Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 189 děl umělce Stuart Davis v našem katalogu
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Nejznámějším dílem autora Stuart Davis je Odol. Další položky jsou Lucky Strike (1924) a T View (1951). Katalog obsahuje 189 děl umělce Stuart Davis; níže je uvedeno 100 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.
Stuart Davisův obraz „Odol“ představuje fascinující kombinaci estetiky pop artu a modernistické ilustrace, která vypráví příběh o každodenních předmětech domácnosti. Tento dílo nezůstává jen dekorativním prvkem; je to komplexní analýza kulturního kontextu doby a uměleckého projevu jeho autora.
We are looking at Lucky Strike, a work from 1924 by the American painter Stuart Davis. This piece emerged during a period when Davis was establishing his presence within the modernist movement, moving away from the urban realism of his early training toward a more structured, fragmented language. It is a quiet encounter with the visual language of the 1920s.
The canvas known as T View pulses with a restless, geometric energy. Painted in 1951, this work captures a moment of intense abstraction that feels as though it is still unfolding before the eyes. The composition breaks the world into a series of fragmented, overlapping planes, suggesting the rhythmic, fractured pulse of an urban landscape. It is a vision of a city stripped of its literal skin, leaving behind only…
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
The Mellow Pad
12
Tropes de Teens1956
13
Strawinsky
14
Study for ''Blips and Ifs'' 1
15
Barber Shop Chord
16
Gloucester Terraces 1
17
Jersey City Portrait
18
At the Metropolitan Museum of Art. ''Oh In Think Mr. Morgan Paints Awfully Well''
19
Itlksez
20
Sixth Avenue El
21
Study for Men without Women
22
Multiple ViewsNational Gallery of Art
23
Gee, Mag
24
Babe La Tour
25
Composition 1Bavarské státní sbírky malby
26
Barber Shop Chord
27
The Terminal
28
Artist in Search of a Model
29
New York Mural
30
T-Scape (T-View)
31
Coffee Pot -2
32
Dancers on Havana Street
33
Combination Concrete
34
Night Club, Havana
35
Textile with Liquor and Prohibition Motifs
36
Barrel House. Newark
37
Gloucester Terraces
38
Newark1910
39
Babe La Tour1913
40
Garage No. 11917
41
Steeple and Street1922
42
Odol1924
43
Rue des Rats, No. 21928
44
Composition No. 51932
45
Rue de L'Echaudé1929
46
Mural (Radio City Men's Lounge Mural Men without Women)1932
47
The Terminal1937
48
Waterfront Landscape1936
49
Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York)1938
50
New York Under Gaslight1941 · Izraelské muzeum
51
Flying Carpet1942
52
West Indian Street1940 · The Phillips Collection
53
Pennsylvania, from the United States Series1946
54
Memo1956
55
Int'l Surface No. 11960
56
Rocks, Gloucester1915 · New Orleans Museum of Art
57
Study for 'Swing Landscape'1938
58
Abstraction1937 · Smithsonian American Art Museum
59
Study for History of Communications
60
Shapes of Landscape Space
61
Study for Package Deal
62
Study ‘Rapt’
63
Study for ''The Mellow Pad''
64
Composition Nº 5
65
Sheet from Sketchhook 6
66
Sketch of Max and of Rothko and Baziotes Paintings
67
Study for New York Mural
68
Study for ''Contranuities''
69
Anchors
70
Study for ''Blips and Ifs''
71
Table with Easel
72
Eggbeater No. 4
73
Au bon coin
74
Sunrise
75
The Coast
76
Premiere
77
Fabric Design, rose motif with blue stripe
78
Flying Carpet
79
White Walls
80
Study for ''The Outside''
81
Sketch 2
82
Study for ''The Outside'' 1
83
Study for ''Eye Level''
84
Radio Tubes
85
Edison Mazda
86
Variant Study of ''Synthetic Souvenir''
87
Still Life with ''Dial''
88
Ready-to-WearArt Institute of Chicago
89
Fabric Design, rope motif
90
Study for ''Ursine Park'' 3
91
Sketch-Church Tower
92
Summer Landscape
93
Rue de l'Echaude
94
Sketch
95
Composition Concrete (Study for Mural)
96
Study for ''Ursine Park'' 2
97
Study for ''Ursine Park'' 1
98
Study for ''Rapt at Rappaport’s''
99
Sketch 1
100
Study for ''Ursine Park'' 4
Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Stuart Davis | Obrazy z tohoto seznamu |
|---|---|---|---|
 Izraelské muzeum |
Jeruzalém | 2 | New York Under Gaslight |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Abstraction |
 Philadelphia Museum of Art |
Philadelphia | 1 | Boats, Gloucester |
 National Gallery of Art |
Washington | 1 | Multiple Views |
 Bavarské státní sbírky malby |
Mnichov | 1 | Composition 1 |
 The Phillips Collection |
Washington, D.C. | 1 | West Indian Street |
 New Orleans Museum of Art |
New Orleans | 1 | Rocks, Gloucester |
 Art Institute of Chicago |
Chicago | 1 | Ready-to-Wear |
Vyberte dekádu, abyste zobrazili její hlavní obraz.
