Portrét Frédéric Bazille

Frédéric Bazille: The 88 Most Famous Paintings, Documented

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 88 děl umělce Frédéric Bazille v našem katalogu

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According to this ranking, Plážové koupání (1869) is the most famous painting by Frédéric Bazille; the Fogg Art Museum, Cambridge, holds it. It is followed by Rodinné setkání (1867) and The Pink Dress (1864). This list draws on the 88 works by Frédéric Bazille in the catalogue and records the 88 most famous, with date, holding museum and description for each entry.

1841 – 1870, Montpellier Impressionist landscape Nejvíce děl: Musée Fabre

Frédéric Bazille: top 10 entries of the list

1
Plážové koupání (1869) od Frédéric Bazille

Plážové koupání

1869 · Olej na plátně · Fogg Art Museum, Cambridge

Jean Frédéric Bazille: Životní oslava mladosti Jean Frédéric Bazille (1841–1870) byl francouzský impresionistický malíř, jehož dílo zůstalo krátké, ale významné – rychlá záře talentu, která byla tragicky ukončena předčasným úmrtím. Narodil se v Montpellieru ve Francii 6. prosince 1841 roku do bohaté protestantské rodiny zapojené do vinařství, což naznačovalo život mimo svět umění – jeho rodiče si přáli jeho finanční zabezpečení a zároveň podporovali jeho zájem o lékařské studium společně…

2
Rodinné setkání (1867) od Frédéric Bazille

Rodinné setkání

1867 · Olej na plátně · Musée d'Orsay, Paříž

Jean Frédéric Bazillova "Rodinná Sjednocení" (La Réunion Familiale) je obraz, který v srdci diváka vyvolává hluboké emoce. Tato vibrující a detailně zobrazená scéna zachycuje živý sociální shromáždění venku, vytvořenou v roce 1867. Bazilla s mistrovským štětcem vykreslil scénu pod velkým stromem, kde se rodina a přátelé baví a užívají si volný čas. Obraz je bohatý na detaily – složité vzory a textury, které oživují každou linii a každý odstín. Je…

3
The Pink Dress (1864) od Frédéric Bazille

The Pink Dress

1864 · Acrylic On Canvas · Musée d'Orsay, Paříž

Marilyn Monroe’s “Pink Dress,” designed by William Travilla for Howard Hawks’ 1953 film *Gentlemen Prefer Blondes*, transcends mere costume; it embodies an enduring symbol of glamour, ambition, and the seductive allure of Hollywood. The dress itself—a shocking pink silk satin gown adorned with black satin lining and a large bow—represents more than just fabric and embellishments; it encapsulates a pivotal moment in cinematic history and continues to fascinate audiences today.

4
La Toilette (1870) od Frédéric Bazille

La Toilette

1870 · Acrylic On Canvas · Musée Fabre, Montpellier

The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate moments. Created in 1869-1870, this painting is one of Bazille's last works before his untimely death in the Franco-Prussian War. Composition and Symbolism The painting depicts three women in a room, with one woman lying on a bed while the other two…

6
The Family Gathering (1867) od Frédéric Bazille

The Family Gathering

1867 · Oil On Canvas · Musée d'Orsay, Paříž

To stand before The Family Gathering is to step directly into a sun-dappled afternoon of pure, unscripted joy. This painting by Jean Frédéric Bazille captures more than just a social assembly; it arrests the very essence of conviviality. One feels the gentle warmth emanating from the canvas, as if the viewer has stumbled upon this private moment in time. The composition is masterfully arranged beneath the generous canopy of a…

10
Portrait of an Unknown Sitter as a Troubadour (1875) od Frédéric Bazille

Portrait of an Unknown Sitter as a Troubadour

1875 · Oil On Canvas · Dallas Museum of Art, Dallas

In this intimate oil portrait, we find ourselves drawn into a quiet, private moment with a young man. The composition is a close-up, bust-length study that pushes the subject toward the viewer through a dramatic use of chiaroscuro. A deep, nearly black background provides a void from which the sitter emerges, illuminated by a highly directional light source. This light catches the contours of his face, leaving the other side…

