Portrét Charles Bird King

Charles Bird King: 90 nejznámějších obrazů, dokumentace

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 92 děl umělce Charles Bird King v našem katalogu

Shrnutí

Podle tohoto žebříčku je Portrait of John Ridge (1825) nejznámějším dílem autora Charles Bird King; nachází se v muzeu Crystal Bridges Museum of American Art v místě Bentonville. Následuje po něm Petalesharro (Generous Chief), Pawnee (1822) a Stephen Decatur (1820). Tento seznam vychází z 92 děl umělce Charles Bird King v katalogu a obsahuje 90 nejznámějších z nich, přičemž u každého záznamu uvádí datum, muzeum, ve kterém se nachází, a popis.

1785 – 1862, Newport Romanticism Nejvíce děl: Smithsonian American Art Museum

Charles Bird King: 10 nejlepších položek seznamu

1
Portrait of John Ridge (1825) od Charles Bird King

Portrait of John Ridge

1825 · Oil · Crystal Bridges Museum of American Art, Bentonville

The Portrait of John Ridge is an oil painting by Charles Bird King. Executed in 1825, the work captures the likeness of John Ridge, a Cherokee leader. King, a prominent figure in early American portraiture, documented many influential individuals of the era, including various Native American leaders.

8
Poor Artist's Cupboard (1815) od Charles Bird King

Poor Artist's Cupboard

1815 · Oil · National Gallery of Art, Washington

In the quiet, shadowed alcove of Charles Bird King’s 1815 masterpiece, Poor Artist's Cupboard, we are invited into a deeply intimate and melancholic corner of a creative life. This nearly square still life is far more than a mere collection of objects; it is a profound narrative of struggle, intellectual hunger, and the heavy weight of financial instability. At first glance, the viewer encounters a cluttered niche, an arched space…

9
Young Omahaw War Eagle, Little Missouri, and Pawnees (1821) od Charles Bird King

Young Omahaw War Eagle, Little Missouri, and Pawnees

1821 · Oil On Canvas

In this 1821 oil on canvas, Charles Bird King presents Young Omahaw War Eagle, Little Missouri, and Pawnees. The work captures a specific moment of diplomatic encounter, portraying Plains Indian chiefs who traveled to Washington to negotiate territorial rights with the government. Through his brush, King documents these Native American leaders during a period of significant political negotiation.

