Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 43 děl umělce Willem de Poorter v našem katalogu
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The idolatry of King Solomon (1639) je považován za nejslavnější obraz Willem de Poorter; nachází se v instituci Rijksmuseum, Amsterdam. An Allegorical Subject (The Just Ruler) (1636) a Vanitas Allegory (1634) zaujímají druhé a třetí místo. Z 43 děl umělce Willem de Poorter zaznamenaných v katalogu je níže uvedeno 39 nejznámějších, přičemž u každého díla je uvedeno datum vzniku, muzeum, ve kterém se nachází, a poznámka k dílu.
The air in the temple feels heavy, thick with the scent of burning incense and the weight of stone. A single, sharp light cuts through the gloom from the left, striking the pale skin of a nude female statue perched upon an elevated pedestal. This figure, a sculpture of Venus and Cupid, stands as a silent witness to the ritual unfolding below. King Solomon kneels in the dimness, his presence…
An Allegorical Subject (The Just Ruler) is an oil on oak panel by Willem de Poorter. Created about 1636, this work functions as an allegory. The paint clings to the wood, capturing a moment of stillness within a dark, interior space.
A heavy, somber stillness fills the room as a woman sits draped in deep crimson fabric, her gaze drifting upward in a moment of profound contemplation. The air feels thick with the weight of what is lost and what is fleeting. Beside her, a skeletal figure emerges from the deep shadows, its bony hand reaching out to hold a mirror that reflects nothing but darkness. This sudden, chilling encounter between…
A heavy, directional light cuts through the gloom, striking the edge of a stone sarcophagus. The scene is a study in darkness, where deep umbers and blacks swallow the corners of the room. On the right, a figure in dark clothing leans toward the carved monument, their form partially lost to the shadows. A small, cherub-like figure perches atop the stone, a pale contrast to the somber weight of the…
The oil on panel work titled St. Paul and St. Barnabus at Lystra was executed by the Dutch Golden Age painter Willem de Poorter. This specific creation dates to 1636. The pigment rests upon a wooden surface, capturing a moment of intense human reaction through the medium of oil.
King Ezechias is an oil painting by Willem de Poorter, executed about 1635. The work belongs to the Dutch Golden Age, a period defined by the technical precision and stylistic shifts of the seventeenth-century Netherlands. De Poorter, a painter active in Haarlem, was a member of the Haarlem Guild of St. Luke by 1634.
In this oil on canvas, a group of figures occupies a shallow, dimly lit space within a cavernous setting. The composition is anchored by a table draped in a white cloth, which catches a strong light source originating from the left. Seated at this table is Mercury, wearing a winged cap, engaged in an interaction with Proserpina and two other figures. Proserpina is depicted in blue drapery, her form positioned…
The room is heavy with the weight of dark cloth and silent intention. A woman sits upon a throne, her figure draped in light-colored, flowing garments that catch the singular source of light. She reaches out, her fingers poised to receive a gift. Before her, a man kneels in the shadows, his posture one of humble offering. He holds a woven basket, its contents heavy with fruit, presenting the harvest…
The composition follows a sharp diagonal movement, drawing the eye from the lower left toward the elevated figure of Solomon in the upper right. This structured arrangement directs attention to the central interaction between the two monarchs. The Queen of Sheba kneels in white and gold, her presence framed by attendants, while Solomon sits enthronically in lavender and gold. The scene captures a moment of diplomatic encounter, steeped in themes…
Parable of the Talents1634 · Národní galerie Praha
12
Samson and Delilah1632 · Gemäldegalerie
13
Odysseus and Athena Hide the Trojan Booty1638 · Bavarské státní sbírky malby
14
The Adulteress before Christ1640 · Staatliche Kunstsammlungen Dresden
