Portrét Antonis Mor

List of the 75 Most Famous Paintings by Antonis Mor

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The most widely known painting by Antonis Mor is Cardinal Granvelle's Dwarf (1560), in the collection of the Louvre, Paříž. The next entries are Portrait of Mary, Queen of England (1554) and Queen Mary Tudor of England (1554). The catalogue documents 75 works by Antonis Mor; the 75 entries below are the best known, listed in rank order with date, holding museum and description.

1519 – 1575, Utrecht Northern renaissance Nejvíce děl: Museo del Prado

Antonis Mor: the 10 principal paintings

1
Cardinal Granvelle's Dwarf (1560) od Antonis Mor

Cardinal Granvelle's Dwarf

1560 · Oil On Panel · Louvre, Paříž

To stand before Anthonis Mor Van Dashorst’s Cardinal Granvelle's Dwarf is to step directly into the opulent, richly textured world of the sixteenth-century Dutch aristocracy. This oil on panel painting, executed in 1560, transcends a mere portrait; it is a meticulously crafted tableau vivant, whispering tales of power, lineage, and social standing. The subject—a young boy with dwarfism, adorned in clothing of breathtaking extravagance—is presented not just as an individual,…

2
Portrait of Mary, Queen of England (1554) od Antonis Mor

Portrait of Mary, Queen of England

1554 · Oil On Panel · Szépművészeti Múzeum, Budapešť

Anthonis Mor van Dashorst captured the likeness of Mary Tudor in 1554, a period defined by the shifting religious and political tides of the Northern Renaissance. The subject sits with a stern, direct gaze that meets the viewer without hesitation. Her red hair is framed by a structured, ruffled collar, a detail rendered with meticulous precision. Through the use of chiaroscuro, Mor employs a controlled interplay of light and shadow…

3
Queen Mary Tudor of England (1554) od Antonis Mor

Queen Mary Tudor of England

1554 · Oil On Panel · Museo del Prado, Madrid

The portrait of Queen Mary Tudor of England, executed by Antonis Mor in 1554, captures a sovereign at a threshold of history. She sits as the sole surviving child of Henry VIII and Catherine of Aragon, a figure of singular lineage. The oil on panel preserves her likeness during a season of profound political and religious shifts. Her presence is fixed, a quiet anchor amidst the changing tides of the…

4
Portrait of William of Orange (1555) od Antonis Mor

Portrait of William of Orange

1555 · Oil On Panel · Státní muzea v Kasselu, Kassel

To stand before this portrait of William of Orange is to encounter not merely a likeness, but an embodiment of nascent authority. Rendered in the meticulous vein of the Northern Renaissance, the work captures the sitter in a moment of profound stillness, yet one charged with palpable resolve. The composition immediately draws the eye into the three-quarter view, presenting a figure encased in elaborate armor against a background so deep…

5
Joanna of Austria (1560) od Antonis Mor

Joanna of Austria

1560 · Oil On Canvas · Museo del Prado, Madrid

Antonis Mor's Joanna of Austria presents a formal likeness of the princess, who was the daughter of Emperor Charles V and sister to King Philip II of Spain. The subject commissioned this portrait personally, seeking a representation that reflected her specific station and history. In 1552, she married the Portuguese Prince John Manuel, a union that defined her political and personal landscape during the mid-sixteenth century.

6
Jane Dormer, Duchess of Feria (?) (1558) od Antonis Mor

Jane Dormer, Duchess of Feria (?)

1558 · Oil On Canvas · Museo del Prado, Madrid

The portrait of Jane Dormer, Duchess of Feria (?) captures a high-status female figure in a moment of quiet, aristocratic stillness. Painted by Antonis Mor, the work emerged around 1558. The subject gazes toward the viewer, her presence defined by the weight of her station and the gravity of her social standing.

7
Portrait of a lady (1557) od Antonis Mor

Portrait of a lady

1557 · Oil On Canvas · National Gallery of Victoria, Melbourne

A single light source from the upper left carves the subject out of a dark, indeterminate void. She is a presence of quietude, a three-quarter length figure caught in a moment of poised introspection. The darkness behind her pushes her forward, making the pale skin of her forehead and cheek feel immediate, almost tactile. Her expression is calm, a mask of high social status that hides the pulse of the…

8
Catherine of Hapsburg, the Wife of King John III of Portugal (1552) od Antonis Mor

Catherine of Hapsburg, the Wife of King John III of Portugal

1552 · Oil On Panel · Museo del Prado, Madrid

The gaze of Catherine of Hapsburg, the Wife of King John III of Portugal, meets the viewer from within this formal portrait. Painted by Antonis Mor, the work captures the presence of Catherine of Austria in a moment of quiet, regal composure. She occupies the space with a heavy, dignified stillness that speaks to her high station and the weight of her lineage.

