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تفاعل

الصفحة الرئيسية Artworks من تاريخ 1924

Artworks بواسطة 1924

Set for 'Bacchanale', circa 1939
(1938-1989)

Set for 'Bacchanale', circa 1939

Statue of Liberty
(1937-2004)

Statue of Liberty

Cover of 'Minotaure' Magazine
(1938-1989)

Cover of 'Minotaure' Magazine

Surrealist Warriors for a Four-part Screen, Centre Left
(1938-1989)

Surrealist Warriors for a Four-part Screen, Centre Left

Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's 'Evening' on the Tomb of Lorenzo di Medici, 1982
(1938-1989)

Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's 'Evening' on the Tomb of Lorenzo di Medici, 1982

The Path of Enigma
(1938-1989)

The Path of Enigma

The Way to Pubol
(1938-1989)

The Way to Pubol

Port Alguer
(1938-1989)

Barcelonese Mannequin, 1927
(1938-1989)

Barcelonese Mannequin, 1927

Two Gypsy Lads, 1920-21
(1938-1989)

Two Gypsy Lads, 1920-21

Archeological Reminiscence Of Millet'S Angelus
(1938-1989)

Archeological Reminiscence Of Millet'S Angelus

First Row Orchestra
(1931-1967)

First Row Orchestra

Absents of the mermaid
(1943-0)

Absents of the mermaid

Olive Oil
(1955-0)

Metropolis II
(1952-0)

Portrait of Reinaldo Herrera Marquis De Torre Casa
(1938-1989)

Portrait of Reinaldo Herrera Marquis De Torre Casa

The Sublime Moment
(1938-1989)

The Sublime Moment

The Three Glorious Enigmas of Gala(second version)
(1938-1989)

The Three Glorious Enigmas of Gala(second version)

koblers pig
(1945-0)

New York Office
(1931-1967)

New York Office

Untitled (76)
(1929-2005)

Honey is Sweeter than Blood, 1941
(1938-1989)

Honey is Sweeter than Blood, 1941

The Elephants
(1938-1989)

Galatea of the Spheres
(1938-1989)

Galatea of the Spheres

Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
(1938-1989)

Metamorphosis of the Five Allegories of Giovanni Bellini, 1939

The gate
(1937-0)

Rooms tourists
(1931-1967)

Muhammad Ali
(1928-1987)

Bash
(1924-2005)

Marlena Dietrich
(1943-0)

Marlena Dietrich

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