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Utopia is Elsewhere

Jméno Třída Datum

Konstantin Grcic, Utopia is Elsewhere, London Design Biennale. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Konstantin Grcic wikioo.org/cs/artists/konstantin-grcic/
Datum vzniku díla
1965 –
Koná se v
London Design Biennale wikioo.org/cs/museums/london-design-biennale-london_cs/

V kontextu

Utopia is Elsewhere — Konstantin Grcic

Kdy mohl být tento obraz vytvořen?

  1. 1960

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období, přičemž rok narození se počítá jako nula.

každý obraz s datem vzniku, dekáda po dekádě

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #c8c1b3

    Katalogizovaná paleta

    • #C8C1B3
    • #807461
    • #B7B09E
    • #181714

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Utopia is Elsewhere — Konstantin Grcic

    We listen to an ancient tune, whose subtle rhythm makes us breathe, like waves that roll onto a beach under a starry sky at night. It is a melody we know by heart from long ago, and when we hum it gently like a bird, it strikes us almost like a déjà vu. “Our sweetest songs are those that tell of saddest thought.” Because we’re unaware, of what we share with almost everyone: the taste of something else, a longing, that we carry with us from the very start. A curiosity for things we can’t imagine, as they are on the other side, and still, we know that they are there. It sounds familiar, and I’ve seen that face before, if only we remembered, where that somewhere was, the place we know each other from, but we are sheltered by the tender, gentle coat of daily life, and we forget. We dream that someone has to be there, at a different place in time and space, where there is always music, and we listen to that tune: there there, elsewhere.

    Umělec a muzeum

    Autor

    Konstantin Grcic

    Narozen(a) v Germany

    Konstantin Grcic: Shaping Functionality Through Geometric Precision

    Konstantin Grcic (Serbian: Константин Грчић), born 1965, is a German industrial designer renowned for his masterful fusion of geometric forms and unexpected angles—a stylistic hallmark that defines his distinctive design language. Growing up in Munich and Wuppertal, amidst the artistic legacy of his Serbian father and German mother – who collected eighteenth-century art and dealt in antiques respectively – instilled within him an early appreciation for craftsmanship and aesthetic exploration. This formative environment profoundly shaped his creative trajectory, propelling him toward a career dedicated to transforming utilitarian objects into captivating pieces of design.

    Early Life & Education: Foundations of Geometric Vision

    Grcic’s formal education began with a carpentry apprenticeship at The John Makepeace School for Craftsmen in Wood in Dorset, England, honing his skills in traditional woodworking techniques alongside an exploration of innovative materials. Subsequently, he pursued his undergraduate studies in Industrial Design at London's Royal College of Art, where he honed his conceptual abilities and embraced experimentation—a crucial step toward developing the uncompromising aesthetic that characterizes his work. Influenced by figures like Jasper Morrison, Grcic’s formative years fostered a commitment to simplicity, precision, and pushing boundaries within design principles.

    Career Highlights: From Atelier to Global Recognition

    Establishing Konstantin Grcic Industrial Design in 1991 marked the genesis of his independent creative journey. Immediately recognizing the potential for blending functionality with sculptural elegance, he embarked on collaborations with leading design companies—Artek, Authentics, Cassina, Flos, Magis and many more—resulting in iconic pieces that have graced museums and design exhibitions worldwide. His designs – including the groundbreaking “Mayday” lamp for Flos and the minimalist “Chair One” for Magis – exemplify his dedication to exploring new materials and pushing technological advancements within furniture construction. Notably, he was awarded Designer of the Year by German Design Award in 2016, acknowledging his contribution to contemporary design discourse.

    Notable Projects & Influences: Exploring Materiality & Conceptual Depth

    Grcic’s artistic vision extends beyond mere form; it delves into a deep engagement with materiality and conceptual exploration. Collaborations with brands like Audi, Hugo Boss, Issey Miyake, Louis Vuitton, Prada and smart/Daimler underscore his ability to translate complex ideas into tangible objects—a testament to his intellectual curiosity and creative versatility. His curation of design exhibitions – “Design-Real” for The Serpentine Gallery, London (2009), “Comfort” for the Biennale internationale du design de SaintÉtienne (2010) – demonstrates his commitment to fostering dialogue within the design community and promoting innovative perspectives on everyday life. Furthermore, he served as Honorary Royal Designer for Industry by RSA in 2009 and Fellow at Villa Massimo in Rome in 2010.

    Legacy & Significance: Shaping Contemporary Design Aesthetics

    Konstantin Grcic’s enduring influence is evident in his inclusion of designs within prominent museum collections—MoMA, New York/Centre Pompidou, Paris/Die Neue Sammlung, Munich – solidifying his position as a pivotal figure in shaping contemporary design aesthetics. His unwavering pursuit of geometric precision combined with an astute understanding of material properties has established him as a champion of minimalist elegance and functional innovation—a legacy that continues to inspire designers globally and ensures his place within the annals of industrial design history.