10
Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse (1565) od Antonis Mor

Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse

1565 · Oil On Panel · Museo del Prado, Madrid

Two women exist in a state of perpetual prayer, suspended within the dark, velvet silence of a Renaissance interior. Margaret, Duchess of Parma, and Mary of Portugal appear as twin pillars of piety, their profiles or three-quarter views turned toward an unseen divine presence. The air around them feels heavy, thick with the solemnity of their task. They do not look at the viewer; instead, their gazes drift downward or…

Antonis Mor: entries 11 to 75

11Portrait of a man (1550) od Antonis MorPortrait of a man1550 · Kunsthistorisches Museum 12Philip II (1555) od Antonis MorPhilip II1555 · Museo del Prado 13Portrait of a Seated Woman (1565) od Antonis MorPortrait of a Seated Woman1565 · Art Institute of Chicago 14Margaret, Duchess of Parma (1562) od Antonis MorMargaret, Duchess of Parma1562 · Staatliche Museen zu Berlin 15Portrait of Giovanni Battista di Castaldo (1550) od Antonis MorPortrait of Giovanni Battista di Castaldo1550 · Thyssen-Bornemisza Museum 16Empress Maria of Austria, Wife of Maximilian II (1551) od Antonis MorEmpress Maria of Austria, Wife of Maximilian II1551 · Museo del Prado 17Lady with the Jewel (1552) od Antonis MorLady with the Jewel1552 · Museo del Prado 18Emperor Maximilian II (1550) od Antonis MorEmperor Maximilian II1550 · Museo del Prado 19Portrait of a young prince (1548) od Antonis MorPortrait of a young prince1548 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 20Portrait of a young man as St. Sebastian (1546) od Antonis MorPortrait of a young man as St. Sebastian1546 · Bavarské státní sbírky malby 21Portrait of a Man (1547) od Antonis MorPortrait of a Man1547 · Het Prinsenhof 22Lady with Gold Chains (1560) od Antonis MorLady with Gold Chains1560 · Museo del Prado 23Portrait of a Lady (1538) od Antonis MorPortrait of a Lady1538 · Museo del Prado 24The Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen (1544) od Antonis MorThe Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen1544 · Gemäldegalerie 25Portrait of Philip II of Spain (1549) od Antonis MorPortrait of Philip II of Spain1549 · Muzeum krásných umění v Bilbao 26Fernando Álvarez de Toledo, Third Duke of Alba (1549) od Antonis MorFernando Álvarez de Toledo, Third Duke of Alba1549 · Hispanic Society Museum - Library 27Portrait of Maria of Portugal, Duchess of Parma (1538-1577). (1555) od Antonis MorPortrait of Maria of Portugal, Duchess of Parma (1538-1577).1555 · Národní muzeum starého umění 28Portrait of a Lady (1560) od Antonis MorPortrait of a Lady1560 · Národní galerie Kanady 29Portrait of Jean Lecocq (1559) (1559) od Antonis MorPortrait of Jean Lecocq (1559)1559 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 30Portrait of Anna of Saxony (1560) od Antonis MorPortrait of Anna of Saxony1560 · National Museum in Wrocław 31Christina of Denmark (1522-90) (1554) od Antonis MorChristina of Denmark (1522-90)1554 · Hampton Court Palace 32Portrait of a man with narcissus and a hyacinth. (1550) od Antonis MorPortrait of a man with narcissus and a hyacinth.1550 · Národní muzeum ve Varšavě 33Steven van Herwijck (1564) od Antonis MorSteven van Herwijck1564 · Mauritshuis 34Portrait of a Man (1550) od Antonis MorPortrait of a Man1550 35Portret of a sitting man holding a pair of gloves (1560) od Antonis MorPortret of a sitting man holding a pair of gloves1560 · Herzog Anton Ulrich Museum 36Portrait of Jeanne Lullier, wife of Simon Renard (1557) od Antonis MorPortrait of Jeanne Lullier, wife of Simon Renard1557 · Time museum 37Portrait of Simon Renard (1553) od Antonis MorPortrait of Simon Renard1553 · Time museum 38Portrait of a Man (1550) od Antonis MorPortrait of a Man1550 · Hispanic Society Museum - Library 39Portrait of a Man, Possibly Ottavio Farnese (1524–1586), Duke of Parma and Piacenza (1563) od Antonis MorPortrait of a Man, Possibly Ottavio Farnese (1524–1586), Duke of Parma and Piacenza1563 · Metropolitan Museum of