Портрет на Cornelia Scheffer

Списък с 4 най-известни картини на Cornelia Scheffer

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 4 творби на Cornelia Scheffer в нашия каталог

Резюме

Най-известната картина на Cornelia Scheffer е Self-portrait (1795), която се намира в колекцията на Dordrechts Museum, Дордрехт. Следващитеentries са Woman with Two Children on a Country Road (1811) и The Women of Souli (1833). Каталогът документира 4 произведения на Cornelia Scheffer; 4-те записи по-долу са най-известните, подредени по ранг с дата, музейно съхранение и описание.

1769 – 1839, Dordrecht Най-много творби: Dordrechts Museum

Cornelia Scheffer: 10-те основни картини

Cornelia Scheffer: в музейните колекции

Музеят, който притежава най-голям брой от картините на тази страница.

Музеи Град Творения на Cornelia Scheffer Картини от този списък
Dordrechts Museum, ДордрехтDordrechts Museum Дордрехт 4 Self-portrait, Woman with Two Children on a Country Road, The Women of Souli

Cornelia Scheffer: основна картина на всяко десетилетие

Произведения по десетилетия

Изберете десетилетие, за да разгледате неговата основна картина.

Картини на Cornelia Scheffer: въпроси за справка

Коя картина на Cornelia Scheffer е най-известната?Покажи отговора

Self-portrait (1795), Dordrechts Museum, Дордрехт. Следните произведения са Woman with Two Children on a Country Road (1811) и The Women of Souli (1833).

На каква възраст е бил Cornelia Scheffer, когато е нарисувана Self-portrait?Покажи отговора

26 години: Cornelia Scheffer е роден/а в 1769, а Self-portrait е датирана 1795.

Колко документирани произведения има на Cornelia Scheffer?Покажи отговора

Каталогът съдържа 4 произведения на Cornelia Scheffer, датирани между 1795 и 1833.

В кои музеи се съхраняват най-известните картини на Cornelia Scheffer?Покажи отговора

Предимно в Dordrechts Museum (Дордрехт). Таблицата с музеи по-горе представя пълното разпределение.

Кои са най-ранните и най-късните дати на произведенията на Cornelia Scheffer в този списък?Покажи отговора

Най-старата датирана творба в този списък е Self-portrait (1795), а най-новата е The Women of Souli (1833).

Кои произведения на Cornelia Scheffer се съхраняват в колекцията на Dordrechts Museum?Покажи отговора

Self-portrait, Woman with Two Children on a Country Road и The Women of Souli са сред 4 произведения на тази страница в колекцията на Dordrechts Museum, Дордрехт.

Cornelia Scheffer: биографични бележки

A Life of Miniature Precision

Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.

In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.

The Move to Paris

The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.

Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.

Legacy in Miniature

Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.

Her technical output remains rooted in the intimate scale of her training:

She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.