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Updating Yamantaka

Jméno Třída Datum

Tenzing Rigdol, Updating Yamantaka (2010), Rubin Museum of Art. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Tenzing Rigdol wikioo.org/cs/artists/tenzing-rigdol/
Datum vzniku díla
1982 –
Malováno
2010
Období
Contemporary
Koná se v
Rubin Museum of Art wikioo.org/cs/museums/rubin-museum-of-art-new-york-city_cs/
Artistic style
Thangka, ASL
Influences
Tibetan Buddhism
Notable elements
Bin Laden face
Subject/theme
Yamantaka, death

V kontextu

Updating Yamantaka — Tenzing Rigdol

Kdy bylo toto dílo namalováno?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období, přičemž rok narození se počítá jako nula.

Vymalováno v době, kdy bylo umělci 28 let. 0 z celkových 2 děl tohoto umělce v našem katalogu je datováno dříve.

▲ toto dílo, 2010 každý obraz s datem vzniku, dekáda po dekádě

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wikioo.org/cs/art/similar/tenzing-rigdol-updating-yamantaka-D7JSVG-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #e4d6d2

    Katalogizovaná paleta

    • #E4D6D2
    • #8D95A4
    • #B97D5C
    • #414649

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Discordant Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Tenzing Rigdol za posledních dvanáct měsíců — celkem 1 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 100,0%100 návštěv

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 1 nejvíce prohlížených děl umělce Tenzing Rigdol

    1. 1 Updating Yamantaka, 2010 tento obraz 100,0%100 návštěv

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 2 děl tohoto umělce, z nichž 1 byla prohlédnuta alespoň jednou. Tento obraz se řadí na 1 místě, přičemž si připomíná 100,0% této pozornosti (100 návštěv). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Updating Yamantaka — Tenzing Rigdol

    The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”

    Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.

    The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.

    A Dialogue Between Tradition and Modernity

    Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.

    Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.

    Symbolism and its Shifting Meanings

    The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.

    Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.

    A Reproduction Worth Considering

    “Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. WahooArt offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.

    Umělec a muzeum

    Autor

    Tenzing Rigdol

    Narozen(a) v Kathmandu, Nepal

    Early Life and Education

    Born: Kathmandu, Nepal (1982)

    Nationality: Tibetan-American

    Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.

    Early life was marked by his parents fleeing occupied Tibet in the late 1960s.

    Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.

    Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

    Artistic Development and Influences

    Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.

    Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.

    Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.

    Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

    Major Works and Projects

    "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.

    20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."

    "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.

    Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

    Dialogue Artist Residency (DAR) and Collaborative Efforts

    Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.

    Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).

    Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

    Recognition and Historical Significance

    Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.

    Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.

    Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.

    Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.

    Muzeum

    Rubin Museum of Art

    Vystaveno v New York City, Spojené státy americké

    A Sanctuary of Spirit: The Living Legacy of the Rubin Museum

    In the bustling, rhythmic heart of Manhattan, where the concrete canyons of Chelsea meet the relentless energy of New York City, lies a profound sanctuary of stillness and light. The

    Rubin Museum of Art

    is not merely a repository for ancient relics; it is a vibrant bridge connecting the ephemeral modern world to the eternal wisdom of the Himalayas. To step through its doors is to leave the cacophony of the streets behind and enter a realm where spirituality, color, and storytelling coalesce into a breathtaking panorama of human devotion. The museum serves as a luminous testament to the enduring artistic legacies of Tibet, Nepal, Bhutan, and the broader Indian subcontinent, offering an immersive experience that transcends the boundaries of time and geography.

    The soul of the collection resides in its extraordinary ability to transport the viewer into intricate cosmologies. Visitors are often first captivated by the

    Ancient Tibetan Thangkas

    —meticulously rendered silk scrolls where every brushstroke serves a sacred purpose, depicting Buddhist deities with a precision that feels both mathematical and divine. These paintings, alongside iconic religious sculptures that embody compassion and enlightenment, create a dialogue between the material and the metaphysical. For the discerning collector or art lover, these works represent more than historical artifacts; they are masterclasses in symbolic language, where every pigment and posture carries a weight of profound meaning.

    Architectural Harmony and the Global Vision

    The architecture of the museum itself acts as a silent narrator of this cultural fusion. The building, once a grand fashion department store, has been reimagined through a harmonious blend of modern aesthetics and subtle Himalayan motifs. Designed with an emphasis on spatial flow and natural light, the galleries are arranged to encourage a meditative pace. The preservation of the original six-story spiral staircase provides a dramatic vertical axis that anchors the museum’s energy, while the carefully curated acoustics allow for moments of deep contemplation. This architectural intentionality creates an environment where the art is not just viewed, but felt—a crucial element for interior designers and curators seeking to understand how space can be utilized to evoke tranquility and reverence.