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
We are looking at Lucky Strike, a work from 1924 by the American painter Stuart Davis. This piece emerged during a period when Davis was establishing his presence within the modernist movement, moving away from the urban realism of his early training toward a more structured, fragmented language. It is a quiet encounter with the visual language of the 1920s.
The canvas known as T View pulses with a restless, geometric energy. Painted in 1951, this work captures a moment of intense abstraction that feels as though it is still unfolding before the eyes. The composition breaks the world into a series of fragmented, overlapping planes, suggesting the rhythmic, fractured pulse of an urban landscape. It is a vision of a city stripped of its literal skin, leaving behind only…
Odol. Následující položky jsou Lucky Strike (1924) a T View (1951).
Odol, Lucky Strike, T View, Sixth Avenue El, Arboretum by Flashbulb, Boats, Gloucester, Rue Lipp, Still Life-Flowers, Self-Portrait a Hot Still-Scape for Six Colors. Seventh Avenue Style. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 189 děl umělce Stuart Davis datovaných v období od 1910 do 1960.
Primárně v Izraelské muzeum (Jeruzalém), Smithsonian American Art Museum (Washington, D.C.) a Philadelphia Museum of Art (Philadelphia). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1930s: 8 z 100 děl uvedených na této stránce pochází z tohoto období, včetně Sixth Avenue El.
Nejdulší dílo uvedené zde pochází z Newark (1910); nejnovější z Int'l Surface No. 1 (1960).
Geometric shapes (9), Urban landscape (5) a Designs and sketches (5), z celkových 100 děl uvedených na této stránce.
Oil On Canvas, v 3 ze 100 děl uvedených na této stránce.
Modernism, jak je dokumentují díla na této stránce.
Davis swiftly ascended to prominence as one of the youngest exhibitors at the monumental Armory Show of 1913, an event that irrevocably altered the course of American art history. He presented five watercolor paintings imbued with the distinctive aesthetic principles of the Ashcan School – a movement characterized by unflinching realism depicting urban life and its inhabitants. This debut showcased his commitment to portraying the everyday experiences of ordinary people with uncompromising honesty.
The 1920s witnessed Davis’s maturation into a singular artistic voice. He transitioned towards creating abstract still lifes and landscapes that incorporated elements of proto-pop art, skillfully blending geometric forms with imagery drawn from contemporary sources – notably cigarette packaging and spark plug advertisements. This daring stylistic choice reflected his fascination with the dynamism of modern life and signaled a decisive break from traditional representational conventions.
Davis’s oeuvre is instantly recognizable for its bold color palette, assertive brushstrokes, and rhythmic energy. His artistic vision was deeply influenced by jazz music, which permeated his paintings from the 1940s onward. The Ashcan School's emphasis on capturing the gritty realities of urban existence served as an enduring cornerstone of his aesthetic approach.
Odol (Modernism), completed in 1928, exemplifies Davis’s masterful synthesis of geometric abstraction and recognizable imagery from popular culture. This painting captures the essence of modern life through bold colors and dynamic compositions.
Other significant pieces include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).
Stuart Davis’s legacy extends far beyond his individual artworks. He stands as a pivotal figure in establishing American Modernism as a distinct artistic movement—a movement that championed innovation and challenged established norms.
His pioneering approach to abstraction paved the way for subsequent generations of artists, solidifying his place as one of the most influential figures in 20th-century art history. Davis’s unwavering dedication to portraying the complexities of human experience continues to inspire artistic endeavors today.
