Portrét Peter Lely

List of the 100 Most Famous Paintings by Peter Lely

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The most widely known painting by Peter Lely is Queen Mary II (1677), in the collection of the National Portrait Gallery, Londýn. The next entries are James VII and II, when Duke of York (1661) and Portrait of a man, thought to be George Booth, Lord Delamere (1660). The catalogue documents 240 works by Peter Lely; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1618 – 1680, Soest Baroque style Nejvíce děl: National Portrait Gallery

Peter Lely: the 10 principal paintings

1
Queen Mary II (1677) od Peter Lely

Queen Mary II

1677 · Oil On Canvas · National Portrait Gallery, Londýn

In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the age of fifteen. She is the eldest daughter of James, Duke of York, and Anne Hyde. A quiet stillness settles over the young woman, even as her life moves toward the gravity of the throne.

2
James VII and II, when Duke of York (1661) od Peter Lely

James VII and II, when Duke of York

1661 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…

3
Portrait of a man, thought to be George Booth, Lord Delamere (1660) od Peter Lely

Portrait of a man, thought to be George Booth, Lord Delamere

1660 · Oil On Canvas · Art Gallery of South Australia, Adelaide

A man of significant standing is captured in this mid-seventeenth-century oil on canvas, his presence defined by a heavy, dark suit and a prominent collar. He holds a piece of paper, a gesture suggesting literacy, legal authority, or perhaps a specific political mandate. His long, curly hair and well-groomed beard frame a face marked by intricate detail, conveying a sense of individual temperament. The composition focuses on the interplay between…

4
Henrietta Boyle, Countess of Rochester (1646-1687) (1665) od Peter Lely

Henrietta Boyle, Countess of Rochester (1646-1687)

1665 · Oil On Canvas · Hampton Court Palace, Londýn

The sitter emerges from a shadowed landscape, a vision of 17th-century nobility caught in a moment of quiet poise. Henrietta Boyle, Countess of Rochester, is rendered with a serene expression that masks a subtle, underlying gravity. Her gown, a luminous sky blue, catches the light from the upper left, casting soft shadows into the voluminous folds of silk. A string of pearls rests against her neck, their pale luster contrasting…

5
Portrait of Elizabeth Lady Monson (1665) od Peter Lely

Portrait of Elizabeth Lady Monson

1665 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingham

The room seems to quiet as Elizabeth Lady Monson meets the viewer's gaze. She sits in a three-quarter length pose, her body angled with a poise that speaks of a life lived within the high circles of the court. A deep, cerulean blue velvet gown envelops her, the heavy fabric catching the light in a way that suggests both weight and a soft, lustrous sheen. This intense blue cuts through…

6
Portrait of Oliver Cromwell (1599-1658) (1653) od Peter Lely

Portrait of Oliver Cromwell (1599-1658)

1653 · Oil · Birmingham Museum and Art Gallery, Birmingham

This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.

7
Portrait of Lady Penelope Spencer (1660) od Peter Lely

Portrait of Lady Penelope Spencer

1660 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The air feels heavy with the scent of damp earth and blooming roses as Lady Penelope Spencer pauses in a quiet, shadowed landscape. She exists in a moment of poised stillness, her gaze meeting the viewer with a grace that suggests both high status and a gentle, private thought. The light, streaming from the upper left, washes over her skin with a soft, luminous glow, catching the delicate curve of…

8
Henrietta Maria královna Anglie (1660) od Peter Lely

Henrietta Maria královna Anglie

1660 · Akryl na plátně · Musée Condé, Chantilly

Sir Peter Lely (1618 – 1680), born in Soest, Westphalia, stands as a monumental figure in the annals of English art history. His artistic journey spanned continents, culminating in his establishment as the undisputed premier portrait painter to the English court during the waning years of the Stuart dynasty—a period marked by dramatic political upheaval and stylistic innovation.

