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Nicolas Dahlmann, brigadier general (1769-1807) (1814) je považován za nejslavnější obraz Albert Gregorius; nachází se v instituci Opera House, Versailles. Z 2 děl umělce Albert Gregorius zaznamenaných v katalogu je níže uvedeno 2 nejznámějších, přičemž u každého díla je uvedeno datum vzniku, muzeum, ve kterém se nachází, a poznámka k dílu.
Příspěvky 1 až 10: nejznámější obrazy autora Albert Gregorius
Albert Gregorius: v muzeích
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Albert Gregorius | Obrazy z tohoto seznamu |
|---|---|---|---|
| Versailles | 1 | Nicolas Dahlmann, brigadier general (1769-1807) | |
| Brugue | 1 | Portrait of Count Charles A. Chasset |
Index podle roku: hlavní díla umělce Albert Gregorius
Časové údaje pro Albert Gregorius: 2 let, od 1813 do 1814. U každého roku jsou uvedena jeho hlavní díla.
Časté dotazy k obrazům autora Albert Gregorius
Kterým dílem je nejznámější Albert Gregorius?Zobrazit odpověď
Nicolas Dahlmann, brigadier general (1769-1807) (1814)
Kolik let bylo Albert Gregorius v roce Nicolas Dahlmann, brigadier general (1769-1807)?Zobrazit odpověď
40 let: Albert Gregorius se narodil/a v 1774 a dílo Nicolas Dahlmann, brigadier general (1769-1807) pochází z roku 1814.
Kolik děl umělce Albert Gregorius obsahuje katalog?Zobrazit odpověď
Katalog obsahuje 2 děl umělce Albert Gregorius datovaných v období od 1813 do 1814.
Kde jsou uložena hlavní díla umělce Albert Gregorius?Zobrazit odpověď
Primárně v Opera House (Versailles) a Groeningemuseum (Brugue). Tabulka muzeí výše uvádí úplné rozdělení.
Jaká jsou nejstarší a nejnovější známá díla umělce Albert Gregorius?Zobrazit odpověď
Nejdulší dílo uvedené zde pochází z Portrait of Count Charles A. Chasset (1813); nejnovější z Nicolas Dahlmann, brigadier general (1769-1807) (1814).
Biografie Albert Gregorius
Albert Jacob Frans Gregorius: A Life in Portraiture
Early Life and Education
- Born in Bruges, Belgium in 1774 into a laboring family, Albert Jacob Frans Gregorius demonstrated artistic talent from a young age.
- His abilities were recognized by François van der Donckt, a local amateur painter who provided initial lessons and facilitated his enrollment at the Bruges art academy in 1791.
- Gregorius excelled at the academy, receiving several awards before continuing his artistic journey.
Parisian Studies and Influences
- In 1801, Gregorius moved to Paris, initially apprenticing with Joseph-Benoît Suvée, a fellow Bruges native.
- Following Suvée’s appointment as director of the French Academy in Rome, Gregorius secured a position in the studio of the renowned neoclassical painter, Jacques-Louis David.
- David's influence is evident in Gregorius’ later work, particularly his emphasis on precise draftsmanship and classical composition.
Artistic Development and Career
- Gregorius returned to Bruges in 1805 but soon resumed his Parisian career, establishing himself as a respected portrait painter.
- He became associated with “De Club van de Belgen,” a group of expatriate Flemish artists working in Paris.
- Gregorius regularly exhibited at the Ghent and Paris Salons from 1812 until his departure, gaining recognition for his refined portraits.
- His clientele included members of the French nobility and prominent figures like August Wilhelm Schlegel, whose portrait is now housed in Coppet Castle.
Directorship and Later Years
- In 1835, at the age of 61, Gregorius was appointed director of “De Vrije Academie” (now “De Stedelijke Academie”) in Bruges.
- He served until 1852, but his conservative artistic views led to conflicts with colleagues, students, and city officials, ultimately resulting in his resignation.
- Ford Madox Brown, a notable Pre-Raphaelite painter, was among his students.
Legacy and Historical Significance
- Gregorius’ work represents a blend of classical principles and Flemish artistic traditions.
- His portraits are characterized by their meticulous detail, elegant composition, and psychological insight.
- Though not widely known today, Gregorius played an important role in the development of portraiture during the 19th century and contributed to the artistic landscape of both Belgium and France.
- His life story, including the mystery surrounding his marital status (described as a widower on his death certificate with no known wife), adds to his intriguing historical profile.
