Портрет на Едуард Лиър

List of the 100 Most Famous Paintings by Едуард Лиър

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Резюме

The most widely known painting by Едуард Лиър is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by Едуард Лиър; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, Лондон Romanticism Най-много творби: Yale Center for British Art

Едуард Лиър: the 10 principal paintings

1
Cogoleto, Italy на Едуард Лиър

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) на Едуард Лиър

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Фицвилям Колеж, Кембридж

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Едуард Лиър: entries 11 to 100

11A Great Green Macaw на Едуард ЛиърA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) на Едуард ЛиърGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France на Едуард ЛиърDiano, South Of France 14Philae, Egypt (1863) на Едуард ЛиърPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) на Едуард ЛиърThe Plains of Lombardy from Monte Generoso1880 · Ашмолеан Музей на изкуството и археологията 16Between Olavano and Civitella (1842) на Едуард ЛиърBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) на Едуард ЛиърCivita Castellana1839 18Планините на Термопиле (1852) на Едуард ЛиърПланините на Термопиле1852 · Бристолски музей - художествена галерия 19A Study of Ferns, Civitella (1842) на Едуард ЛиърA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) на Едуард ЛиърLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) на Едуард ЛиърTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) на Едуард ЛиърRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) на Едуард ЛиърRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) на Едуард ЛиърA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) на Едуард ЛиърA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) на Едуард ЛиърStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) на Едуард ЛиърVenosa1852 · Музей на изкуствата в Толедо 28Corfu from near the Village of Virós (1858) на Едуард ЛиърCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) на Едуард ЛиърJerusalem from the Mount of Olives1858 · Музеят на Израел 30Corfu from Ascension (1860) на Едуард ЛиърCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) на Едуард ЛиърCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) на Едуард ЛиърCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) на Едуард ЛиърButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) на Едуард ЛиърZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) на Едуард ЛиърMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) на Едуард ЛиърView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) на Едуард ЛиърView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) на Едуард ЛиърView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) на Едуард ЛиърView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) на Едуард ЛиърCorfu1863 41The Forest of Valdoniello, Corsica (1869) на Едуард ЛиърThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) на Едуард ЛиърDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) на Едуард ЛиърFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) на Едуард ЛиърA Distant View of Nice from the Hills1864 45Thermopylae (1872) на Едуард ЛиърThermopylae1872 · Ашмолеан Музей на изкуството и археологията 46Kinchinjunga (1877) на Едуард ЛиърKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) на Едуард ЛиърCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) на Едуард ЛиърBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) на Едуард ЛиърKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) на Едуард ЛиърThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) на Едуард ЛиърArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) на Едуард ЛиърA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl на Едуард ЛиърSnowy Owl 54Villa Borghese, Rome на Едуард ЛиърVilla Borghese, Rome 55Studies Of Sheep And Herdsmen на Едуард ЛиърStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 на Едуард ЛиърViews In Rome And Its Environs 2 57Opposite Calvi на Едуард ЛиърOpposite Calvi 58Arabs Approaching Mount Sinai на Едуард ЛиърArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro на Едуард ЛиърBocche Di Cattaro, Montenegro 60Palaiukhora, Crete на Едуард ЛиърPalaiukhora, Crete 61Naples, Italy на Едуард ЛиърNaples, Italy 62Katholikó Akrotiri, Crete на Едуард ЛиърKatholikó Akrotiri, Crete 63Damascus 3 на Едуард ЛиърDamascus 3 64View Of Sermoneta, Italy на Едуард ЛиърView Of Sermoneta, Italy 65Arkodyllus, Corfu на Едуард ЛиърArkodyllus, Corfu 66View Of Jerusalem 1 на Едуард ЛиърView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora на Едуард ЛиърThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria на Едуард ЛиърWindermere From Lowwood, Cumbria 69View Of Philae на Едуард ЛиърView Of Philae 70Musta, Malta на Едуард ЛиърMusta, Malta 71Modica, Sicily на Едуард ЛиърModica, Sicily 72A View Of Sorrento, Italy на Едуард ЛиърA View Of Sorrento, Italy 73Parnassus на Едуард ЛиърParnassus 74Isola Pescatore, Lake Maggiore, Italy на Едуард ЛиърIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands на Едуард ЛиърA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri на Едуард ЛиърCorfu From The Hill Of Gastouri 77Pompey's Pillar на Едуард ЛиърPompey's Pillar 78Figures On The Shore Near Edfu на Едуард ЛиърFigures On The Shore Near Edfu 79Joannina, Epirus, Albania на Едуард ЛиърJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy на Едуард ЛиърTravellers On A Road, Subiaco, Italy 81The Pyramids Road на Едуард ЛиърThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 на Едуард ЛиърView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt на Едуард ЛиърAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome на Едуард ЛиърThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta на Едуард ЛиърA Distant View Of Mdina, Malta 86Galata, Constantinople на Едуард ЛиърGalata, Constantinople 87Benares On The Ganges на Едуард ЛиърBenares On The Ganges 88Sunrise At Erment, Egypt на Едуард ЛиърSunrise At Erment, Egypt 89Porto Maurizio, Italy на Едуард ЛиърPorto Maurizio, Italy 90The Nile Above Aswan на Едуард ЛиърThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands на Едуард ЛиърA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon на Едуард ЛиърView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli на Едуард ЛиърStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia на Едуард ЛиърMount Oeta And Thermopylae From Near Lamia 95Damascus на Едуард ЛиърDamascus 96Arabs At Mount Sinai, Egypt на Едуард ЛиърArabs At Mount Sinai, Egypt 97View Of Cythera, Greece на Едуард ЛиърView Of Cythera, Greece 98The Upper Nile, Toske, Egypt на Едуард ЛиърThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari на Едуард ЛиърSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta на Едуард ЛиърPrince Of Wales Road, Malta

