Portrét Mary Bealeová

Seznam 65 nejznámějších obrazů autora Mary Bealeová

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 65 děl umělce Mary Bealeová v našem katalogu

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Nejznámějším dílem autora Mary Bealeová je King Charles II (1675), které se nachází ve sbírce National Portrait Gallery, Londýn. Další položky jsou Bartholomew Beale (1663) a Portrait of a lady (1680). Katalog obsahuje 65 děl umělce Mary Bealeová; níže je uvedeno 65 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.

1633 – 1699, Suffolk Baroque Nejvíce děl: National Portrait Gallery

Mary Bealeová: 10 hlavních obrazů

1
King Charles II (1675) od Mary Bealeová

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londýn

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

2
Bartholomew Beale (1663) od Mary Bealeová

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

4
Viscountess Frances Hatton (1664) od Mary Bealeová

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

Mary Bealeová: položky od 11 do 65

11Jan Baptist Van Helmont (not Robert Hooke) (1674) od Mary BealeováJan Baptist Van Helmont (not Robert Hooke)1674 12Lady Sadleir (1687) od Mary BealeováLady Sadleir1687 · Sutton House 13Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) (1687) od Mary BealeováSir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House 14Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck) (1685) od Mary BealeováLady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House 15An Unknown Man (1676) od Mary BealeováAn Unknown Man1676 · Dunster Castle 16Possibly Mary Morice, Lady Carew  (d. 1698) (1687) od Mary BealeováPossibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House 17Rachel Carew, Mrs Ambrose Manaton (1669–1705) (1684) od Mary BealeováRachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House 18Portrait of a Young Girl (1681) od Mary BealeováPortrait of a Young Girl1681 19Charles Beale the Younger (1680) od Mary BealeováCharles Beale the Younger1680 20Self-Portrait (1675) od Mary BealeováSelf-Portrait1675 21Portrait of Nell Gwyl (1697) od Mary BealeováPortrait of Nell Gwyl1697 22The Reverend William Cremer (1663/4-1736) (1692) od Mary BealeováThe Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall 23Untitled 2 od Mary BealeováUntitled 2 24Portrait of a Physician od Mary BealeováPortrait of a PhysicianDulwich Picture Gallery 25Portrait of a Mathematician od Mary BealeováPortrait of a Mathematician 26Mary Wither of Andwell (1670) od Mary BealeováMary Wither of Andwell1670 · Art Gallery of South Australia 27Anna Maria, Countess of Shrewsbury (1642–1702) (1659) od Mary BealeováAnna Maria, Countess of Shrewsbury (1642–1702)1659 28Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) od Mary BealeováMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 29Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) od Mary BealeováMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 30An Unknown Gentleman (believed to be a Member of the Williams Family) od Mary BealeováAn Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum 31An Unknown Lady (believed to be a Member of the Williams Family) od Mary BealeováAn Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum 32Lady Leake (1657-1709) od Mary BealeováLady Leake (1657-1709)National Maritime Museum 33Unknown woman od Mary BealeováUnknown womanNationalmuseum 34Sir Nicholas Stuart, Bart od Mary BealeováSir Nicholas Stuart, BartAuckland Art Gallery Toi o Tāmaki 35Aphra Behn, (Engraving) od Mary BealeováAphra Behn, (Engraving) 36Head of a man od Mary BealeováHead of a man 37Portrait of a Lady as St Agnes od Mary BealeováPortrait of a Lady as St Agnes 38Half-length seated figure of a leather worker od Mary BealeováHalf-length seated figure of a leather worker 39Charles II (1630–1685) od Mary BealeováCharles II (1630–1685) 40Figure studies od Mary BealeováFigure studies 41John Wilkins od Mary BealeováJohn Wilkins 42Portrait of a Baby od Mary BealeováPortrait of a Baby 43Edward Stillingfleet od Mary BealeováEdward Stillingfleet 44Aphra Behn od Mary BealeováAphra Behn 45Portrait of a Youth od Mary BealeováPortrait of a YouthDulwich Picture Gallery 46Thomas Sydenham od Mary BealeováThomas SydenhamNational Portrait Gallery 47Charles Beale the Elder od Mary BealeováCharles Beale the ElderNational Portrait Gallery 48Mary Beale od Mary BealeováMary BealeNational Portrait Gallery 49portrait of the King's mistress, the actress Moll Davis od Mary Bealeováportrait of the King's mistress, the actress Moll Davis 50Portrait of a young girl od Mary BealeováPortrait of a young girl 51John Lake od Mary BealeováJohn Lake 52Unknown man od Mary BealeováUnknown manNational Portrait Gallery 53Mary Beale with her family od Mary BealeováMary Beale with her family 54George Savile, 1st Marquess of Halifax od Mary BealeováGeorge Savile, 1st Marquess of HalifaxNational Portrait Gallery 55Portrait of a young boy od Mary BealeováPortrait of a young boy 56self portrait od Mary Bealeováself portrait 57Francis Turner od Mary BealeováFrancis Turner 58William Pierrepont od Mary BealeováWilliam Pierrepont 59Portrait of an unknown young boy od Mary BealeováPortrait of an unknown young boy 60Portrait of a Young Child od Mary BealeováPortrait of a Young Child 61Portrait of Zachary Cradock od Mary BealeováPortrait of Zachary Cradock 62Portrait of a Gentleman od Mary BealeováPortrait of a Gentleman 63Portrait of Charles Beale in a Black Hat od Mary BealeováPortrait of Charles Beale in a Black Hat 64Sir Thomas Isham, 3rd Baronet od Mary BealeováSir Thomas Isham, 3rd Baronet 65Portrait of Sir Thomas Isham od Mary BealeováPortrait of Sir Thomas Isham

