Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 25 děl umělce Léon Frédéric v našem katalogu
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Nejznámějším dílem autora Léon Frédéric je The Golden Age: The Night (1900), které se nachází ve sbírce Musée d'Orsay, Paříž. Další položky jsou The Boys (1885) a The Source of Life (1880). Katalog obsahuje 25 děl umělce Léon Frédéric; níže je uvedeno 25 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.
A Landscape at Twilight The composition presents a group of reclining figures situated within a wide, undulating landscape under a dim sky. In the foreground, human forms rest upon the earth, their pale skin catching the low, diffused light of dusk or moonlight. The terrain consists of rolling hills and deep greens, ochre, and brown tones that merge into the shadows of the night. A winding path or stream leads…
'L'Aurore'1900
12
The Golden Age: The Morning1901 · Musée d'Orsay
13
The Soup1904
14
Sunday Morning, Before Mass1906 · Museum of Fine Arts Ghent (MSK)
15
Gabrielle Frederic, the Artist's Daughter1907 · Královské muzeum výtvarného umění Antverpy
16
The Golden Age: The Evening1901 · Musée d'Orsay
17
Three Sisters Making Belgian Lace1907 · Grohmann Museum
18
The Keeper of the Heavenly Key1887
19
The Girls (also known as Les fillettes)1887 · Musées Royaux Des Beaux
20
Fragrance1894
21
The Lake, the Sleeping Water1898 · Musées Royaux Des Beaux
22
La Procession de Lisseweghe1926
23
The chalk sellers-In the evening1882 · Královské muzea krásných umění v Belgii
24
All Things Die, But All Will Be Resurrected through God1918 · Ohara Museum of Art
25
Les Boëchelles. Two Walloon Peasant Children1888 · Královské muzeum výtvarného umění Antverpy
Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Léon Frédéric | Obrazy z tohoto seznamu |
|---|---|---|---|
 Královské muzea krásných umění v Belgii |
Brusel | 5 | The Boys, The chalk sellers-At Noon, The chalk sellers-In the morning |
 Musée d'Orsay |
Paříž | 3 | The Golden Age: The Night, The Golden Age: The Morning, The Golden Age: The Evening |
 Museum of Fine Arts Ghent (MSK) |
Ghent | 3 | Allegory of the Night, The Funeral Meal, Sunday Morning, Before Mass |
 Královské muzeum výtvarného umění Antverpy |
Antverpy | 3 | Timidity, Gabrielle Frederic, the Artist's Daughter, Les Boëchelles. Two Walloon Peasant Children |
 Musées Royaux Des Beaux |
Brusel | 2 | The Girls (also known as Les fillettes), The Lake, the Sleeping Water |
 Dallas Museum of Art |
Dallas | 1 | Nature or Abundance |
 Grohmann Museum |
Milwaukee | 1 | Three Sisters Making Belgian Lace |
 Ohara Museum of Art |
Kurashiki | 1 | All Things Die, But All Will Be Resurrected through God |
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A Landscape at Twilight The composition presents a group of reclining figures situated within a wide, undulating landscape under a dim sky. In the foreground, human forms rest upon the earth, their pale skin catching the low, diffused light of dusk or moonlight. The terrain consists of rolling hills and deep greens, ochre, and brown tones that merge into the shadows of the night. A winding path or stream leads…
In the monumental masterpiece "All Things Die, But All Will Be Resurrected through God," the Belgian Symbolist master Léon Frédéric presents a profound visual odyssey that transcends the boundaries of mere painting. Created in 1918, this expansive work serves as a breathtaking collage of human existence, weaving together dozens of individual vignettes into a singular, rhythmic narrative of mortality and divine hope. As one’s eyes wander across the vast horizontal…
The Golden Age: The Night (1900), Musée d'Orsay, Paříž. Následující položky jsou The Boys (1885) a The Source of Life (1880).
44 let: Léon Frédéric se narodil/a v 1856 a dílo The Golden Age: The Night pochází z roku 1900.
The Golden Age: The Night, The Boys, The Source of Life, The chalk sellers-At Noon, The chalk sellers-In the morning, Allegory of the Night, The Funeral Meal, The Stream, Timidity a Nature or Abundance. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 25 děl umělce Léon Frédéric datovaných v období od 1880 do 1926.
Primárně v Královské muzea krásných umění v Belgii (Brusel), Musée d'Orsay (Paříž) a Museum of Fine Arts Ghent (MSK) (Ghent). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1880s: 9 z 25 děl uvedených na této stránce pochází z tohoto období, včetně The Boys.
Nejdulší dílo uvedené zde pochází z The Source of Life (1880); nejnovější z La Procession de Lisseweghe (1926).
Hills (3), Figures (2) a Trees (2), z celkových 25 děl uvedených na této stránce.
Oil On Canvas, v 3 ze 25 děl uvedených na této stránce.
Symbolism, jak je dokumentují díla na této stránce.
The Boys, The chalk sellers-At Noon a The chalk sellers-In the morning patří mezi 5 děl na této stránce v kolekci Královské muzea krásných umění v Belgii, Brusel.
Léon-Henri-Marie Frédéric (August 26, 1856 – January 27, 1940) was a Belgian Symbolist painter born in Brussels. His father was a prosperous jeweler, providing the means for a solid education. In 1871, he began an apprenticeship with architect and decorative painter Charle-Albert while simultaneously attending night courses at the Académie Royale des Beaux-Arts in Brussels. He formally joined Jean-François Portaels’ workshop in 1874, further honing his skills.
From 1876 to 1878, Frédéric undertook extensive travels in Italy – Venice, Florence, Naples, and Rome – studying with Belgian sculptor Julien Dillens. This period proved pivotal, exposing him to the works of Renaissance masters like Sandro Botticelli and Domenico Ghirlandaio. These artists profoundly influenced his developing linear technique and aesthetic sensibilities. Upon returning to Brussels in 1879, he debuted at the Brussels Salon and joined the artist group L'Essor.
Frédéric’s work is characterized by a unique blend of styles and themes. His early paintings seamlessly integrated Christian mysticism with pantheistic elements, often depicting scenes imbued with spiritual symbolism. Later in his career, he increasingly addressed social concerns within his art, reflecting a growing awareness of societal issues. He was deeply influenced by 15th and 16th-century Flemish painting as well as Renaissance styles.
Frédéric received a gold medal at the Exposition Universelle (1889) and continued to exhibit internationally, winning further accolades in Germany and the United States. He was appointed a member of the Académie Royale in 1904 and created a Baron by King Albert I in 1929.
While achieving international recognition during his lifetime, Frédéric’s work wasn't fully appreciated in Belgium until later in his life. He represents a significant figure within the Symbolist movement, bridging the gap between religious and social themes. His paintings offer a compelling glimpse into the artistic and intellectual climate of late 19th and early 20th-century Europe. Today, his works are held in prominent museums like the Royal Museums of Fine Arts of Belgium, the Musée d'Orsay, and the Philadelphia Museum of Art, ensuring his lasting legacy.