    Muzeum

    London Design Biennale

    Vystaveno v London, United Kingdom

    A Symphony of Form and Innovation

    Nestled within the historic grandeur of Somerset House, the

    London Design Biennale

    serves as a luminous beacon for contemporary creativity, where the weight of architectural history meets the ephemeral pulse of modern innovation. This biennial event has transcended the boundaries of a traditional exhibition to become a profound global dialogue, acting not merely as a showcase of objects but as a deliberate provocation. It invites visitors to confront the pressing social, cultural, and technological challenges of our era through the transformative lens of imaginative design solutions. For the art lover and the collector alike, the Biennale offers a rare opportunity to witness how design can act as both a mirror to our current reality and a blueprint for a more sustainable future.

    The setting itself is an integral protagonist in this narrative of transformation. Somerset House, an 18th-century neoclassical masterpiece on the banks of the River Thames, provides a dramatic and storied backdrop that amplifies the impact of every installation. Originally constructed as a courtyard hospital in 1704, its soaring ceilings and grand, light-filled spaces—such as the

    Edmond J. Safra Fountain Court

    —offer a breathtaking contrast to the cutting-edge, often experimental nature of the works presented within. This juxtaposition of the venerable and the avant-garde creates an immersive environment that stimulates the senses and encourages deep contemplation, moving away from the detached observation of conventional galleries toward a more embodied experience of art.

    A Global Tapestry of Creative Perspectives

    The brilliance of the Biennale lies in its ability to curate a global tapestry of perspectives, bringing together designers, artists, and researchers from across continents. Each edition is anchored by a central theme that drives artistic exploration, often touching upon urgent themes of sustainability, technology, and social justice. The collection of works presented is characterized by an extraordinary commitment to excellence, featuring over forty pavilions in each edition that showcase world-leading research and craftsmanship. Visitors may find themselves mesmerized by installations that utilize geometric abstraction and functionalist principles or moved by landscape-driven narratives that echo deep emotional resonance.

    For interior designers and connoisseurs of fine aesthetics, the London Design Biennale offers an inexhaustible source of inspiration, demonstrating how design can shape our understanding of both the natural and built worlds. The event is unique in its capacity to foster meaningful engagement with global issues, proving that design is far more than mere decoration; it is a powerful tool for change. By presenting works that are as intellectually stimulating as they are visually captivating, the Biennale ensures that every structural concept serves as a catalyst for much-needed conversation about our shared future.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Utopia is Elsewhere

    wikioo.org/cs/art/download/konstantin-grcic-utopia-is-elsewhere-DD3DJT-en/

    Jak citovat toto dílo

    MLA
    Grcic, Konstantin. Utopia is Elsewhere. n.d., London Design Biennale. https://wikioo.org/cs/art/konstantin-grcic-utopia-is-elsewhere-DD3DJT-en/
    APA
    Grcic, Konstantin (n.d.). Utopia is Elsewhere [Painting]. London Design Biennale. https://wikioo.org/cs/art/konstantin-grcic-utopia-is-elsewhere-DD3DJT-en/
    Chicago
    Konstantin Grcic. Utopia is Elsewhere. n.d. London Design Biennale. https://wikioo.org/cs/art/konstantin-grcic-utopia-is-elsewhere-DD3DJT-en/
    Harvard
    Grcic, Konstantin (n.d.) Utopia is Elsewhere. London Design Biennale. Available at: https://wikioo.org/cs/art/konstantin-grcic-utopia-is-elsewhere-DD3DJT-en/

    Zaměřte se pozorně

    Utopia is Elsewhere — Konstantin Grcic

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Co by vás umělec mohl chtít vyvolat?
    4. Kdybyste mohli umělci o tomto díle položit jedinou otázku, co byste se ho zeptali?

    Vaše odpověď

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    Otázky a odpovědi

    Jak "Utopia is Elsewhere" vyvažuje světlo a stín?

    „Utopia is Elsewhere“ má celkovou jasnost brilliant a jeho luminanci je Bright Balance.

    Mohu si prohlédnout „Utopia is Elsewhere“ od Konstantin Grcic pod jiným osvětlením?

    Stránka Rentgenové snímky díla „Utopia is Elsewhere“ od Konstantin Grcic nabízí interaktivní prohlížeč, který vám umožňuje procházet jedenácti optickými vrstvami obrazu, včetně pohledu ve stylu rentgenu.

    Mohu si před objednávkou prohlédnout „Utopia is Elsewhere“ od Konstantin Grcic?

    Náhled díla „Utopia is Elsewhere“ od Konstantin Grcic si můžete prohlédnout na stránce Náhled v prostoru.