Portrét John Ramage

List of the 23 Most Famous Paintings by John Ramage

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The most widely known painting by John Ramage is Portrait of a Gentleman (1780), in the collection of the Metropolitan Museum of Art, New York. The next entries are Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785). The catalogue documents 23 works by John Ramage; the 23 entries below are the best known, listed in rank order with date, holding museum and description.

1748 – 1802, Dublin Neoclassicism Nejvíce děl: Metropolitan Museum of Art

John Ramage: the 10 principal paintings

John Ramage: entries 11 to 23

Principal subjects in the work of John Ramage

The four subjects most frequently represented among these works, each with its best-known example.

John Ramage: holding museums

5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora John Ramage Obrazy z tohoto seznamu
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 17 Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Mrs. James Bleecker (Sarah Bache)
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 1 George Washington
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Col. Josiah Parker
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Portrait of Augustine Taylor

John Ramage: principal painting of each decade

Díla podle dekád

Select a decade to display its principal painting.

John Ramage's paintings: reference questions

Which painting by John Ramage is the most widely known?Display the answer

Portrait of a Gentleman (1780), Metropolitan Museum of Art, New York. The following entries are Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785).

What was the age of John Ramage when Portrait of a Gentleman was painted?Display the answer

32 years: John Ramage was born in 1748 and Portrait of a Gentleman is dated 1780.

Which ten paintings by John Ramage are the best known?Display the answer

Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt, Governor George Clinton, Mrs. James Bleecker (Sarah Bache), Portrait of a Gentleman, Mrs. William Few (Catherine Nicholson), Mrs. Gulian Ludlow (Maria Ludlow), Thomas Witter a Theophylact Bache. The list above records the date and holding museum of each.

How many works by John Ramage are documented?Display the answer

The catalogue records 23 works by John Ramage, dated between 1777 and 1795.

Which museums hold the best-known paintings of John Ramage?Display the answer

Principally in Metropolitan Museum of Art (New York), Nationalmuseum (Stockholm) a Státní Ermitáž (Sankt-Petěrburg). The museum table above gives the full distribution.

In which period were John Ramage's best-known works painted?Display the answer

In 1780s: 13 of the 23 works listed on this page are dated to that period, including Portrait of a Gentleman.

Which are the earliest and latest dated works by John Ramage on this list?Display the answer

The earliest dated work listed here is Major Greene, B.A (1777); the latest is Mrs. James Bleecker (Sarah Bache) (1795).

Which subjects recur most in the work of John Ramage?Display the answer

18th century (4), Historical figure (4) a Portraiture (3), out of the 23 works listed on this page.

With which art movement is John Ramage associated?Display the answer

Neoclassicism, as documented by the works on this page.

Which works by John Ramage are in the collection of the Metropolitan Museum of Art?Display the answer

Portrait of a Gentleman, Major Greene, B.A a Gilbert Van Cortlandt are among the 17 works on this page in the collection of the Metropolitan Museum of Art, New York.

Are reproductions of paintings by John Ramage available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

John Ramage: biographical notes

A Life Bridging Worlds: The Story of John Ramage

Born in Dublin, Ireland, in 1748, John Ramage’s life was one of remarkable transition and artistic dedication, a journey that carried him from the refined world of Irish goldsmithing to the burgeoning art scene of colonial America. Details surrounding his early family life remain elusive, yet it is known he received formal training at the Dublin Society of Artists in 1763, laying a foundation in drawing and painting techniques that would serve as the bedrock for his future endeavors. Ramage’s initial career path was notably versatile; he skillfully combined the precision of a goldsmith with the delicate artistry of a miniaturist—a testament to his inherent talent for detail and decorative arts. This early period instilled within him not only technical proficiency but also an appreciation for craftsmanship that would distinguish his work throughout his life. In 1772, driven by ambition or perhaps circumstance, Ramage embarked on a new chapter, emigrating to Halifax, Nova Scotia, marking the beginning of his artistic journey in North America and setting the stage for a life intertwined with both art and political upheaval.

Loyalty, Love, and Revolution: Navigating Turbulent Times

Ramage’s arrival in North America coincided with a period of immense political tension—the American Revolution. A staunch Loyalist, his allegiance lay firmly with the British Crown, leading him to join “the Loyal Irish Volunteers” in Boston, a military unit dedicated to defending the city. This commitment to the crown deeply impacted his personal life as well. In 1776, he married Victoria Ball, but this union was soon complicated by another marriage to a woman known only as “Mrs. Taylor” while stationed in Halifax. The ensuing legal battles and eventual divorce granted to Ball underscore the complexities of Ramage’s life during wartime—a period marked not only by political strife but also by personal turmoil. Forced to evacuate Boston with British forces in 1776, he relocated back to Halifax before eventually settling in New York City in 1777, seeking refuge and continuing his artistic practice amidst the ongoing conflict. His dedication extended beyond the canvas; Ramage served as a second lieutenant in the City Militia of New York, demonstrating a willingness to actively participate in the defense of the city he had come to call home.

The Miniature Master: A Portraitist of an Emerging Nation

Despite the turbulent backdrop of revolution and political division, Ramage flourished as an artist, quickly gaining renown for his exquisite portrait miniatures on ivory. This was a particularly popular art form at the time, prized for its intimacy and portability. His skill lay in the masterful application of delicately shaded cross-hatching and fine linear strokes to model faces with remarkable realism and sensitivity. He didn’t merely replicate likenesses; he captured character, social standing, and a sense of individual presence within each miniature. Ramage's clientele quickly grew to include prominent figures from New York society—the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands all sought his services. Beyond his painting prowess, Ramage’s goldsmithing skills were also highly valued; he crafted elegant cases for his miniatures, showcasing a holistic artistic vision that combined artistry with meticulous craftsmanship. Contemporary artist William R. Dunlap aptly considered him “the best artist in his branch in America,” a testament to Ramage’s enduring talent and contribution to the art world.

Notable Works

  • Portrait of George Washington (1789): The most famous work, marking Ramage as the first artist to officially portray the President. This miniature captures Washington’s solemn gaze and dignified posture with unparalleled precision—a symbol of leadership and republican ideals.
  • John Maunsell (1785): A rare and elegant miniature showcasing a stern figure in a red coat, demonstrating Ramage’s skill in capturing character. The meticulous detail reveals the sitter’s facial features and clothing with remarkable accuracy.
  • Miniature Portraits of Prominent New York Families: Works commissioned by the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands, offering glimpses into colonial society. These portraits exemplify Ramage’s ability to convey social status and familial bonds through subtle artistic techniques.
## A Final Chapter Marked by Hardship and Legacy The latter years of John Ramage's life were unfortunately marred by financial difficulties and personal hardship. Facing mounting debts in 1794, he fled to Montreal in an attempt to escape his creditors, only to encounter further misfortune upon arrival—imprisonment and a struggle to revive his artistic career. Despite these challenges, he continued to paint, claiming to have produced “extraordinary pictures,” though success proved elusive. On October 24, 1802, John Ramage died in Montreal, receiving a burial that was, sadly, reflective of his isolation and diminished circumstances. Yet, despite the hardships he faced, Ramage’s legacy endures—primarily through his distinction as the first artist to paint George Washington as President, an achievement that holds significant historical and artistic weight. His miniatures offer invaluable insights into the fashion, social circles, and personalities of late 18th-century America. He remains a pivotal figure in American art history—a testament to unwavering dedication and artistic brilliance amidst turbulent times.

Všechna díla od John Ramage: 23 →