Charles Bird King: pokračování seznamu, od 11 do 90

11Sarah Weston Seaton with her Children Augustine and Julia (1815) od Charles Bird KingSarah Weston Seaton with her Children Augustine and Julia1815 · National Portrait Gallery 12Henry Clay (1821) od Charles Bird KingHenry Clay1821 · National Gallery of Art 13John C. Calhoun, Secretary of War (1818) od Charles Bird KingJohn C. Calhoun, Secretary of War1818 14Portrait of William Harris Crawford (1823) od Charles Bird KingPortrait of William Harris Crawford1823 · Georgia Museum of Art 15Jesse Bushyhead (1828) od Charles Bird KingJesse Bushyhead1828 16Jack o pa (The Six) (1827) od Charles Bird KingJack o pa (The Six)1827 17Co sne boin (1827) od Charles Bird KingCo sne boin1827 18Possibly Jonathan Elliot (1830) od Charles Bird KingPossibly Jonathan Elliot1830 · National Portrait Gallery 19Mrs. John Quincy Adams (1824) od Charles Bird KingMrs. John Quincy Adams1824 · Smithsonian American Art Museum 20John C. Calhoun (1823) od Charles Bird KingJohn C. Calhoun1823 · National Portrait Gallery 21Indian Girl at Her Toilett (1835) od Charles Bird KingIndian Girl at Her Toilett1835 22Powasheek (To Dash the Water Off), a Fox Chief (1837) od Charles Bird KingPowasheek (To Dash the Water Off), a Fox Chief1837 23Thomas Jefferson (1836) od Charles Bird KingThomas Jefferson1836 · National Portrait Gallery 24Nesouaquoit (Bear in the Fork of a Tree), A Fox Chief (1837) od Charles Bird KingNesouaquoit (Bear in the Fork of a Tree), A Fox Chief1837 25Miss Satterlee (1839) od Charles Bird KingMiss Satterlee1839 26No Heart (Nan che ning ga) (1837) od Charles Bird KingNo Heart (Nan che ning ga)1837 · Smithsonian American Art Museum 27Portrait of a Girl (1859) od Charles Bird KingPortrait of a Girl1859 28NOT-CHI-MI-NE. AN IOWAY CHIEF od Charles Bird KingNOT-CHI-MI-NE. AN IOWAY CHIEF 29Pah-she-pah-how od Charles Bird KingPah-she-pah-how 30M'INTOSH. A CREEK CHIEF od Charles Bird KingM'INTOSH. A CREEK CHIEF 31OPOTHLE YOHOLO. A CREEK CHIEF od Charles Bird KingOPOTHLE YOHOLO. A CREEK CHIEF 32Joshua Johnson od Charles Bird KingJoshua JohnsonSmithsonian American Art Museum 33Portrait of Mrs. William Creighton (Elizabeth Meade Creighton) od Charles Bird KingPortrait of Mrs. William Creighton (Elizabeth Meade Creighton) 34Sequoyah od Charles Bird KingSequoyahNational Portrait Gallery 35Portrait of John C. Calhoun od Charles Bird KingPortrait of John C. Calhoun 36Joshua Johnson od Charles Bird KingJoshua Johnson 37Mrs. Joshua Johnson od Charles Bird KingMrs. Joshua Johnson 38Hayne Hudjihini (Eagle of Delight) od Charles Bird KingHayne Hudjihini (Eagle of Delight) 39Makataimeshikiakiah (Back Hawk) (1833) od Charles Bird KingMakataimeshikiakiah (Back Hawk)1833 40John C. Calhoun, Secretary of War od Charles Bird KingJohn C. Calhoun, Secretary of WarChrysler Museum of Art 41Push-Ma-Ta-Ha, Chactan Warrior od Charles Bird KingPush-Ma-Ta-Ha, Chactan Warrior 42Tshusick, An Ojibway Woman od Charles Bird KingTshusick, An Ojibway Woman 43Petalesharoo, A Pawnee Brave od Charles Bird KingPetalesharoo, A Pawnee Brave 44A-MIS-QUAM, A WINNEBAGO BRAVE od Charles Bird KingA-MIS-QUAM, A WINNEBAGO BRAVE 45Payta-Kootha, A Shawanoe Warrior od Charles Bird KingPayta-Kootha, A Shawanoe Warrior 46Foke-Luste-Hajo, A Seminole od Charles Bird KingFoke-Luste-Hajo, A Seminole 47Wa-baun-see, A Pottawatome Chief od Charles Bird KingWa-baun-see, A Pottawatome Chief 48JOHN ROSS. A CHEROKEE CHIEF od Charles Bird KingJOHN ROSS. A CHEROKEE CHIEF 49Caa-tou-see. an Ojibray od Charles Bird KingCaa-tou-see. an Ojibray 50Hayne Hudjihini. Eagle of Delight od Charles Bird KingHayne