Frédéric Bazille: list continued, 11 to 88

11Petite Italienne chanteuse des rues (1866) od Frédéric BazillePetite Italienne chanteuse des rues1866 · Musée Fabre 12Portrait of Alphonse Tissie (1868) od Frédéric BazillePortrait of Alphonse Tissie1868 · Musée Fabre 13Two Herrings (1867) od Frédéric BazilleTwo Herrings1867 14Mystic marriage of Saint Catherine (1859) od Frédéric BazilleMystic marriage of Saint Catherine1859 15Two Figures in a Railroad Car (1870) od Frédéric BazilleTwo Figures in a Railroad Car1870 · Hood Museum of Art 16Jeune homme nu couché sur l'herbe (1870) od Frédéric BazilleJeune homme nu couché sur l'herbe1870 · Musée Fabre 17Portrait of Pierre-Auguste Renoir, Oil on canv (1867) od Frédéric BazillePortrait of Pierre-Auguste Renoir, Oil on canv1867 18View of the Village (1868) od Frédéric BazilleView of the Village1868 · Musée Fabre 19View of the Village of Castelnau-le-Lez (1868) od Frédéric BazilleView of the Village of Castelnau-le-Lez1868 · Musée Fabre 20Portrait of Renoir (1867) od Frédéric BazillePortrait of Renoir1867 · Musée d'Orsay 21The Studio on the Rue La Condamine (1870) od Frédéric BazilleThe Studio on the Rue La Condamine1870 · Musée d'Orsay 22Portrait of Edmond Maitre (1869) od Frédéric BazillePortrait of Edmond Maitre1869 · National Gallery of Art 23Reclining Nude (1864) od Frédéric BazilleReclining Nude1864 · Musée Fabre 24Fontainebleau forest (1865) od Frédéric BazilleFontainebleau forest1865 · Musée d'Orsay 25Portrait of Edouard Blau (1866) od Frédéric BazillePortrait of Edouard Blau1866 · National Gallery of Art 26Self Portrait (1870) od Frédéric BazilleSelf Portrait1870 27Portrait of a Man (1867) od Frédéric BazillePortrait of a Man1867 28Self-Portrait (1867) od Frédéric BazilleSelf-Portrait1867 · Minneapolis Institute of Art 29The Studio on the Rue de Furstenberg (1865) od Frédéric BazilleThe Studio on the Rue de Furstenberg1865 · Musée Fabre 30Chailly - White Horse Inn (1863) od Frédéric BazilleChailly - White Horse Inn1863 31Study of Trees (1863) od Frédéric BazilleStudy of Trees1863 32Nude Woman from the Back (1864) od Frédéric BazilleNude Woman from the Back1864 33In the Garden (1864) od Frédéric BazilleIn the Garden1864 34Rue de village, Chailly (1865) od Frédéric BazilleRue de village, Chailly1865 · Musée Fabre 35Fleurs (1869) od Frédéric BazilleFleurs1869 · Musée Fabre 36Étude pour une vendange (1868) od Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 37Étude pour une vendange (1868) od Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 38Edmond Maître (1869) od Frédéric BazilleEdmond Maître1869 · National Gallery of Art 39Village Street (also known as Chailly) (1865) od Frédéric BazilleVillage Street (also known as Chailly)1865 · Musée Fabre 40The Little Gardener (1867) od Frédéric BazilleThe Little Gardener1867 41Soup Bowl Covers (1864) od Frédéric BazilleSoup Bowl Covers1864 · Musée Fabre 42Louis Auriol Fishing (1870) od Frédéric BazilleLouis Auriol Fishing1870 43The Terrace at Méric (Oleander) (1867) od Frédéric BazilleThe Terrace at Méric (Oleander)1867 · Cincinnati Art Museum 44Seascape: The Beach at Sainte-Adresse (1865) od Frédéric BazilleSeascape: The Beach at Sainte-Adresse1865 · High Museum of Art 45Jean Frederic Bazille's studio at 9 rue de la Condamine, Oil (1870) od Frédéric BazilleJean Frederic Bazille's studio at 9 rue de la Condamine, Oil1870 46The Dog Rita Asleep (1864) od Frédéric BazilleThe Dog Rita Asleep1864 47The Artist's Studio, Rue de la Condamine (1870) od Frédéric BazilleThe Artist's