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James Weeks: Katalog 1 nejznámějších obrazů
Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 2 děl umělce James Weeks v našem katalogu
Shrnutí
Boating in the Park (1980) je považován za nejslavnější obraz James Weeks; nachází se v instituci Boca Raton Museum of Art, Boca Raton. Z 2 děl umělce James Weeks zaznamenaných v katalogu je níže uvedeno 1 nejznámějších, přičemž u každého díla je uvedeno datum vzniku, muzeum, ve kterém se nachází, a poznámka k dílu.
1922 – 1998, Oakland
Nejvíce děl: Boca Raton Museum of Art
Příspěvky 1 až 10: nejznámější obrazy autora James Weeks
James Weeks: v muzeích
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora James Weeks | Obrazy z tohoto seznamu |
|---|---|---|---|
 Boca Raton Museum of Art |
Boca Raton | 1 | Boating in the Park |
Index podle roku: hlavní díla umělce James Weeks
U každého záznamu umělce James Weeks s uvedeným datem na této stránce je uvedeno datum 1980; díla jsou seřazena podle pořadí.
Díla podle roku
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Časté dotazy k obrazům autora James Weeks
Kterým dílem je nejznámější James Weeks?Zobrazit odpověď
Boating in the Park (1980)
Kolik let bylo James Weeks v roce Boating in the Park?Zobrazit odpověď
58 let: James Weeks se narodil/a v 1922 a dílo Boating in the Park pochází z roku 1980.
Kolik děl umělce James Weeks obsahuje katalog?Zobrazit odpověď
Katalog obsahuje 2 děl autora James Weeks.
Kde jsou uložena hlavní díla umělce James Weeks?Zobrazit odpověď
Primárně v Boca Raton Museum of Art (Boca Raton). Tabulka muzeí výše uvádí úplné rozdělení.
Biografie James Weeks
A Life Shaped by Form and Instruction
James Darrell Northrup Weeks lived a life deeply rooted in the academic and creative landscapes of California and beyond. Born in Oakland, United States of America, in 1922, he was the son of Anson Weeks and Ruth Daly, both of whom were musicians. This early connection to rhythm and melody likely informed his approach to the canvas. After graduating from Lowell High School in 1940, he began his studies at the California School of Fine Arts. His education was briefly interrupted by service in the US Air Force during World War II, but he returned to his studies in 1946, eventually graduating in 1947.
His path as an educator was as significant as his work in the studio. He spent many years sharing his knowledge with students at several institutions:
- The San Francisco Art Institute, where he taught from 1958 to 1967.
- The University of California, Los Angeles, from 1967 to 1970.
- Boston University, where he served as Chairman of the Art Department after moving there in 1970.
To support his life and teaching, Weeks took on practical, humble roles, including working at a sandwich factory to supplement his income. This grounded reality sat alongside his high-level academic responsibilities.
The Language of the Bay Area
As an early member of the Bay Area Figurative Movement, Weeks occupied a unique space among his peers. While many in this group moved toward non-representational styles, Weeks remained tied to the recognizable world. He preferred modernist figurative, genre, landscape, and interior paintings. His approach was not about pure expression through loose brushwork, but rather about using abstraction within the very ideas of painting itself.
His figures often possessed a certain rigidity. This quality was noted by those who observed his work, suggesting that his aim was less about emotional release and more about achieving comprehension through form. He studied under notable figures like William Gaw and David Park at the California School of Fine Arts, and later expanded his horizons in 1952 by studying at the Escuela de Pintura y Escultura in Mexico City. This period of study helped refine a style that balanced the structural integrity of his subjects with an abstract sensibility.
A Lasting Presence
The work of James Weeks continues to be recognized in significant collections and auction houses. His paintings, such as Boating in the Park, have reached notable values at auction, reflecting a lasting interest in his specific vision of the figurative tradition. He passed away in 1998, leaving behind a legacy defined by both his disciplined hand and his dedication to the art of teaching.