Art 40Portrait of a Man Pointing to a Table Clock (1565) od Antonis MorPortrait of a Man Pointing to a Table Clock1565 41Portrait of two boys. (1570) od Antonis MorPortrait of two boys.1570 · Národní muzeum ve Varšavě 42Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650 (1650) od Antonis MorPortrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 16501650 · Rijksmuseum 43Sir Thomas Gresham (1560) od Antonis MorSir Thomas Gresham1560 · Rijksmuseum 44Anne of Austria, Queen of Spain (1570) od Antonis MorAnne of Austria, Queen of Spain1570 · Kunsthistorisches Museum 45Portrait of Margaret of Parma (1559) od Antonis MorPortrait of Margaret of Parma1559 · Philadelphia Museum of Art 46Portrait of a Goldsmith (1564) od Antonis MorPortrait of a Goldsmith1564 · Mauritshuis 47Resurrected Jesus Christ surrounded by St. Peter and St. Paul (1556) od Antonis MorResurrected Jesus Christ surrounded by St. Peter and St. Paul1556 · Château de Chantilly 48Anne Fernel, the Wife of Sir Thomas Gresham (1560) od Antonis MorAnne Fernel, the Wife of Sir Thomas Gresham1560 · Rijksmuseum 49Portrait of a Man (1557) od Antonis MorPortrait of a Man1557 · Národní galerie Kanady 50Portrait of Philip II in Armour (1557) od Antonis MorPortrait of Philip II in Armour1557 · Klášter San Lorenzo 51Knight of the Spanish St James Order (1558) od Antonis MorKnight of the Spanish St James Order1558 · Szépművészeti Múzeum 52Portrait of the Philip II, King of Spain (1554) od Antonis MorPortrait of the Philip II, King of Spain1554 · Szépművészeti Múzeum 53Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1562 (1562) od Antonis MorPortrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 15621562 · Rijksmuseum 54Portrait of Hubert Goltzius (1574) od Antonis MorPortrait of Hubert Goltzius1574 · Musées Royaux des Beaux-Arts 55Portrait of a Gentleman of the order of Saint James od Antonis MorPortrait of a Gentleman of the order of Saint JamesMuseu Nacional d'Art de Catalunya 56Portrait of a Man od Antonis MorPortrait of a ManNational Gallery 57Portraits of Sir Thomas Gresham and Anne Fernely, Anthonis Mor, c. 1560 - c. 1565 (1565) od Antonis MorPortraits of Sir Thomas Gresham and Anne Fernely, Anthonis Mor, c. 1560 - c. 15651565 · Rijksmuseum 58Portrait of a Man od Antonis MorPortrait of a ManDetroit Institute of Arts 59Portrait of a Lady with a Parrot (1564) od Antonis MorPortrait of a Lady with a Parrot1564 · The Hunterian Museum and Art Gallery 60Portrait of a Man (1560) od Antonis MorPortrait of a Man1560 61Sir William Hewett (d.1564) (1555) od Antonis MorSir William Hewett (d.1564)1555 62Jan van Scorel (1495–1562) (1560) od Antonis MorJan van Scorel (1495–1562)1560 63Sir Henry Lee (1568) od Antonis MorSir Henry Lee1568 · National Portrait Gallery 64The Corpse of Christ od Antonis MorThe Corpse of ChristGemäldegalerie 65Portrait of a Man (1561) od Antonis MorPortrait of a Man1561 · Mauritshuis 66Portrait of a Gentleman (1569) od Antonis MorPortrait of a Gentleman1569 · National Gallery of Art 67Portrait of a Gentleman od Antonis MorPortrait of a GentlemanNorth Carolina Museum of Art 68William Brooke (1527–1597), Lord Cobham, Lord Warden of the Cinque Ports od Antonis MorWilliam Brooke (1527–1597), Lord Cobham, Lord Warden of the Cinque Ports 69George, 5th Lord Seton, and Family (after Frans Pourbus the Elder) od Antonis MorGeorge, 5th Lord Seton, and Family (after Frans Pourbus the Elder)Traquair House 70Cardinal Granvelle's Dwarf (1560) od Antonis MorCardinal Granvelle's Dwarf1560 71Portrait of a Seated Woman (1554) od Antonis MorPortrait of a Seated Woman1554 · Museo del Prado 72Perejon, the Buffoon of the Count of Benavente and of the Grand Duke of Alba (1560) od Antonis MorPerejon, the Buffoon of the Count of Benavente and of the Grand Duke of Alba1560 · Museo del Prado 73Von Sachsen vs. a Spaniard (1548) od Antonis MorVon Sachsen vs. a Spaniard1548 · Friedenstein Castle 74Self-portrait (1558) od Antonis MorSelf-portrait1558 75Portrait of Alexander Farnese (1557) od Antonis MorPortrait of Alexander Farnese1557 · Galleria Nazionale

