Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 114 творби на Даниел Макни в нашия каталог
Резюме
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859) е призната за най-известната картина на Даниел Макни; тя се намира в Royal Faculty of Procurators, Glasgow. David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) и Archibald McNeill, Principal Clerk of Session (1858–1870) (1860) заемат второ и трето място. От 114 произведения на Даниел Макни, регистрирани в каталога, по-долу са изброени 100-те най-известни, всяко от тях с дата, музея, в който се намира, и бележка за произведението.
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
An elderly gentleman sits anchored in a heavy, upholstered armchair. The light falls upon his face with a quiet, dramatic weight, carving out the lines of a life lived in authority. He is David Crawford, a man whose presence is defined by the stillness of his pose and the dark, indistinct space that surrounds him. The shadows cling to the folds of his clothing and the deep recesses of the…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
In this 1858 portrait, we find ourselves in the presence of Horatio McCulloch, captured during a period of significant professional development. The subject is presented in a bust-length composition, his gaze directed slightly away from the viewer, suggesting a moment of quiet contemplation. There is a certain gravity in his expression, a seriousness that speaks to the dignity of a man deeply immersed in his own thoughts. The lighting is…
A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) is a portrait painted by Daniel Macnee in 1859. The subject of this work is the artist's daughter, Isabella Wiseman, who is identified in the title as the woman who later became Mrs Wiseman. The oil painting is currently held in the National Gallery of Scotland.
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
The portrait depicts an elderly man positioned slightly off-center to the right of the frame. He is shown from the chest up, facing forward with a direct gaze. He wears a dark, formal suit jacket over a waistcoat, both rendered with sharp lines that define the structure of the fabric. The lighting originates from the upper left, casting deep shadows across the right side of his face and the folds…
Rev. James Taylor, 1813 - 1892. Minister and author is an oil portrait by the Scottish painter Daniel Macnee. Executed in 1873, the work presents the subject in a scholarly or clerical setting. The sitter is positioned within an environment suggested by the presence of blurred bookshelves in the background.
The portrait depicts an elderly man seated at a desk, positioned centrally within the composition. He is shown in a formal pose, looking toward the viewer with a steady gaze. His face is marked by the textures of age, with fine lines around the eyes and skin that suggests a life of intellectual labor. He wears dark, heavy clothing that falls in deep, structured folds, catching the light to reveal…
In this portrait, we find ourselves in the presence of Adam Sim, a man whose life was deeply intertwined with the history of Coulter Mains. He sits with a composed, thoughtful air, his hands resting upon a book that suggests a life of intellect and quiet study. The composition is anchored by the weight of his presence, seated within a red velvet chair that bears the fine, intricate carvings of…
James Richardson of Ralston, Paisley
12
A Portrait Study of a Gentleman Standing in an InteriorНационална галерия на Шотландия
13
Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter)1863 · Royal Scottish Academy of Art - Architecture
14
John Wilson (1800–1849), Singer and Composer of Songs1830 · Национална галерия на Шотландия
15
The Hot Blast1840
16
Queen Victoria (1819–1901)1845
17
Mrs Agnes W. Whyte of Newbury1840
18
Agnes Smith Greig1840 · The Stirling Smith Art Gallery - Museum
19
Horatio McCulloch (1805–1867), RSA1842
20