15
An Allegory of Vanitas: The desecration of a tomb1640
16
Saul and David in the cave of En-Gedi1637 · Národní muzeum ve Varšavě
17
Mordecai Listening to the Conspiracy of Ahasuerus's Chamberlains, Bigthan and Teresh1638 · Royal Collection
18
Allegori på freden. Pax krones af Minerva1643 · Statens Museum for Kunst
19
A messenger brings the tidings of Saul's (and Jonathan's) death to David; the messenger falls prostrate to the ground before David (2 Samuel 1:1-11)1647 · Rafael Valls Limited
20
Allegory of Colonial Power1638 · Szépművészeti Múzeum
21
Vanitas still life1636 · Museum Boijmans Van Beuningen
22
Still-Life with Weapons and Banners1636
23
Resurrection of LazarusBavarské státní sbírky malby
24
The Robing of EstherNational Gallery of Ireland
25
Artemisia Receives the Ashes of MausolusRhode Island School of Design Museum of Art
26
Lucrece Au Travail
27
Lucrèce Au Travail
28
Tobias And The Angel
29
Joseph Interprets Pharaoh's Dream
30
Croesus Shows Solon His Richness
31
St. Paul And St. Barnabas At Lystra
32
Joseph And His Brothers
33
Still Life With Weapons And Banners
34
Solomon And The Queen Of Sheba
35
Räuber Am Marmorsarkophag
36
A Woman Praying
37
An Allegorical Subject (The Just Ruler)
38
The Gold Weigher
39
Lucrèce À L'ouvrageMusée des Augustins
Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Willem de Poorter | Obrazy z tohoto seznamu |
|---|---|---|---|
 Statens Museum for Kunst |
Kodaň | 4 | King Ezechias, Mercury and Proserpina, A Peasant Handing a Fruit Basket to an Enthroned Woman |
 Staatliche Kunstsammlungen Dresden |
Drážďany | 2 | Presentation of Christ in the Temple, The Adulteress before Christ |
 Bavarské státní sbírky malby |
Mnichov | 2 | Odysseus and Athena Hide the Trojan Booty, Resurrection of Lazarus |
 Rijksmuseum |
Amsterdam | 1 | The idolatry of King Solomon |
 National Gallery |
Londýn | 1 | An Allegorical Subject (The Just Ruler) |
 Nationalmuseum |
Stockholm | 1 | Vanitas Allegory |
 Vychodoslovenské Galéria |
Košice | 1 | At the Sarcophagus |
 Minneapolis Institute of Art |
Minneapolis | 1 | St. Paul and St. Barnabus at Lystra |
Willem de Poorter: díla datovaná od 1630 do 1647, celkem 18 let, indexovaná rok po roce s hlavními obrazy z každého období.
Vyberte rok pro zobrazení jeho hlavních obrazů.
The oil on panel work titled St. Paul and St. Barnabus at Lystra was executed by the Dutch Golden Age painter Willem de Poorter. This specific creation dates to 1636. The pigment rests upon a wooden surface, capturing a moment of intense human reaction through the medium of oil.
Další díla z období 1630
In this work, Samson and Delilah, Willem de Poorter presents a scene of profound tension and vulnerability. Created about 1632, the painting captures a moment of impending betrayal within a dimly lit interior. Samson reclines in a state of repose, his strength seemingly surrendered to sleep, while Delilah sits beside him. Her expression is one of wary observation, a quiet contrast to the physical presence of the man beside her.…
A heavy, somber stillness fills the room as a woman sits draped in deep crimson fabric, her gaze drifting upward in a moment of profound contemplation. The air feels thick with the weight of what is lost and what is fleeting. Beside her, a skeletal figure emerges from the deep shadows, its bony hand reaching out to hold a mirror that reflects nothing but darkness. This sudden, chilling encounter between…
Další díla z období 1634
A heavy, directional light cuts through the gloom, striking the edge of a stone sarcophagus. The scene is a study in darkness, where deep umbers and blacks swallow the corners of the room. On the right, a figure in dark clothing leans toward the carved monument, their form partially lost to the shadows. A small, cherub-like figure perches atop the stone, a pale contrast to the somber weight of the…
Další díla z období 1635
An Allegorical Subject (The Just Ruler) is an oil on oak panel by Willem de Poorter. Created about 1636, this work functions as an allegory. The paint clings to the wood, capturing a moment of stillness within a dark, interior space.