Studio, Rue de la Condamine1870 48Studio of The Rue Visconti (1867) od Frédéric BazilleStudio of The Rue Visconti1867 · Virginijský muzejní a umělecký fond 49Self-Portrait (1868) od Frédéric BazilleSelf-Portrait1868 50Still Life with Fish (1866) od Frédéric BazilleStill Life with Fish1866 · Detroit Institute of Arts 51Flowers (1868) od Frédéric BazilleFlowers1868 52Study of Flowers (1866) od Frédéric BazilleStudy of Flowers1866 53Portrait d'homme barbu od Frédéric BazillePortrait d'homme barbu 54Grape Picker in a Cap od Frédéric BazilleGrape Picker in a Cap 55Grape Picker in a Cap 1 od Frédéric BazilleGrape Picker in a Cap 1 56Young Woman with Lowered Eyes od Frédéric BazilleYoung Woman with Lowered Eyes 57Family Reunion on the terrace of the Château de Meric od Frédéric BazilleFamily Reunion on the terrace of the Château de Meric 58La robe rose ou Vue de Castelnau le Lez od Frédéric BazilleLa robe rose ou Vue de Castelnau le Lez 59Man with a Pipe od Frédéric BazilleMan with a Pipe 60Réunion de famille od Frédéric BazilleRéunion de famille 61Grape Picker in a Yellow Hat od Frédéric BazilleGrape Picker in a Yellow Hat 62L'AMBULANCE IMPROVISEE od Frédéric BazilleL'AMBULANCE IMPROVISEE 63Queens Gate at Aigues-Mortes (1867) od Frédéric BazilleQueens Gate at Aigues-Mortes1867 · Metropolitan Museum of Art 64Self Portrait at Saint-Sauveur (1867) od Frédéric BazilleSelf Portrait at Saint-Sauveur1867 · Musée Fabre 65Landscape at Chailly (1865) od Frédéric BazilleLandscape at Chailly1865 · Art Institute of Chicago 66Deux harengs od Frédéric BazilleDeux harengsMusée Fabre 67Self Portrait od Frédéric BazilleSelf Portrait 68The Pink Dress od Frédéric BazilleThe Pink Dress 69Forêt de Fontainebleau od Frédéric BazilleForêt de Fontainebleau 70Toilet (1870) od Frédéric BazilleToilet1870 · Musée Fabre 71The Fisherman with a Net (1868) od Frédéric BazilleThe Fisherman with a Net1868 · Arp Museum Bahnhof Rolandseck 72Summer Scene (Bathers) od Frédéric BazilleSummer Scene (Bathers)Fogg Museum 73The Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly) (1865) od Frédéric BazilleThe Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly)1865 · Musée d'Orsay 74Negress with Peonies (1870) od Frédéric BazilleNegress with Peonies1870 · Musée Fabre 75Studio in the rue de Furstenberg (1865) od Frédéric BazilleStudio in the rue de Furstenberg1865 · Musée Fabre 76The Banks of the Lez od Frédéric BazilleThe Banks of the LezMinneapolis Institute of Art 77Ruth et Booz (1870) od Frédéric BazilleRuth et Booz1870 · Musée Fabre 78Woman in Moorish Costume (1869) od Frédéric BazilleWoman in Moorish Costume1869 · Norton Simon Museum 79Portrait of Auguste Renoir (1867) od Frédéric BazillePortrait of Auguste Renoir1867 · Musée d'Orsay 80Self Portrait with Palette (1865) od Frédéric BazilleSelf Portrait with Palette1865 · Art Institute of Chicago 81The Fortune Teller (1869) od Frédéric BazilleThe Fortune Teller1869 82Portrait of Renoir (1867) od Frédéric BazillePortrait of Renoir1867 · Clevelandské muzeum umění 83Edouard Blau (1869) od Frédéric BazilleEdouard Blau1869 · National Gallery of Art 84Fleurs od Frédéric BazilleFleursMusée de Grenoble 85Aigues-Mortes od Frédéric BazilleAigues-MortesMusée Fabre 86The Heron (1867) od Frédéric BazilleThe Heron1867 · Musée Fabre 87The Western Ramparts at Aigues-Mortes (1867) od Frédéric BazilleThe Western Ramparts at Aigues-Mortes1867 · National Gallery of Art 88Young Woman with Peonies (1870) od Frédéric BazilleYoung Woman with Peonies1870 · National Gallery of Art