John Ramsay McCulloch1840
21
Reverend Thomas Chalmers (1780–1847), Preacher and Social Reformer1843 · Национална галерия на Шотландия
22
The Bracelet1851 · Royal Scottish Academy of Art - Architecture
23
Reverend Dr Ralph Wardlaw (1779–1853)1851
24
Douglas William Jerrold1853 · Национална портретна галерия
25
Mrs Thomas McGuffie (1842–1908)1850
26
Louisa Balfour, Mrs James Mackenzie of Craigpark1850 · Национална галерия на Шотландия
27
Henry Marshall (1775–1851), Physician and Military Hygienist1850 · Национална галерия на Шотландия
28
Andrew Ure (1778–1857), MD, FRS1849
29
James Watson (1787–1871), MD, President of the Faculty of Physicians and Surgeons of Glasgow (1838–1841, 1849–1852 1857–1860)1851
30
Charles Mackay (1787–1857), Actor1854 · Национална галерия на Шотландия
31
Reverend Henry Cooke (1788–1868), DD1856
32
The Children of William Neish1862
33
Study for 'A Lady in Grey'1859 · Национална галерия на Шотландия
34
John Erskine, Manager of William Dunn's Machine Works, John Street, Glasgow1859
35
Horatio McCulloch (1805–1867), Landscape Painter1859 · Национална галерия на Шотландия
36
Mrs Catherine Glen Stronach of Lindsaylands1867
37
Alexander Stronach of Lindsaylands1867
38
Portrait of a Bearded Gentleman1865
39
Professor Robert Buchanan (1785–1873)1866
40
Reverend Thomas Barclay (1792–1873)1870
41
William Gibb, JP1871
42
Hugh Cowan1870 · Ayr Town Hall
43
Lady Macnee1870
44
Portrait of an Old Lady1864
45
Peter Denny (1821–1895)1868 · National Maritime Museum
46
Reverend James Begg (1808–1883), Free Church Minister1869 · Национална галерия на Шотландия
47
Charles Mackay, LLD, FSA (unfinished)1870
48
Robert Home (c.1794–1867), Town Clerk1865 · Berwick-upon-tweed Town Hall
49
Alexander Dunlop Anderson, MD, President of the Faculty of Physicians and Surgeons of Glasgow (1852–1855)1870
50
Mrs Peter Simpson1870 · County Buildings
51
Sir James Bain (1817–1898)1870 · Национална галерия на Шотландия
52
Robert Carruthers (1799–1878)1871
53
My Little Dolly1866 · The Stirling Smith Art Gallery - Museum
54
John Hutton Balfour (1808–1884)1878
55
Professor Andrew Buchanan (1839–1876), Regius Professor of the Theory of Physics1872 · The Hunterian Museum and Art Gallery
56
Professor Allen Thomson (1809–1884), Professor of Anatomy at the University of Glasgow1878
57
Bailie James Moir (1806–1880)1877
58
Robert Dalglish (1808–1880), MP1874
59
Sir James Bain (1818–1898), Lord Provost of Glasgow (1874–1877)1878
60
Sam Bough (1822–1878)1878
61
John Carrick (1819–1890), Glasgow City Architect1877
62
John Ramsay McCullochНационална портретна галерия
63
Charles Randolph (1809–1878), Engineer, Shipbuilder1879
64
John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire1881
65
Arthur Perigal (1816–1884), Landscape Painter1881 · Национална галерия на Шотландия
66
John Gibson Fleming (1809–1879), President of the Faculty of Physicians and Surgeons of Glasgow (1865–1868, 1870–1872)1880
67
Burns and his Highland MaryНационална галерия на Шотландия
68
A Portrait Study of a Gentleman Seated in an InteriorНационална галерия на Шотландия
69
Professor W. Mackenzie
70
Samuel Hunter (1769–1839), Editor of the 'Glasgow Herald'
71
The Sisters1868
72
Portrait of a Girl
73
Sir William Jackson (1805–1876), Bt, Member of Parliament for North Derbyshire
74
James White, Esq., of Overtoun
75
Burns and 'Highland Mary'
76
Reverend Dr William Anderson (1799–1873)
77
William Murray of Monkland, FRSE
78
William Mathieson
79
John Aitchison (1769–1859)
80
Clarkson Stanfield (1793–1867), HRSA, RARoyal Scottish Academy of Art - Architecture
81
Thomas Coats (1809–1883)
82
James Donaldson, Builder
83
John Elder (1824–1869)
84
Portrait Study of a Gentleman Standing in an InteriorНационална галерия на Шотландия
85
George BailleRoyal Faculty of Procurators
86
The Letter
87
David Roberts (1796–1864), HRSA, RARoyal Scottish Academy of Art - Architecture
88
Portrait Study of a Gentleman Seated in an InteriorНационална галерия на Шотландия
89
Dugald Moore
90