Hudjihini. Eagle of Delight 51Kee-Shes-Wa, A Fox Chief od Charles Bird KingKee-Shes-Wa, A Fox Chief 52Chippeway [Chippewa] squaw ^ child od Charles Bird KingChippeway [Chippewa] squaw ^ child 53Jack-O-Pa, a Chippeway [Chippewa] chief od Charles Bird KingJack-O-Pa, a Chippeway [Chippewa] chief 54Chon-ca-pe od Charles Bird KingChon-ca-pe 55ASSEOLA, A SEMINOLE LEADER od Charles Bird KingASSEOLA, A SEMINOLE LEADER 56Mar-Ko-Me-Te, A Menomene Brave od Charles Bird KingMar-Ko-Me-Te, A Menomene Brave 57TUKO-SEE-MATHLA. A SEMINOLE CHIEF od Charles Bird KingTUKO-SEE-MATHLA. A SEMINOLE CHIEF 58Ma-Has-Kah or White Cloud. an Ioway chief od Charles Bird KingMa-Has-Kah or White Cloud. an Ioway chief 59Chippeway squaw ^ child od Charles Bird KingChippeway squaw ^ child 60Major Ridge, A Cherokee Chief od Charles Bird KingMajor Ridge, A Cherokee Chief 61MA-KA-TAI-ME-SHE-KIA-KIAH od Charles Bird KingMA-KA-TAI-ME-SHE-KIA-KIAH 62John C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate od Charles Bird KingJohn C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate 63TEH-RO-HON, AN IOWAY WARRIOR od Charles Bird KingTEH-RO-HON, AN IOWAY WARRIOR 64Ki-On-Twog-Ky or Cornplant od Charles Bird KingKi-On-Twog-Ky or Cornplant 65Keokuk, Chief of the Sacs ^ Foxes od Charles Bird KingKeokuk, Chief of the Sacs ^ Foxes 66Rant che wai me, Female Flying Pigeon od Charles Bird KingRant che wai me, Female Flying Pigeon 67Little Eagle, Wad-ben-de-ba od Charles Bird KingLittle Eagle, Wad-ben-de-ba 68Co-sne-boin od Charles Bird KingCo-sne-boinSmithsonian American Art Museum 69Portrait of David Vann od Charles Bird KingPortrait of David Vann 70Tah-Chee, A Cherokee Chief od Charles Bird KingTah-Chee, A Cherokee Chief 71Petelesharro (Generous Chief) od Charles Bird KingPetelesharro (Generous Chief) 72Red Jacket od Charles Bird KingRed Jacket 73Ong-pa-ton-ga, or, The big elk, chief of the Omahas od Charles Bird KingOng-pa-ton-ga, or, The big elk, chief of the Omahas 74Wai-Kee-Chai, Sanky Chief, Crouching Eagle od Charles Bird KingWai-Kee-Chai, Sanky Chief, Crouching EagleCrystal Bridges Museum of American Art 75SPRING FROG. A CHEROKEE CHIEF od Charles Bird KingSPRING FROG. A CHEROKEE CHIEF 76Still Life on a Green Table Cloth od Charles Bird KingStill Life on a Green Table ClothMuzeum umění v Bostonu 77Blowing Bubbles od Charles Bird KingBlowing Bubbles 78Ottoe Half Chief, Husband of Eagle of Delight od Charles Bird KingOttoe Half Chief, Husband of Eagle of DelightCrystal Bridges Museum of American Art 79Poor Artist's Cupboard od Charles Bird KingPoor Artist's Cupboard 80Jack-o-pa (The Six) od Charles Bird KingJack-o-pa (The Six)Smithsonian American Art Museum 81ME-NA-WA. A CREEK WARRIOR od Charles Bird KingME-NA-WA. A CREEK WARRIOR 82Mrs. Joshua Johnson od Charles Bird KingMrs. Joshua JohnsonSmithsonian American Art Museum 83YOHOLO-MICCO. A CREEK CHIEF od Charles Bird KingYOHOLO-MICCO. A CREEK CHIEFSmithsonian American Art Museum 84Monchousia (White Plume) od Charles Bird KingMonchousia (White Plume) 85Portrait of Louisa Adams, wife of John Quincy Adams od Charles Bird KingPortrait of Louisa Adams, wife of John Quincy Adams 86Sharitarish (Wicked Chief) od Charles Bird KingSharitarish (Wicked Chief) 87No-way-ke-sug-ga od Charles Bird KingNo-way-ke-sug-gaSmithsonian American Art Museum 88Shaumonekusse (Prairie Wolf) od Charles Bird KingShaumonekusse (Prairie Wolf) 89Itinerant Artist (1830) od Charles Bird KingItinerant Artist1830 90Young Omahaw, War Eagle, Little Missouri, and Pawnees (1821) od Charles Bird KingYoung Omahaw, War Eagle, Little Missouri, and Pawnees1821 · Smithsonian American Art Museum