Další díla z období 1636
The cavernous interior of En-Gedi provides a somber, claustrophobic stage for this dramatic encounter. A standing figure, draped in heavy burgundy velvet, looms over a younger man kneeling in polished metal armor. The composition relies on a sharp chiaroscuro, where light spills from an unseen source to the left, catching the glint of plate armor and the deep folds of regal robes. This theatrical illumination carves the figures out of…
We are looking at Odysseus and Athena Hide the Trojan Booty, a work by the Dutch Golden Age painter Willem de Poorter. This piece, which dates to about 1638, captures a moment of mythological tension through the lens of seventeenth-century Dutch sensibilities. The scene focuses on the interaction between the hero Odysseus and the goddess Athena amidst a collection of spoils.
Další díla z období 1638
The air in the temple feels heavy, thick with the scent of burning incense and the weight of stone. A single, sharp light cuts through the gloom from the left, striking the pale skin of a nude female statue perched upon an elevated pedestal. This figure, a sculpture of Venus and Cupid, stands as a silent witness to the ritual unfolding below. King Solomon kneels in the dimness, his presence…
The painting titled The Adulteress before Christ is a work by the Dutch Golden Age painter Willem de Poorter. This specific composition is also identified by the titles Christ and the Adulteress and Die Ehebrecherin vor Christus. The piece is dated to about the 1640s.
Další díla z období 1640
A dramatic Baroque scene unfolds upon a raised platform, where the heavy weight of dark drapery frames a moment of profound transition. On the right, a seated female figure in white robes, representing Pax, receives a crown from a standing figure, likely Minerva. This central act of coronation is surrounded by a gathering of figures engaged in symbolic gestures of abundance. One woman pours grain, while men kneel near vessels,…
In this 1647 oil painting, we find ourselves witnessing a moment of profound transition and grief. The scene captures the exact instant a messenger delivers the news of the deaths of Saul and Jonathan to King David. There is a palpable weight to the atmosphere, a stillness that follows a sudden, devastating shock. David is depicted in a state of profound mourning, his figure commanding the vertical space of the…
The idolatry of King Solomon (1639), Rijksmuseum, Amsterdam. Následující položky jsou An Allegorical Subject (The Just Ruler) (1636) a Vanitas Allegory (1634).
31 let: Willem de Poorter se narodil/a v 1608 a dílo The idolatry of King Solomon pochází z roku 1639.
The idolatry of King Solomon, An Allegorical Subject (The Just Ruler), Vanitas Allegory, At the Sarcophagus, Presentation of Christ in the Temple, St. Paul and St. Barnabus at Lystra, King Ezechias, Mercury and Proserpina, A Peasant Handing a Fruit Basket to an Enthroned Woman a Solomon and the Queen of Sheba. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 43 děl umělce Willem de Poorter datovaných v období od 1630 do 1647.
Primárně v Statens Museum for Kunst (Kodaň), Staatliche Kunstsammlungen Dresden (Drážďany) a Bavarské státní sbírky malby (Mnichov). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1635: 4 z 39 děl uvedených na této stránce pochází z tohoto období, včetně At the Sarcophagus.
Nejdulší dílo uvedené zde pochází z St. Paul and St. Barnabus at Lystra (1630); nejnovější z A messenger brings the tidings of Saul's (and Jonathan's) death to David; the messenger falls prostrate to the ground before David (2 Samuel 1:1-11) (1647).
Woman (11), Drapery (10) a Man (6), z celkových 39 děl uvedených na této stránce.
Oil, v 11 ze 39 děl uvedených na této stránce.
Baroque, jak je dokumentují díla na této stránce.
King Ezechias, Mercury and Proserpina a A Peasant Handing a Fruit Basket to an Enthroned Woman patří mezi 4 děl na této stránce v kolekci Statens Museum for Kunst, Kodaň.
