Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 11 děl umělce Simone Pignoni v našem katalogu
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Nejznámějším dílem autora Simone Pignoni je Saint Cecilia (1636). Další položky jsou Saint Margaret (1654) a Virgin and Child (1650). Katalog obsahuje 11 děl umělce Simone Pignoni; níže je uvedeno 10 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
A vertical portrait of St. Praxedes occupies the center of this oil painting. The subject is a female figure shown from the upper torso upward, positioned slightly off-center. She wears a dark veil that blends into a black and brown background, creating a deep, shadowed space behind her. A strong light source originates from the upper left, casting illumination across her face, neck, and hands. This light creates a chiaroscuro…
In this 1650 oil painting, two figures emerge from a dark, shadowy background. The composition is asymmetrical, focusing on the physical struggle between a male figure and a female figure. A strong, directional light source illuminates the female figure's chest, face, and arm, while the male figure and the surrounding environment remain in deep shadow. The female figure's skin tones appear luminous against the tenebristic tones of black and dark…
A single light source spills from the upper left, carving a woman’s face out of a heavy, ink-black void. She leans toward a young child, her skin glowing like polished ivory against the dark. The air in the room feels thick, weighted by the silence of a private, sacred moment. Her hand reaches out, a gentle touch connecting the human to the divine. Every fold of her cream-colored fabric and…
Simone Pignoni's "Death of St. Petronilla" isn’t merely a painting; it’s an immersion into the shadowed heart of the Florentine Baroque, a visceral exploration of mortality and the unsettling beauty found within decay. Completed around 1623, this altarpiece, now meticulously reproduced by WahooArt.com, transcends its religious subject matter to become a profound meditation on human vulnerability and the inevitability of loss. The scene unfolds with arresting immediacy – a woman,…
Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.
7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Simone Pignoni | Obrazy z tohoto seznamu |
|---|---|---|---|
 Muzeum umění v Bostonu |
Boston | 2 | Saint Mary Magdalen Penitent, Head of a Young Woman |
 Bavarské státní sbírky malby |
Mnichov | 1 | Saint Margaret |
 Musée Salies |
Bagnères-de-Bigorre | 1 | Virgin and Child |
 Muzeum krásných umění v Nancy |
Nancy | 1 | The Rape of Proserpine |
 Muzeum krásných umění v Lyonu |
Lyon | 1 | The Mystical Marriage of Saint Catherine |
 Fitzwilliam Museum |
1 | A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet | |
 Státní Ermitáž |
Sankt-Petěrburg | 1 | Death of St Petronilla |
Díla umělce Simone Pignoni na této stránce se datují od roku 1636 do 1654, což představuje období o 19 letech, a jsou zde uvedena rok po roce.
Vyberte rok pro zobrazení jeho hlavních obrazů.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
Další díla z období 1650
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
Saint Cecilia (1636). Následující položky jsou Saint Margaret (1654) a Virgin and Child (1650).
25 let: Simone Pignoni se narodil/a v 1611 a dílo Saint Cecilia pochází z roku 1636.
Saint Cecilia, Saint Margaret, Virgin and Child, St. Praxedes, The Rape of Proserpine, The Mystical Marriage of Saint Catherine, A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet, Saint Mary Magdalen Penitent, Head of a Young Woman a Death of St Petronilla. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 11 děl umělce Simone Pignoni datovaných v období od 1636 do 1654.
Primárně v Muzeum umění v Bostonu (Boston), Bavarské státní sbírky malby (Mnichov) a Musée Salies (Bagnères-de-Bigorre). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1650: 3 z 10 děl uvedených na této stránce pochází z tohoto období, včetně Virgin and Child.
Nejdulší dílo uvedené zde pochází z Saint Cecilia (1636); nejnovější z Saint Margaret (1654).
Woman (6), Skin (3) a Child (3), z celkových 10 děl uvedených na této stránce.
Oil, v 5 ze 10 děl uvedených na této stránce.
Saint Mary Magdalen Penitent a Head of a Young Woman patří mezi 2 děl na této stránce v kolekci Muzeum umění v Bostonu, Boston.