Charles Bird King: díla podle období

Hlavní témata v díle Charles Bird King

Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.

Charles Bird King: v muzeích

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Charles Bird King Obrazy z tohoto seznamu
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 9 Mrs. John Quincy Adams, No Heart (Nan che ning ga), Joshua Johnson
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 7 Stephen Decatur, Louis McLane, Sarah Weston Seaton with her Children Augustine and Julia
Crystal Bridges Museum of American Art, BentonvilleCrystal Bridges Museum of American Art Bentonville 3 Portrait of John Ridge, Wai-Kee-Chai, Sanky Chief, Crouching Eagle, Ottoe Half Chief, Husband of Eagle of Delight
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 2 Rip van Winkle Returning from a Morning Lounge, Still Life on a Green Table Cloth
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Poor Artist's Cupboard, Henry Clay
Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 1 Sagoyewatha (known as "Red Jacket")
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 The Vanity of the Artist's Dream
Georgia Museum of Art, AthensGeorgia Museum of Art Athens 1 Portrait of William Harris Crawford

Charles Bird King podle desetiletí: nejznámější obraz každého z nich

Díla podle dekád

Vyberte dekádu, abyste zobrazili její hlavní obraz.

Charles Bird King: otázky a dokumentované odpovědi

Který obraz autora Charles Bird King dominuje seznamu nejslavnějších děl?Zobrazit odpověď

Portrait of John Ridge (1825), Crystal Bridges Museum of American Art, Bentonville. Následující položky jsou Petalesharro (Generous Chief), Pawnee (1822) a Stephen Decatur (1820).

Kolem kolika let bylo Charles Bird King, když byl namalován obraz Portrait of John Ridge?Zobrazit odpověď

40 let: Charles Bird King se narodil/a v 1785 a dílo Portrait of John Ridge pochází z roku 1825.

Kterých 10 děl tvoří top 10 umělce Charles Bird King?Zobrazit odpověď

Portrait of John Ridge, Petalesharro (Generous Chief), Pawnee, Stephen Decatur, Louis McLane, Sagoyewatha (known as "Red Jacket"), Rip van Winkle Returning from a Morning Lounge, The Vanity of the Artist's Dream, Poor Artist's Cupboard, Young Omahaw War Eagle, Little Missouri, and Pawnees a McIntosh, A Creek Chief. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.

Kolik děl autora Charles Bird King je evidováno?Zobrazit odpověď

Katalog obsahuje 92 děl umělce Charles Bird King datovaných v období od 1815 do 1859.

Ve kterých sbírkách se nachází nejznámější díla umělce Charles Bird King?Zobrazit odpověď

Primárně v Smithsonian American Art Museum (Washington, D.C.), National Portrait Gallery (Washington, D.C.) a Crystal Bridges Museum of American Art (Bentonville). Tabulka muzeí výše uvádí úplné rozdělení.

Kdy byla namalována nejznámější díla umělce Charles Bird King?Zobrazit odpověď

V období 1820s: 15 z 90 děl uvedených na této stránce pochází z tohoto období, včetně Portrait of John Ridge.

Která díla s datem vzniku od Charles Bird King jsou zde nejstarší a nejnovější?Zobrazit odpověď

Nejdulší dílo uvedené zde pochází z Poor Artist's Cupboard (1815); nejnovější z Portrait of a Girl (1859).

Jaká témata se nejčastěji objevují v dílech umělce Charles Bird King?Zobrazit odpověď

Portraits (46), Portraiture (7) a Portrait (5), z celkových 90 děl uvedených na této stránce.

Jaké materiály používal(a) Charles Bird King nejčastěji?Zobrazit odpověď

Oil, v 3 ze 90 děl uvedených na této stránce.

Který umělecký směr zastupuje Charles Bird King?Zobrazit odpověď

Romanticism, jak je dokumentují díla na této stránce.

Která díla umělce Charles Bird King se nacházejí v kolekcích Smithsonian American Art Museum?Zobrazit odpověď

Mrs. John Quincy Adams, No Heart (Nan che ning ga) a Joshua Johnson patří mezi 9 děl na této stránce v kolekci Smithsonian American Art Museum, Washington, D.C..

Charles Bird King: život a dílo

A Life Etched in Portraiture: The World of Charles Bird King

Charles Bird King, born in Newport News, United States of America (1785), stands as a pivotal figure in the evolution of American portraiture during an era defined by profound national transformation. His life story is a compelling tapestry woven with threads of personal hardship and unwavering artistic ambition—a journey that ultimately immortalized not only the nation’s political elite but also its Native American leaders, a demographic often overlooked within the artistic landscape of his time. The early years of King's existence were marked by tragedy; at just four years old, he endured the loss of his father, Zebulon King, a veteran of the Revolutionary War, who fell victim to an attack near Marietta, Ohio. This devastating event prompted a return with his mother to Newport, Rhode Island, where the seeds of his artistic calling would begin to sprout and take root.