Principal subjects in the work of Antonis Mor

The four subjects most frequently represented among these works, each with its best-known example.

Antonis Mor: holding museums

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Antonis Mor Obrazy z tohoto seznamu
Museo del Prado, MadridMuseo del Prado Madrid 13 Queen Mary Tudor of England, Joanna of Austria, Jane Dormer, Duchess of Feria (?)
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 5 Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650, Sir Thomas Gresham, Anne Fernel, the Wife of Sir Thomas Gresham
Szépművészeti Múzeum, BudapešťSzépművészeti Múzeum Budapešť 3 Portrait of Mary, Queen of England, Knight of the Spanish St James Order, Portrait of the Philip II, King of Spain
Kunsthistorisches Museum, VídeňKunsthistorisches Museum Vídeň 3 Portrait of Anton Perrenot de Granvelle, Portrait of a man, Anne of Austria, Queen of Spain
Mauritshuis, HaagMauritshuis Haag 3 Steven van Herwijck, Portrait of a Goldsmith, Portrait of a Man
Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, KasselGemäldegalerie Alte Meister im Schloss Wilhelmshöhe Kassel 2 Portrait of a young prince, Portrait of Jean Lecocq (1559)
Gemäldegalerie, BerlínGemäldegalerie Berlín 2 The Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen, The Corpse of Christ
Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 2 Fernando Álvarez de Toledo, Third Duke of Alba, Portrait of a Man

Antonis Mor: principal painting of each decade

Díla podle dekád

Select a decade to display its principal painting.

Antonis Mor's paintings: reference questions

Which painting by Antonis Mor is the most widely known?Display the answer

Cardinal Granvelle's Dwarf (1560), Louvre, Paříž. The following entries are Portrait of Mary, Queen of England (1554) and Queen Mary Tudor of England (1554).

What was the age of Antonis Mor when Cardinal Granvelle's Dwarf was painted?Display the answer

41 years: Antonis Mor was born in 1519 and Cardinal Granvelle's Dwarf is dated 1560.

Which ten paintings by Antonis Mor are the best known?Display the answer

Cardinal Granvelle's Dwarf, Portrait of Mary, Queen of England, Queen Mary Tudor of England, Portrait of William of Orange, Joanna of Austria, Jane Dormer, Duchess of Feria (?), Portrait of a lady, Catherine of Hapsburg, the Wife of King John III of Portugal, Portrait of Anton Perrenot de Granvelle a Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse. The list above records the date and holding museum of each.

How many works by Antonis Mor are documented?Display the answer

The catalogue records 75 works by Antonis Mor, dated between 1538 and 1574.

Which museums hold the best-known paintings of Antonis Mor?Display the answer

Principally in Museo del Prado (Madrid), Rijksmuseum (Amsterdam) a Szépművészeti Múzeum (Budapešť). The museum table above gives the full distribution.

In which period were Antonis Mor's best-known works painted?Display the answer

In 1550s: 30 of the 75 works listed on this page are dated to that period, including Portrait of Mary, Queen of England.

Which are the earliest and latest dated works by Antonis Mor on this list?Display the answer

The earliest dated work listed here is Portrait of a Lady (1538); the latest is Portrait of Hubert Goltzius (1574).

Which subjects recur most in the work of Antonis Mor?Display the answer

Woman (14), Black dress (10) a Portrait (8), out of the 75 works listed on this page.

Which medium predominates in the work of Antonis Mor?Display the answer

Oil On Canvas, in 14 of the 75 works listed on this page.

With which art movement is Antonis Mor associated?Display the answer

Northern renaissance a Renaissance, as documented by the works on this page.