Principal subjects in the work of Едуард Лиър

The four subjects most frequently represented among these works, each with its best-known example.

Едуард Лиър: holding museums

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Едуард Лиър Картини от този списък
Yale Center for British Art, Ню ХейвънYale Center for British Art Ню Хейвън 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, ЛондонGovernment Art Collection Лондон 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Ашмолеан Музей на изкуството и археологията, OxfordАшмолеан Музей на изкуството и археологията Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Музеят на Израел, ЙерусалимМузеят на Израел Йерусалим 2 View of Bethlehem, Jerusalem from the Mount of Olives
Фицвилям Колеж, КембриджФицвилям Колеж Кембридж 1 The Temple of Apollo at Bassae
Бристолски музей - художествена галерия, БристолБристолски музей - художествена галерия Бристол 1 Планините на Термопиле
Музей на изкуствата в Толедо, ТоледоМузей на изкуствата в Толедо Толедо 1 Venosa
Rhode Island School of Design Museum of Art, ПровиденциасRhode Island School of Design Museum of Art Провиденциас 1 Corfu from near the Village of Virós

Едуард Лиър: principal painting of each decade

Произведения по десетилетия

Select a decade to display its principal painting.

Едуард Лиър's paintings: reference questions

Which painting by Едуард Лиър is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by Едуард Лиър are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy и Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by Едуард Лиър are documented?Display the answer

The catalogue records 419 works by Едуард Лиър, dated between 1839 and 1884.

Which museums hold the best-known paintings of Едуард Лиър?Display the answer

Principally in Yale Center for British Art (Ню Хейвън), Government Art Collection (Лондон) и Ашмолеан Музей на изкуството и археологията (Oxford). The museum table above gives the full distribution.

In which period were Едуард Лиър's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by Едуард Лиър on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of Едуард Лиър?Display the answer

Landscape (11), Scenes (11) и Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of Едуард Лиър?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is Едуард Лиър associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by Едуард Лиър are in the collection of the Yale Center for British Art?Display the answer

Philae, Egypt, Between Olavano and Civitella и A Study of Ferns, Civitella are among the 14 works on this page in the collection of the Yale Center for British Art, Ню Хейвън.

Are reproductions of paintings by Едуард Лиър available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Едуард Лиър: biographical notes

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures – he represented a radical shift in how we perceive art, literature, and the very nature of imagination. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was a complex tapestry woven from financial instability, artistic talent, and persistent personal challenges. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines – a testament to the enduring power of human creativity even amidst adversity. The shadow of familial difficulty, coupled with recurring health issues – including epilepsy and periods of melancholic reflection he termed “the Morbids” – instilled within Lear a profound sense of gentle solitude and an inclination towards imaginative escape, qualities that are profoundly reflected in his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with an astonishing level of technical precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work wasn’t merely observational; it was meticulously researched and rendered with a dedication to scientific realism that earned him recognition within the academic art world. His illustrations were sought after by prominent figures, including Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots – a veritable menagerie of wild wonders – not only refined his draftsmanship but also fostered a deep and abiding connection with the natural world, a connection that would become a recurring theme in his later landscapes. However, the demanding nature of ornithological illustration, coupled with increasingly debilitating respiratory issues and failing eyesight, eventually led him away from this exacting field. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond – a decision driven by both necessity and a yearning for respite and inspiration. Italy became a particular haven, offering not only a more temperate climate conducive to his health but also an abundance of breathtaking vistas that would profoundly influence his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity, often rendered in delicate watercolors that capture the subtle nuances of light and shadow – a testament to his mastery of color and composition.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic – a characteristic that distinguished Lear's work from simpler forms of nonsense verse. He didn’t simply invent nonsensical words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm, evocative imagery, and underlying sense of wistful longing. Lear’s limericks often explored themes of loneliness, longing, and the absurdity of existence – subjects he addressed with a surprising degree of emotional depth, cloaked within a veneer of whimsicality. He was a master of creating miniature narratives filled with unexpected twists and turns, leaving readers pondering the deeper meanings hidden beneath the surface of his playful verses.

Influences and Artistic Development

  • Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.
  • Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions – including the works of Father Browne. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

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