Mrs George Kerr
91
Anderson Kirkwood, LLDRoyal Faculty of Procurators
92
John Dykes, Provost (1860–1869)
93
Portrait Study of a Gentleman Standing in an InteriorНационална галерия на Шотландия
94
William Johnstone of Glenorchard (1806–1864)
95
Colonel John Ferrier Hamilton of Cairnhill (1786–1871)County Buildings
96
Sir John WhiteheadNew York Historical Society
97
Robert Perry (1783–1848), President of the Faculty of Physicians and Surgeons of Glasgow (1843–1845)
98
Peter Coats (1808–1890)
99
Portrait Study of Three Ladies and a Boy in Highland Dress in an InteriorНационална галерия на Шотландия
100
J. Francis Williams (1785–1846), RSARoyal Scottish Academy of Art - Architecture
#1 Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860)
#2 David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock
#3 Archibald McNeill, Principal Clerk of Session (1858–1870)
#4 Horatio McCulloch (1805–1867)
#5 A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman)
Четирите най-често срещани теми сред тези произведения, всяка с най-известния си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Даниел Макни | Картини от този списък |
|---|---|---|---|
 Национална галерия на Шотландия |
Единбург | 17 | Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), A Portrait Study of a Gentleman Standing in an Interior |
 Национална галерия на Шотландия |
Единбург | 11 | Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Rev. James Taylor, 1813 - 1892. Minister and author, John Wilson (1800–1849), Singer and Composer of Songs |
 Royal Scottish Academy of Art - Architecture |
Единбург | 6 | Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter), The Bracelet, Clarkson Stanfield (1793–1867), HRSA, RA |
 Royal Faculty of Procurators |
Glasgow | 3 | Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), George Baille, Anderson Kirkwood, LLD |
 The Stirling Smith Art Gallery - Museum |
Стърлинг | 3 | Agnes Smith Greig, My Little Dolly |
 Национална портретна галерия |
Лондон | 2 | Douglas William Jerrold, John Ramsay McCulloch |
 County Buildings |
Ayr | 2 | Mrs Peter Simpson, Colonel John Ferrier Hamilton of Cairnhill (1786–1871) |
 Scottish Courts And Tribunals Service |
Edinburgh | 1 | Archibald McNeill, Principal Clerk of Session (1858–1870) |
Изберете десетилетие, за да разгледате неговата основна картина.
The portrait captures John Wilson, a singer and composer, in a moment of quiet contemplation. He is rendered with a serious expression, his gaze directed away from the viewer toward an unseen distance. A beard and mustache frame a face that suggests a life of creative thought. He wears a formal suit and tie, the attire of a man of his era and professional standing. The composition places him as…
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859), Royal Faculty of Procurators, Glasgow. Следните произведения са David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) и Archibald McNeill, Principal Clerk of Session (1858–1870) (1860).
53 години: Даниел Макни е роден/а в 1806, а Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) е датирана 1859.
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock, Archibald McNeill, Principal Clerk of Session (1858–1870), Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Sir James Matheson (1796–1878), Rev. James Taylor, 1813 - 1892. Minister and author, Professor Allen Thomson (1809–1884), FRCSEd (1832) и Adam Sim of Coulter Mains (1805–1868). Списъкът по-горе съдържа датата и музея, в който се намира всяко от тях.
Каталогът съдържа 114 произведения на Даниел Макни, датирани между 1830 и 1881.
Предимно в Национална галерия на Шотландия (Единбург), Национална галерия на Шотландия (Единбург) и Royal Scottish Academy of Art - Architecture (Единбург). Таблицата с музеи по-горе представя пълното разпределение.
В 1870s: 22 от 100 произведенията, изброени на тази страница, са датирани от този период, включително Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist.