Which works by Antonis Mor are in the collection of the Museo del Prado?Display the answer

Queen Mary Tudor of England, Joanna of Austria a Jane Dormer, Duchess of Feria (?) are among the 13 works on this page in the collection of the Museo del Prado, Madrid.

Are reproductions of paintings by Antonis Mor available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Antonis Mor: biographical notes

Antonis Mor van Dashorst: Malíř královské důstojnosti

Antonis Mor van Dashorst (1517–1577) představuje jeden z pilířů nizozemského renesančního portrétnictví, jenž v sobě ztělesňuje precizní realismus a symbolickou hloubku typickou pro jeho éru. Narodil se v nizozemském Utrechtu a vyrostl v rodině hluboce zakořeněné v umělecké tradici – jeho otec byl sochařem, což ustavilo rodovou linii zasvěcenou vizuální reprezentaci. Ačkoliv jsou biografické detaily o jeho životě v mnohém nejasné, Morova bohatá tvorba mluví o jeho talentu a neochvějné snaze zachytit samotnou podstatu svých subjektů. Rychle si vybudoval pověst díky schopnosti zobrazovat šlechtu s neporovnatelnou přesností, což mu otevřelo dveře k zakázkám od nejvlivnějších postav tehdejší Evropy. O jeho formativních letech se ví jen málo, kromě jeho výchovy v Utrechtu. Nicméně v Antverpách studoval u mistra Pietersa Bruegla Staršího, od něhož nasál mistrovskou pozorování lidské povahy a krajiny – vlivy, které později pronikly do Morovy vlastní umělecké vize. Období strávené v Antverpách se ukázalo jako klíčové pro jeho umělecký rozkvět. Zde si zdokonaloval své schopnosti po boku kolegů, jako byli Quentin Massys či Hendrik Golse, a zcela se ponořil do živého uměleckého prostředí Flanderské republiky. Tato zkušenost mu vštěpila sofistikované porozumění perspektivě a technice chiaroscuro – metodě světla a stínu, kterou pak mistrnovsky využíval k dramatickému osvětlení svých portrétů.

Vláda Marie Tudor: Mistrovské dílo severní renesanční portrétní tvorby

Morova sláva vyvrcholila s dokončením portrétu Marie Tudor, královny anglické (1554). Toto monumentální plátno je vrcholem jeho uměleckého umění. Dílo, vytvořené s nesmírnou pečlivostí, zachytává královskou prezenci a vnitřní klid Marie – což je důkazem Morovy schopnosti vyjádřit psychologickou nuance vedle fyzické podoby. Kompozice je precizně vyvážená, využívá pyramidální strukturu a jemné záhyby látky, aby zdůraznila postavení a důstojnost královny. Navíc využití chiaroscuro vytváří fascinující hru světla a temnoty, která vyzdvihuje tvář Marie a vyzařuje z ní aurou vznešené grandióznosti. Tento portrét ugruntoval Morovo jméno jako jednoho z nejvýznamnějších portrétistů své doby a zůstává oslavovaným vzorem severní renesanční sztuki. Mor těžil z královské patronáže a získával zakázky od monarchů po celé Evropě, včetně Filipa II. španělského. Tyto prestižní úkoly mu umožnily věnovat se ambiciózním projektům a dále ladit svůj umělecký styl, čímž si zajistil odkaz dvorského umělce. Kromě portrétu Marie Tudor Mor realizoval četné zakázky na ztvárnění významných státníků, diplomatů a aristokratů. Jeho charakteristický styl, definovaný precizním realismem, mistrovskou perspektivou a expresivní hrou světla, byl okamžitě rozpoznatelný. Konzistentně kladl důraz nejen na fyzický vzhled, ale především na charakter a emoce, čímž povýšil své portréty nad rámec pouhých podob do hlubokých vyjádření lidské důstojnosti.

Vliv a odkaz

Morův vliv sahá daleko za jeho současníky. Jeho precizní přístup k portrétnictví nastolil precedens pro budoucí generace umělců, kteří se od něj učili usmářat za větší přesností a psychologickým vhledem. Prosazoval humanistické ideály renesance a odrážel nezpochybnitelnou víru v sílu umění osvětlovat lidskou zkušenost. Dnes díla Mor van Dashorsta nadále fascinují diváky po celém světě a slouží jako trvalé připomínky umělecké geniality dosažené během nizozemského zlatého věku – období definovaného inovací, ambicemi a hlubokým obdivem pro krásu.

Všechna díla od Antonis Mor: 75 →