Papír

Výzkumná listina

Výzkumná listina: Abstraction

Úplný záznam pro Abstraction

Jméno Třída Datum

Stuart Davis, Abstraction (1937), Smithsonian American Art Museum. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Stuart Davis wikioo.org/cs/artists/stuart-davis_cs/
Datum vzniku díla
1892 – 1964
Malováno
1937
Původní rozměry
45 x 59 cm
Koná se v
Smithsonian American Art Museum wikioo.org/cs/museums/smithsonian-american-art-museum-washington-d-c_cs/

V kontextu

Abstraction — Stuart Davis

Jak velké je?

Původní rozměry jsou 45 × 59 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 72 při smrti.

Vymalováno v době, kdy bylo umělci 45 let. Umělec dožil se 72 let. 29 z celkových 47 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Stuart Davis (1892–1964) ▲ toto dílo, 1937 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1924 Hlavní období tvůrčí činnosti: 1924–1941 Pozdní díla: od 1941

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wikioo.org/cs/art/similar/stuart-davis-abstraction-AS7UQP-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #e0d5b2

    Katalogizovaná paleta

    • #E0D5B2
    • #894E28
    • #2C2A34
    • #A79253

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Softly Mixed Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Stuart Davis za posledních dvanáct měsíců — celkem 8 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 69,4%3 400 návštěv
    2. 2 Spojené státy americké 12,2%600 návštěv
    3. 3 Švédsko 6,1%300 návštěv
    4. 4 Francie 4,1%200 návštěv
    5. 5 Chorvatsko 2,0%100 návštěv
    6. 6 Jižní Korea 2,0%100 návštěv
    7. 7 Nizozemsko 2,0%100 návštěv
    8. 8 Srbsko 2,0%100 návštěv

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Stuart Davis

    1. 1 T View, 1951 5,4%300 návštěv
    2. 2 Visa 1 5,4%300 návštěv
    3. 3 Studio interior 5,4%300 návštěv
    4. 4 Garage No. 1, 1917 3,6%200 návštěv
    5. 5 Textile with Liquor and Prohibition Motifs 3,6%200 návštěv
    6. 6 Waterfront Landscape 3,6%200 návštěv
    7. 7 Study for ''Blips and Ifs'' 3,6%200 návštěv
    8. 8 Odol 1,8%100 návštěv
    9. 9 The Mellow Pad 1,8%100 návštěv
    10. 10 Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938 1,8%100 návštěv
    11. 11 Waterfront Landscape, 1936 1,8%100 návštěv
    12. 12 Composition, 1935 1,8%100 návštěv
    13. 13 Hot Still-Scape for Six Colors. Seventh Avenue Style 1,8%100 návštěv
    14. 14 The Terminal, 1937 1,8%100 návštěv
    15. 15 Newark, 1910 1,8%100 návštěv
    16. 16 Lucky Strike, 1924 1,8%100 návštěv
    17. 17 Int'l Surface No. 1, 1960 1,8%100 návštěv
    18. 18 Ana 1,8%100 návštěv
    19. 19 Gloucester Terraces 1,8%100 návštěv
    20. — Abstraction, 1937 tento obraz 0,0%0 návštěv

    Tyto práce společně si nárokují 52,2% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 189 děl tohoto umělce, z nichž 46 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Abstraction — Stuart Davis

    Stuart Davis, a prominent American artist, created the captivating painting Abstraction in 1937. This watercolor and gouache on paper artwork measures 45 x 59 cm and is a testament to Davis' unique style, which blends geometric abstraction with vibrant colors. The painting features a colorful collage of various objects, including chairs, ladders, and clocks, creating an interesting visual experience for viewers.

    Understanding the Art Movement

    Abstractism, the art movement that Abstraction belongs to, is a visual language that uses shape, form, color, and line to create compositions independent from visual references in the world. This movement emerged in Europe during the 19th century, with artists seeking to encompass fundamental changes taking place in technology, science, and philosophy. As a professional expert in Art and https://AllPaintingsStore.com salesman, I can appreciate the significance of this artwork in the context of Abstractism Art Movement.

    Key Elements of the Painting

    The painting features at least 13 chairs, with some placed closer to the foreground while others are further back. A ladder is also visible near the center of the painting, adding depth and complexity to the composition. Two clocks are present in the artwork, one located towards the top left corner and another at the bottom right side, creating a sense of timelessness and abstraction. The use of geometric shapes and vibrant colors creates a dynamic visual experience, drawing the viewer's attention to the intricate details of the painting.

    Conclusion

    Abstraction by Stuart Davis is a masterpiece that showcases the artist's unique style and technique. As part of the Smithsonian American Art Museum collection, this painting is a testament to the significance of abstract art in the modern era. For those interested in learning more about abstract art, I recommend exploring https://AllPaintingsStore.com's collection of hand-made oil paintings reproductions, including works by Harvey Quaytman and Chapter 29: Haqaq.

    By examining the works of these artists, one can gain a deeper understanding of the abstract art movement and its significance in the world of modern art.

    Visit https://AllPaintingsStore.com to explore our collection of hand-made oil paintings reproductions.

    Learn more about Abstractism and its key elements.

    Discover the works of prominent abstract artists, including Stuart Davis and Harvey Quaytman.

