Portrét Daniel Saint

Seznam 6 nejznámějších obrazů autora Daniel Saint

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 7 děl umělce Daniel Saint v našem katalogu

Shrnutí

Nejznámějším dílem autora Daniel Saint je Portrait de Mme Savary, duchesse de Rovigo (1840). Další položky jsou Portrait of Lodewijk Napoleon Bonaparte (1810) a Portrait of the duchess of berry. Katalog obsahuje 7 děl umělce Daniel Saint; níže je uvedeno 6 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.

1778 – 1847, Saint-Lô Nejvíce děl: Nationalmuseum

Daniel Saint: 10 hlavních obrazů

2
Portrait of Lodewijk Napoleon Bonaparte (1810) od Daniel Saint

Portrait of Lodewijk Napoleon Bonaparte

1810 · Wallace Collection, Londýn

Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

6
Lady with a Greyhound (1842) od Daniel Saint

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Daniel Saint: v muzeích

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Daniel Saint Obrazy z tohoto seznamu
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Wallace Collection, LondýnWallace Collection Londýn 1 Portrait of Lodewijk Napoleon Bonaparte
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Daniel Saint: hlavní díla podle roku

Díla umělce Daniel Saint na této stránce se datují od roku 1810 do 1842, což představuje období o 33 letech, a jsou zde uvedena rok po roce.

Díla podle roku

Vyberte rok pro zobrazení jeho hlavních obrazů.

Obrazy umělce Daniel Saint: referenční otázky

Který obraz od Daniel Saint je nejznámější?Zobrazit odpověď

Portrait de Mme Savary, duchesse de Rovigo (1840). Následující položky jsou Portrait of Lodewijk Napoleon Bonaparte (1810) a Portrait of the duchess of berry.

Kolik let bylo Daniel Saint, když byl namalován obraz Portrait de Mme Savary, duchesse de Rovigo?Zobrazit odpověď

62 let: Daniel Saint se narodil/a v 1778 a dílo Portrait de Mme Savary, duchesse de Rovigo pochází z roku 1840.

Kolik děl umělce Daniel Saint je evidováno?Zobrazit odpověď

Katalog obsahuje 7 děl umělce Daniel Saint datovaných v období od 1810 do 1842.

Která muzea uchovávají nejznámější obrazy autora Daniel Saint?Zobrazit odpověď

Primárně v Nationalmuseum (Stockholm), Wallace Collection (Londýn) a Château de Chambord (Chambord). Tabulka muzeí výše uvádí úplné rozdělení.

Která z děl na tomto seznamu jsou nejstaršími a nejnovějšími díly umělce Daniel Saint?Zobrazit odpověď

Nejdulší dílo uvedené zde pochází z Portrait of Lodewijk Napoleon Bonaparte (1810); nejnovější z Lady with a Greyhound (1842).

Která díla umělce Daniel Saint se nacházejí ve sbírce Nationalmuseum?Zobrazit odpověď

Unknown Man a Charles X, King of France and Navarre patří mezi 2 děl na této stránce v kolekci Nationalmuseum, Stockholm.

Daniel Saint: biografické poznámky

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.