Portrét Daniel Hendrickson

Daniel Hendrickson: Katalog 1 nejznámějších obrazů

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Catharine Hendrickson (1770) je považován za nejslavnější obraz Daniel Hendrickson; nachází se v instituci National Gallery of Art, Washington. Z 1 děl umělce Daniel Hendrickson zaznamenaných v katalogu je níže uvedeno 1 nejznámějších, přičemž u každého díla je uvedeno datum vzniku, muzeum, ve kterém se nachází, a poznámka k dílu.

1723 – 1788 Nejvíce děl: National Gallery of Art

Příspěvky 1 až 10: nejznámější obrazy autora Daniel Hendrickson

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Catharine Hendrickson (1770) od Daniel Hendrickson

Catharine Hendrickson

1770 · Oil On Canvas · National Gallery of Art, Washington

A formal 18th-century portrait, this oil on canvas presents a woman in a three-quarter view, her gaze directed toward the viewer. She is positioned centrally against a stylized landscape of rolling hills and slender trees. Her attire is defined by a terracotta gown and an elaborate, fan-shaped white lace headdress adorned with floral motifs. Delicate lace textures appear at her sleeves and neckline, rendered with smooth brushwork. In her hands,…

Daniel Hendrickson: v muzeích

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Muzeum Město Díla autora Daniel Hendrickson Obrazy z tohoto seznamu
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 Catharine Hendrickson

Index podle roku: hlavní díla umělce Daniel Hendrickson

U každého záznamu umělce Daniel Hendrickson s uvedeným datem na této stránce je uvedeno datum 1770; díla jsou seřazena podle pořadí.

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Catharine Hendrickson (1770)

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47 let: Daniel Hendrickson se narodil/a v 1723 a dílo Catharine Hendrickson pochází z roku 1770.

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Katalog obsahuje 1 děl autora Daniel Hendrickson.

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Primárně v National Gallery of Art (Washington). Tabulka muzeí výše uvádí úplné rozdělení.

Biografie Daniel Hendrickson

The Life and Family of Daniel Hendrickson

Daniel Hendrickson was born on January 5, 1723. He was the son of Daniel Hendricksen and Triinke Van Diik. His name appeared in his father's will on 16 November 1727, when he was still a young child. His life was tied to the local community and the family lines of the region.

On 22 Dec 1743, Daniel Hendrickson married Catarina Couwenhoven. She was the daughter of Cornelis Willemszen Van Kouwenhoven and Margaretta Roelofse Schenck. This union joined two established families. He lived through much of the mid-18th century, leaving behind a legacy tied to his kin and his home.

The end of his life came on March 24, 1788. He was 65 years, 5 months, and 19 days old at the time of his death. His passing marked the close of a long life spent within the social and familial structures of his era.

Key Works and Artistic Contributions

The work of Daniel Hendrickson is found in the quiet, functional objects of the mid-18th century. His hand is seen in three-dimensional pieces that belong to the tradition of primitive and folk painters. One such piece is a door from the Cornelius Couwenhoven House, a work that speaks to the practicalities of colonial life. These objects carry the weight of their era, shaped by the hands of someone working within the domestic and local landscape.

His contribution to portraiture is marked by a specific likeness. He is attributed with the oil on canvas portrait of Catharine Hendrickson of New Jersey, created about 1770. This work captures a member of his own family, rendered with the directness typical of the period. The painting remains a notable example of how personal history and visual record intersect in the colonial era.

Where to See the Works Today

Pieces by Daniel Hendrickson can be found within the collections of the Folk Art Museum. His contributions are held as part of the Three Dimensional Works collection, reflecting a tactile presence that moves beyond the flat surface of a canvas. Visitors looking for specific highlights can find his work featured in the eMuseum Collection Highlights.

One particular object preserved in the museum is a door from the Cornelius Couwenhoven House. This piece offers a look at the functional, physical side of his output from the mid-18th century. It remains a tangible link to the domestic life of Pleasant Valley.