    Umělec a muzeum

    Autor

    Stuart Davis

    Narozen(a) v Filadelfie, Spojené státy americké

    Stuart Davis: A Pioneer of American Modernism

    Stuart Davis, born December 7, 1892, in Philadelphia, Pennsylvania, was a formative voice within the burgeoning landscape of American Modernism. Surrounded by an artistic lineage – his father served as art editor for the Philadelphia Press and his mother practiced sculpture – he possessed an innate predisposition towards visual expression from infancy. This early exposure profoundly shaped his artistic sensibilities and propelled him toward a career dedicated to redefining artistic boundaries.

    Davis’s formal education commenced at the Robert Henri School of Art in New York City between 1909 and 1912, where he benefited immensely from the mentorship of Robert Henri himself. During this pivotal period, he cultivated enduring friendships with fellow artists John Sloan, Glenn Coleman, and Henry Glintenkamp – connections that would prove invaluable throughout his artistic journey. These formative relationships instilled in him a belief in direct observation of life and encouraged experimentation with innovative techniques.

    Early Career and the Armory Show

    Davis swiftly ascended to prominence as one of the youngest exhibitors at the monumental Armory Show of 1913, an event that irrevocably altered the course of American art history. He presented five watercolor paintings imbued with the distinctive aesthetic principles of the Ashcan School – a movement characterized by unflinching realism depicting urban life and its inhabitants. This debut showcased his commitment to portraying the everyday experiences of ordinary people with uncompromising honesty.

    Artistic Development and Style

    The 1920s witnessed Davis’s maturation into a singular artistic voice. He transitioned towards creating abstract still lifes and landscapes that incorporated elements of proto-pop art, skillfully blending geometric forms with imagery drawn from contemporary sources – notably cigarette packaging and spark plug advertisements. This daring stylistic choice reflected his fascination with the dynamism of modern life and signaled a decisive break from traditional representational conventions.

    Davis’s oeuvre is instantly recognizable for its bold color palette, assertive brushstrokes, and rhythmic energy. His artistic vision was deeply influenced by jazz music, which permeated his paintings from the 1940s onward. The Ashcan School's emphasis on capturing the gritty realities of urban existence served as an enduring cornerstone of his aesthetic approach.

    Influences and Inspirations

    Robert Henri: Provided foundational training and encouraged direct observation of life, shaping Davis’s belief in portraying authentic experiences.

    Ashcan School: Influenced his initial focus on urban realism and everyday subjects, fostering a commitment to depicting the human condition with unflinching honesty.

    Cubism: Inspired his exploration of abstract forms and fragmented perspectives, prompting him to challenge conventional artistic representations.

    Jazz Music: Contributed to the rhythmic energy and improvisational quality of his paintings, reflecting his passion for this influential musical genre.

    Notable Works

    Odol (Modernism), completed in 1928, exemplifies Davis’s masterful synthesis of geometric abstraction and recognizable imagery from popular culture. This painting captures the essence of modern life through bold colors and dynamic compositions.

    Other significant pieces include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).

    Legacy and Historical Significance

    Stuart Davis’s legacy extends far beyond his individual artworks. He stands as a pivotal figure in establishing American Modernism as a distinct artistic movement—a movement that championed innovation and challenged established norms.

    His pioneering approach to abstraction paved the way for subsequent generations of artists, solidifying his place as one of the most influential figures in 20th-century art history. Davis’s unwavering dedication to portraying the complexities of human experience continues to inspire artistic endeavors today.

    Muzeum

    Smithsonian American Art Museum

    Vystaveno v Washington, D.C., Spojené státy americké

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is far more than a mere repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

    Kde si přečíst více informací

    Veškeré informace o Abstraction by Stuart Davis, které máme k dispozici, na jeho stránce s dílem

    Najděte si online

    QR kód odkazující na stránku ke stažení Abstraction

    wikioo.org/cs/art/download/stuart-davis-abstraction-AS7UQP-en/

    Jak citovat toto dílo

    MLA
    Davis, Stuart. Abstraction. 1937, Smithsonian American Art Museum. https://wikioo.org/cs/art/stuart-davis-abstraction-AS7UQP-en/
    APA
    Davis, Stuart (1937). Abstraction [Painting]. Smithsonian American Art Museum. https://wikioo.org/cs/art/stuart-davis-abstraction-AS7UQP-en/
    Chicago
    Stuart Davis. Abstraction. 1937. Smithsonian American Art Museum. https://wikioo.org/cs/art/stuart-davis-abstraction-AS7UQP-en/
    Harvard
    Davis, Stuart (1937) Abstraction. Smithsonian American Art Museum. Available at: https://wikioo.org/cs/art/stuart-davis-abstraction-AS7UQP-en/

    Zaměřte se pozorně

    Abstraction — Stuart Davis

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Znovu se podívejte na dílo Odol, které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Stuart Davis bylo při vzniku tohoto díla ve věku přibližně 45. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Je k dispozici vysokorozlišená verze ke stažení díla "Abstraction"?

    Digitální kopii díla „Abstraction“ od Stuart Davis si můžete objednat jako stažení digitálního obrazu ve vysokém rozlišení na jeho stránce Digitální snímek.

    Jak lze vysvětlit situaci s autorskými právy u díla „Abstraction“ od Stuart Davis?

    Dílo „Abstraction“ od Stuart Davis spadá do volného užívání (stále chráněno autorským právem). Autorské právo vyprší po určité době od úmrtí umělce, ke kterému došlo v roce 1964.

    Kdo vytvořil "Abstraction"?

    Dílo "Abstraction" se připisuje autorovi Stuart Davis.