    What truly distinguishes the Rubin Museum is its evolution from a fixed destination into a

    "museum without walls."

    While its New York home has long been a beacon of innovation through exhibitions like

    “Men Walking on the Ocean,”

    which masterfully juxtaposed traditional iconography with contemporary perspectives, the museum’s recent transition toward a global, mobile presence marks a bold new chapter. By focusing on traveling exhibitions, digital resources, and international partnerships, the Rubin continues to fulfill its mission: to foster empathy and celebrate the transformative power of art. It remains a vital catalyst for cultural exchange, ensuring that the profound beauty of Himalayan traditions continues to illuminate shared human values across the globe.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Updating Yamantaka

    wikioo.org/cs/art/download/tenzing-rigdol-updating-yamantaka-D7JSVG-en/

    Jak citovat toto dílo

    MLA
    Rigdol, Tenzing. Updating Yamantaka. 2010, Rubin Museum of Art. https://wikioo.org/cs/art/tenzing-rigdol-updating-yamantaka-D7JSVG-en/
    APA
    Rigdol, Tenzing (2010). Updating Yamantaka [Painting]. Rubin Museum of Art. https://wikioo.org/cs/art/tenzing-rigdol-updating-yamantaka-D7JSVG-en/
    Chicago
    Tenzing Rigdol. Updating Yamantaka. 2010. Rubin Museum of Art. https://wikioo.org/cs/art/tenzing-rigdol-updating-yamantaka-D7JSVG-en/
    Harvard
    Rigdol, Tenzing (2010) Updating Yamantaka. Rubin Museum of Art. Available at: https://wikioo.org/cs/art/tenzing-rigdol-updating-yamantaka-D7JSVG-en/

    Zaměřte se pozorně

    Updating Yamantaka — Tenzing Rigdol

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: tibetan buddhism, death, terrorism. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Pin drop silence: Eleven-headed Avalokiteshvara (2013), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Tenzing Rigdol bylo při vzniku tohoto díla ve věku přibližně 28. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Artový kvíz

    Updating Yamantaka — Tenzing Rigdol

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What is the primary symbolic meaning conveyed by Tenzing Rigdol’s artwork, ‘Updating Yamantaka’?

      • A The celebration of Tibetan religious rituals.
      • B A commentary on global terrorism and its impact on contemporary society.
      • C An exploration of traditional Buddhist iconography.
    2. 2. In the artwork, what is unusual about the figure traditionally depicted beneath the buffalo?

      • A It is rendered in a highly stylized and abstract manner.
      • B It bears the face of Osama bin Laden.
      • C It represents a traditional Tibetan deity.
    3. 3. Tenzing Rigdol’s artistic background includes training in which traditional Tibetan art forms?

      • A Sand painting and thangka painting.
      • B Butter sculpture and calligraphy
      • C Textile weaving and metalwork.
    4. 4. The artwork ‘Updating Yamantaka’ was created in which year?

      • A 2008
      • B 2010
      • C 2014
    5. 5. What does the inclusion of Osama bin Laden’s face in ‘Updating Yamantaka’ suggest, according to the artist?

      • A A critique of Western foreign policy
      • B An attempt to apply traditional Tibetan symbolism to contemporary global issues
      • C A celebration of American military strength.

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1B · 2B · 3A · 4B · 5B

    Ověřte jakoukoli odpověď v katalogovém záznamu tohoto obrazu

    Otázky a odpovědi

    Jakou celkovou náladu vyzařuje „Updating Yamantaka“ od Tenzing Rigdol?

    „Updating Yamantaka“ má Mystical atmosféru.

    Jak se v díle „Updating Yamantaka“ od Tenzing Rigdol propojují umělecký směr a doba?

    Dílo „Updating Yamantaka“ od Tenzing Rigdol patří k享有 směrům Contemporary Tibetan, které charakterizovaly éru Contemporary svého autora.

    Jaká je vnímaná jasnost díla „Updating Yamantaka“ od Tenzing Rigdol?

    Vnímaná jasnost díla „Updating Yamantaka“ od Tenzing Rigdol je brilliant. Lze jej přizpůsobit osvětlení daného prostoru.