From European Academies to the American Capital

King’s formal artistic training commenced at the age of fifteen under the tutelage of Edward Savage in New York City—a foundational experience that ignited within him a passionate dedication to portraiture. However, it was his subsequent seven-year sojourn at the Royal Academy in London, studying alongside the esteemed Benjamin West, that truly defined his artistic sensibilities and shaped his evolving style. This immersive period within European art traditions—particularly those of the Dutch and Northern Renaissance masters—would become a defining characteristic woven into the very fabric of his work. The meticulous observation of anatomy and drapery, combined with an understanding of chiaroscuro – the dramatic interplay of light and shadow – were lessons that would resonate throughout King’s career. Upon returning to the United States amidst the tumult of the War of 1812, King navigated a shifting landscape, briefly establishing himself in Philadelphia, Baltimore, and Richmond before ultimately settling in Washington, D.C. This strategic move proved decisive; the burgeoning capital offered both economic opportunity and access to a powerful network of potential patrons. It was here that King would establish himself as the preeminent portraitist of his era, capturing the likenesses of influential politicians, diplomats, and military figures with remarkable skill and sensitivity. He skillfully blended classical influences with emerging American realism—a testament to his adaptability and artistic vision.

A Legacy Forged in Likeness: Style and Influences

King’s artistic style is characterized by a meticulous attention to detail, a refined sense of composition, and a subtle yet compelling psychological depth. While firmly rooted in European traditions, his work possesses a distinctly American quality—a realism tempered by an understated elegance. The influence of Dutch masters is particularly evident in his masterful use of light and shadow, the exquisite texture of fabrics, and the overall sense of quiet dignity that permeates his portraits. Artists like Rembrandt and Johannes Vermeer served as constant inspiration, guiding King’s approach to rendering human form and emotion with unparalleled accuracy. He wasn't driven by flamboyant displays or dramatic narratives but rather focused on presenting his sitters with honesty and respect—an approach that resonated deeply with a society that valued decorum, intellect, and civic virtue. His portraits weren't merely representations; they were statements about character and status.

Portraits of Power and Cultural Exchange

Perhaps King’s most enduring contribution lies in his remarkable series of portraits depicting Native American leaders and tribesmen. Commissioned by Thomas L. McKenney, the Superintendent of Indian Trade, these paintings were intended to document the diverse cultures and individuals encountered during diplomatic missions to Washington D.C. These works are not simply historical records; they are powerful statements about cultural exchange, political negotiation, and the complex relationship between the United States government and Native American tribes. Portraits such as those of Kee-shes-wa (a Fox chief), Jack-o-pa (a Chippewa chief), and Teh-ro-hon (an Ioway warrior) stand as testaments to King’s skill in capturing not only physical likeness but also the dignity, strength, and cultural identity of his subjects. While some modern critics have noted potential inaccuracies or romanticized depictions within these portraits, their historical significance remains undeniable—they offer a rare glimpse into a formative period of American history. These paintings served as both artistic achievements and diplomatic tools.

Enduring Impact and Artistic Remembrance

Charles Bird King’s success was not solely attributable to his artistic talent; he possessed a remarkable ability to cultivate relationships with influential patrons, including John Quincy Adams, Henry Clay, James Monroe, and Daniel Webster. This social acumen, combined with his unwavering dedication to his craft, allowed him to thrive in the competitive art world of early 19th-century America. Elected an honorary academician by the National Academy of Design in 1827, King continued to paint prolifically until his death in Washington D.C. in 1862. In a final act of generosity, he bequeathed his collection of paintings, books, and prints to the Redwood Library and Athenaeum, ensuring that his legacy would endure for generations to come. Today, Charles Bird King’s works are held in prominent museums across the United States, serving as invaluable windows into a formative period of American history and artistic expression.
  • Key Achievements: Masterful portraiture of Native American leaders and influential political figures.
  • Artistic Style: Blend of European (Dutch & Northern Renaissance) techniques with an understated American realism.
  • Historical Significance: Documented a crucial period of cultural exchange and political negotiation in early America.