Frédéric Bazille: works by period

Principal subjects in the work of Frédéric Bazille

The four subjects most frequently represented among these works, each with its best-known example.

Frédéric Bazille: holding museums

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Frédéric Bazille Obrazy z tohoto seznamu
Musée Fabre, MontpellierMusée Fabre Montpellier 23 La Toilette, The Scoter, Petite Italienne chanteuse des rues
Musée d'Orsay, PařížMusée d'Orsay Paříž 8 Rodinné setkání, The Pink Dress, The Family Gathering
National Gallery of Art, WashingtonNational Gallery of Art Washington 6 Portrait of Edmond Maitre, Portrait of Edouard Blau, Edmond Maître
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Self-Portrait, The Banks of the Lez
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Landscape at Chailly, Self Portrait with Palette
Fogg Art Museum, CambridgeFogg Art Museum Cambridge 1 Plážové koupání
Muzeum umění Houston, HoustonMuzeum umění Houston Houston 1 Le petit jardinier, ca Museum of Fine Arts,
Dallas Museum of Art, DallasDallas Museum of Art Dallas 1 Portrait of an Unknown Sitter as a Troubadour

Frédéric Bazille by decade: the most famous painting of each

Díla podle dekád

Select a decade to display its principal painting.

Frédéric Bazille: questions and documented answers

Which Frédéric Bazille painting heads the list of most famous works?Display the answer

Plážové koupání (1869), Fogg Art Museum, Cambridge. The following entries are Rodinné setkání (1867) and The Pink Dress (1864).

What age had Frédéric Bazille reached when Plážové koupání was painted?Display the answer

28 years: Frédéric Bazille was born in 1841 and Plážové koupání is dated 1869.

Which works make up the top 10 of Frédéric Bazille?Display the answer

Plážové koupání, Rodinné setkání, The Pink Dress, La Toilette, Landscape on the Shore of Lez, The Family Gathering, The Scoter, Le petit jardinier, ca Museum of Fine Arts,, Saint-Saveur a Portrait of an Unknown Sitter as a Troubadour. The list above records the date and holding museum of each.

How many works by Frédéric Bazille are recorded?Display the answer

The catalogue records 88 works by Frédéric Bazille, dated between 1859 and 1870.

In which collections are Frédéric Bazille's most famous works held?Display the answer

Principally in Musée Fabre (Montpellier), Musée d'Orsay (Paříž) a National Gallery of Art (Washington). The museum table above gives the full distribution.

When were the most famous works of Frédéric Bazille painted?Display the answer

In 1860s: 54 of the 88 works listed on this page are dated to that period, including Plážové koupání.

Which dated works by Frédéric Bazille are the earliest and the latest here?Display the answer

The earliest dated work listed here is Mystic marriage of Saint Catherine (1859); the latest is La Toilette (1870).

What subjects appear most in the work of Frédéric Bazille?Display the answer

Portraits (6), Men (6) a Man (5), out of the 88 works listed on this page.

What materials did Frédéric Bazille use most frequently?Display the answer

Oil On Canvas, in 22 of the 88 works listed on this page.

Which art movement does Frédéric Bazille represent?Display the answer

Impressionist landscape, as documented by the works on this page.

Which works of Frédéric Bazille are held by the Musée Fabre?Display the answer

La Toilette, The Scoter a Petite Italienne chanteuse des rues are among the 23 works on this page in the collection of the Musée Fabre, Montpellier.

Where can reproductions of Frédéric Bazille's paintings be obtained?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Frédéric Bazille: life and work

The Brief Radiance of Jean Frédéric Bazille

Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

Forging a Path Amongst Giants

Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn't merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like *The Pink Dress* (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. The influence of Eugène Delacroix, with his bold color palettes and dramatic compositions, is subtly present in Bazille's early work, yet he quickly moved beyond academic conventions to embrace a more modern sensibility.

A Style Defined by Light and Friendship

Bazille’s artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with *plein air* painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like *Family Reunion* (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about *what* he saw, but *how* he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Eugène Delacroix, whose vibrant use of color resonated with his own artistic sensibilities, yet he moved beyond academic conventions to embrace a more modern sensibility. Bazille’s approach to capturing human figures in natural settings was particularly innovative; he sought to integrate them seamlessly into the landscape, creating a sense of harmony and atmosphere.

A Life Interrupted: Legacy and Remembrance

The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

Key Works and Influences

Bazille’s artistic output was surprisingly limited during his lifetime – approximately sixty paintings are attributed to him. *The Pink Dress* (1864), a vibrant depiction of a young woman in a pink dress, is considered one of his most important early works, showcasing his burgeoning talent for capturing fleeting moments and the effects of light. *Family Reunion* (1867-1868) exemplifies his ability to integrate figures into landscapes with remarkable sensitivity, creating a sense of atmosphere and emotion. His work also demonstrates an interest in still life – particularly arrangements featuring flowers and fruit – often rendered with a delicate attention to detail. Bazille’s artistic development was significantly influenced by several key figures: Eugène Delacroix, whose dramatic use of color and dynamic compositions provided a foundation for Bazille's own style; Charles Gleyre, his formal training instructor who introduced him to the techniques of academic painting; and, crucially, his close friends Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley, with whom he shared ideas and experimented with new approaches to painting. The legacy of these friendships profoundly shaped Bazille’s artistic trajectory.

A Final Note

Despite his tragically short life, Frédéric Bazille left an indelible mark on the development of Impressionism. His innovative approach to capturing light, atmosphere, and human figures in natural settings paved the way for future generations of artists. His story serves as a reminder that even the briefest of flames can illuminate the path for others, and that the most enduring legacies are often forged in the crucible of friendship and artistic collaboration.

Všechna díla od Frédéric Bazille: 88 →