adoration with Three Kings
80
Paris domالمتحف الوطني
81
The Mirror of Time
82
Feast of the Gods
83
Juno Appearing to Sea Gods
84
Diana sleeping with her nymphs, spied on by satyrs
85
Massacre of the Innocents 1
86
Temperance1600 · Schloss Sanssouci
87
The Wedding of Peleus and Thetis1593 · Mauritshuis
88
Banquet of Members of the Haarlem Calivermen Civic Guard1583 · متحف فرانس هالس
89
Head of a Woman1633
90
The Fall of Man (detail)1592 · Rijksmuseum
91
The Judgment of Paris1628 · متحف الفنون الجميلة
92
BathshebaStaatliche Museen zu Berlin
93
LE BAPTEME DU CHRIST (GRANDE VERSION)متحف اللوفر
94
LE BAPTEME DU CHRIST (PETITE VERSION)متحف اللوفر
95
Two Male Nudes
96
Israelites Crossing the Red Sea
97
Study of a Male Nude, with Floating Drapery
98
Meeting of Jacob and Esau
99
Susanna and the Eldersالمعرض الوطني الكندي
100
A Scholar in his Study
المواضيع الأربعة الأكثر تمثيلاً في هذه الأعمال، مع ذكر أشهر مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال كورنيليس فان هارلم | لوحات من هذه القائمة |
|---|---|---|---|
 المتحف الوطني في وارسو |
وارسو | 9 | Christ with the cross and the chalice, Mars and Venus as lovers., Christ holding the Cross and a Chalice |
 متحف فرانس هالس |
Haren | 8 | Portrait of Dirck Volckertsz. Coornhert, Jester in a Fool's Cap, Juda and Tamar |
 Rijksmuseum |
أمستردام | 8 | Pomona Receives the Harvest of Fruit, Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594, Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 1596 |
 المتحف الوطني |
ستوكهولم | 4 | Venus and Vulcan, Venus and Adonis, The Mirror of Time |
 Frans Halsmuseum |
هارين | 4 | The Wedding of Peleus and Thetis (detail) (12), The Wedding of Peleus and Thetis (detail) (10), The Wedding of Peleus and Thetis (detail) |
 متحف اللوفر |
باريس | 3 | LE BAPTEME DU CHRIST (GRANDE VERSION), LE BAPTEME DU CHRIST (PETITE VERSION) |
 متحف بويجمانس فان بيونينغن |
روتردام | 2 | The Fall of Ixion, Bacchus and a Satyr |
 Staatliche Kunsthalle Karlsruhe |
كارلسروه | 2 | De H. Familie met Elisabeth en de jonge Johannes de Doper als kind, Baptism of Christ |
اختر عقداً لعرض لوحته الرئيسية.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The oil painting titled Rest on the Flight into Egypt was executed by the artist Cornelis van Haarlem. This work, dated about 1634, presents a religious and emotional subject matter. The composition focuses on the Holy Family during a period of rest, featuring the Virgin Mary, the infant Christ Child, and Saint Joseph.
Portrait of Dirck Volckertsz. Coornhert (1590)، متحف فرانس هالس, Haren. المدخلات التالية هي Venus and Vulcan (1590) وPomona Receives the Harvest of Fruit (1626).
28 عاماً: وُلد كورنيليس فان هارلم في 1562، وتعود لوحة Portrait of Dirck Volckertsz. Coornhert إلى عام 1590.
Portrait of Dirck Volckertsz. Coornhert, Venus and Vulcan, Pomona Receives the Harvest of Fruit, Jester in a Fool's Cap, The Fall of Ixion, Ceres and Bacchus, Susanna at her Bath, Diana as Goddess of the Hunt, The Lamentation و Venus and Adonis. يسجل القائمة أعلاه تاريخ كل منها والمتحف الذي يضمها.
يسجل الكتالوج 129 من أعمال كورنيليس فان هارلم، المؤرخة بين 1583 و1634.
بشكل أساسي في المتحف الوطني في وارسو (وارسو), متحف فرانس هالس (Haren) و Rijksmuseum (أمستردام). يوضح جدول المتاحف أعلاه التوزيع الكامل.
في 1590s: 27 من أصل 100 من الأعمال المدرجة في هذه الصفحة تعود إلى تلك الفترة، بما في ذلك Portrait of Dirck Volckertsz. Coornhert.
أقدم عمل مؤرخ مدرج هنا هو Banquet of Members of the Haarlem Calivermen Civic Guard (1583)؛ وأحدثها هو Rest on the Flight into Egypt (1634).
Man (34), Woman (27) و People (16) من أصل 100 من الأعمال المدرجة في هذه الصفحة.
Oil On Canvas، في 28 من أصل 100 من الأعمال المدرجة في هذه الصفحة.
Dutch golden age، كما توثقها الأعمال المعروضة في هذه الصفحة.
تُعد Christ with the cross and the chalice, Mars and Venus as lovers. و Christ holding the Cross and a Chalice من بين 9 عمل فني في هذه الصفحة ضمن مجموعة المتحف الوطني في وارسو, وارسو.