Най-старата датирана творба в този списък е John Wilson (1800–1849), Singer and Composer of Songs (1830), а най-новата е John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire (1881).
Man (9), Portraiture (7) и 19th century (7) от общо 100 произведения, изброени на тази страница.
Oil On Canvas, в 10 от 100 произведения, изброени на тази страница.
Academic realism, както е отразено в произведенията на тази страница.
Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) и A Portrait Study of a Gentleman Standing in an Interior са сред 12 произведения на тази страница в колекцията на Национална галерия на Шотландия, Единбург.
Даниел Макни (1806 – 1882) заема централно място в историята на шотландското изкуство, разпознаваем предимно чрез своите вълнуващи изображения на Хайлендс и решаващия си принос за основаването на Кралската шотландска академия. Роден в престижно лондонско семейство, неговият творчески път започва в среда на значителен привилегиен статус, но бързо намира своята истинска цел – улавянето на суровата красота и духа на Шотландия, страст, която по-късната му творческа дейност ще дефинира напълно.
Пътят на Макни към изкуството е белязан от дисциплина и проницателност, качества, които корени си имат в неговото образование в престижния колеж Итън и последващите му обучения в Christ's Hospital. Преди да се посвети изцяло на живописта, той навлича в една забележителна военноморска кариера, чийто опит се превръща в безценен актив за неговия по-късен художествен поглед. Творческата му чувствителност е дълбоко оформена от пейзажите на Шотландия, а по-специално от Националния парк Кейрнгормс, където той прекарва дълги периоди. С прецизност на картограф, той изучава топографни рисунки и скици, стремящ се да предаде с максимална точност драматичните панорами и фините тонални нюанси, които са характерни за тези планински региони.
Предаността на Макни към художественото съвършенство достига своя кулминация през 1837 г., когато е избран за член на Кралската шотландска академия – престижно почетение, което утвърждава позицията му като водещ глас в шотландската художествена общност. Като президент на Академията от 1869 г. до смъртта си, той се превръща в застъпник на иновациите, създавайки подкрепяща среда за млади и амбициозни артисти.
Сред най-прославните му произведения безспорно се отличава „Дама в сиво“ (1859) – портрет на неговата дъщеря, по-късно г-жа Уайзман. Изпълнено с изключителен реализъм и емоционална дълбочина, това платно е истинско доказателство за майсторството на Макни в работата с тоналните преходи – техника, която той използва с изкуство, за да предаде настроение и текстура. Приглушената палитра не само отразява господстващите художествени тенденции на епохата, но и улавя тихата достойнство на портретираното лице.
Освен портретната живопис, Макни създава множество пейзажи, които разкриват неговото остро усещане за светлина и цвят. Неговите платна представят драматични планински вериги, изкъпани в златна слънчева светлина, които предават осезаемо чувство за величие и спокойствие. Този ефект е постигнат чрез прецизно наблюдение и внимателна техника на мазане – характеристики, които отличават неговите пейзажи от по-общите и повърхностни изображения на Хайлендс.
Художественият стил на Макни черпи вдъхновение от луминизма – движение, което акцентира върху атмосферните ефекти и деликатните тонални вариации. Той умело адаптира техниките, пионерирани от майстори като Джордж Калеб Бингъм и Фредерик Чърч. Неговото непоколебимо внимание към детайла и предаването на същността на обектите гарантират, че неговите картини ще останат вечни изражения на шотландския пейзаж и портретната школа.
Приносът на Даниел Макни към шотландското изкуство надхвърля рамките на отделните шедьоври; той играе решаваща роля в изграждането на институционалната рамка на шотландската култура чрез Кралската шотландска академия, насърчавайки художествения диалог и стремежа към съвършенство. Неговите картини продължават да резонират с публиката и днес, служейки като живи напомняния за една минала епоха, белязана от романтичния идеализъм и безмълвното възхищение пред сублимната красота на природата. Наследството на Макни не се състои само в неговите художествени постижения, но и в неговото дълготрайно влияние върху следващите поколения шотландски творци.