Hlavní témata v díle Mary Bealeová

Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.

Mary Bealeová: v muzeích

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Mary Bealeová Obrazy z tohoto seznamu
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Dulwich Picture Gallery, LondýnDulwich Picture Gallery Londýn 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Bealeová: hlavní dílo každého desetiletí

Díla podle dekád

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Obrazy umělce Mary Bealeová: referenční otázky

Který obraz od Mary Bealeová je nejznámější?Zobrazit odpověď

King Charles II (1675), National Portrait Gallery, Londýn. Následující položky jsou Bartholomew Beale (1663) a Portrait of a lady (1680).

Kolik let bylo Mary Bealeová, když byl namalován obraz King Charles II?Zobrazit odpověď

42 let: Mary Bealeová se narodil/a v 1633 a dílo King Charles II pochází z roku 1675.

Kterých deset obrazů autora Mary Bealeová je nejznámějších?Zobrazit odpověď

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) a Self-Portrait Holding a Palette. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.

Kolik děl umělce Mary Bealeová je evidováno?Zobrazit odpověď

Katalog obsahuje 65 děl umělce Mary Bealeová datovaných v období od 1659 do 1697.

Která muzea uchovávají nejznámější obrazy autora Mary Bealeová?Zobrazit odpověď

Primárně v National Portrait Gallery (Londýn), Antony House a Sutton House. Tabulka muzeí výše uvádí úplné rozdělení.

V jakém období byly namalovány nejznámější díla umělce Mary Bealeová?Zobrazit odpověď

V období 1680s: 10 z 65 děl uvedených na této stránce pochází z tohoto období, včetně Portrait of a lady.

Která z děl na tomto seznamu jsou nejstaršími a nejnovějšími díly umělce Mary Bealeová?Zobrazit odpověď

Nejdulší dílo uvedené zde pochází z Anna Maria, Countess of Shrewsbury (1642–1702) (1659); nejnovější z Portrait of Nell Gwyl (1697).

Jaká témata se nejčastěji objevují v díle Mary Bealeová?Zobrazit odpověď

Portraits (14), Royalty (12) a Portrait (6), z celkových 65 děl uvedených na této stránce.

Která technika dominuje v díle Mary Bealeová?Zobrazit odpověď

Oil On Canvas, v 4 ze 65 děl uvedených na této stránce.

S jakým uměleckým směrem je spojen(a) Mary Bealeová?Zobrazit odpověď

Baroque, jak je dokumentují díla na této stránce.

Která díla umělce Mary Bealeová se nacházejí ve sbírce National Portrait Gallery?Zobrazit odpověď

King Charles II, Thomas Sydenham a Charles Beale the Elder patří mezi 6 děl na této stránce v kolekci National Portrait Gallery, Londýn.

Jsou k dispozici reprodukce obrazů od Mary Bealeová?Zobrazit odpověď

Ano. Každé dílo uvedené na této stránce lze objednat přímo z jeho vlastního záznamu jako ručně malovanou olejovou reprodukci nebo umělecký tisk v požadovaném rozměru.

Mary Bealeová: biografické poznámky

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like WikiOO, WikiOO, and others, guaranteeing her enduring presence in the cultural landscape.

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Quick Facts

  • Artistic movement or style: Baroque
  • Artists or movements influenced by this artist: English portraiture
  • Artists who influenced this artist: Peter Lely, Matthew Snelling
  • Date of birth: 1633
  • Date of death: 1699
  • Full name: Mary Beale

Quizzes

  • Question: What was a significant role Charles Beale played in his wife’s artistic career?
    • Sir Peter Lely
    • Matthew Snelling
    • Her father, John Cradock
    Correct answer: 2
  • Question: In what style was Mary Beale’s work heavily influenced?
    • Renaissance
    • Baroque
    • Impressionism
    Correct answer: 2

Všechna díla od Mary Bealeová: 65 →