9
Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman (1675) od Peter Lely

Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman

1675 · Oil On Canvas · Rijksmuseum, Amsterdam

The Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman is an oil on canvas work by the artist Pieter Van Der Faes (Peter Lely). This portrait captures George Monk (1608-69), 1st Duke of Albemarle, in a moment of formal stillness. The paint holds the weight of a man defined by his titles and his service to the crown.

10
Edward Montagu, first Earl of Sandwich (1660) od Peter Lely

Edward Montagu, first Earl of Sandwich

1660 · Oil On Canvas · Yale Center for British Art, New Haven

Edward Montagu, first Earl of Sandwich, is presented in a formal, full-length Baroque portrait that asserts his high social standing and political importance. He stands with an imposing presence, his figure slightly off-center against a dark, shadowy background. The composition utilizes a vertical arrangement to emphasize his stature. Light enters from the upper left, striking his face and the brilliant white satin of his garments, while the rest of the…

Peter Lely: entries 11 to 100

11Sir Ralph Bankes (1660) od Peter LelySir Ralph Bankes1660 · Yale Center for British Art 12Diana Kirke, later Countess of Oxford (1665) od Peter LelyDiana Kirke, later Countess of Oxford1665 · Yale Center for British Art 13Portrait Of Sir John Nicholas (1667) od Peter LelyPortrait Of Sir John Nicholas1667 · Birmingham Museum and Art Gallery 14Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex (1655) od Peter LelyArthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex1655 · National Portrait Gallery 15Lady Diana Bruce (died 1672) (1665) od Peter LelyLady Diana Bruce (died 1672)1665 · Scottish National Gallery 16George Villiers, 2nd Duke of Buckingham (1675) od Peter LelyGeorge Villiers, 2nd Duke of Buckingham1675 · National Portrait Gallery 17Nymphs by a Fountain (1650) od Peter LelyNymphs by a Fountain1650 · Dulwich Picture Gallery 18Henrietta Anne, Duchess of Orleans (1662) od Peter LelyHenrietta Anne, Duchess of Orleans1662 · National Portrait Gallery 19Anne Hyde, Duchess of York (1637-71) (1662) od Peter LelyAnne Hyde, Duchess of York (1637-71)1662 · Hampton Court Palace 20John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman (1665) od Peter LelyJohn Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman1665 · Scottish National Portrait Gallery 21Anna Maria Talbot (née Brudenell), Countess of Shrewsbury (1670) od Peter LelyAnna Maria Talbot (née Brudenell), Countess of Shrewsbury1670 · National Portrait Gallery 22Portrait of a Lady (1659) od Peter LelyPortrait of a Lady1659 · Buckingham Palace 23Portrait of Aphra Behn (1675) od Peter LelyPortrait of Aphra Behn1675 · Yale Center for British Art 24John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland (1662) od Peter LelyJohn Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland1662 · Scottish National Portrait Gallery 25Bust Portrait of a Young Man (so-called Samuel Pepys) (1800) od Peter LelyBust Portrait of a Young Man (so-called Samuel Pepys)1800 · Minneapolis Institute of Art 26Henry Marten (Martin) (1650) od Peter LelyHenry Marten (Martin)1650 · National Portrait Gallery 27Edward Montagu, 2nd Earl of Manchester (1663) od Peter LelyEdward Montagu, 2nd Earl of Manchester1663 · National Portrait Gallery 28James Sharp, 1618 - 1679. Archbishop of St. Andrews (1664) od Peter LelyJames Sharp, 1618 - 1679. Archbishop of St. Andrews1664 · Scottish National Portrait Gallery 29Sir Peter Lely (1660) od Peter LelySir Peter Lely1660 · National Portrait Gallery 30Simon Patrick (1680) od Peter LelySimon Patrick1680 · National Portrait Gallery 31Margaret Brooke, Lady Denham (ca 1647-67) (1663) od Peter LelyMargaret Brooke, Lady Denham (ca 1647-67)1663 · Hampton Court Palace 32Portrait of a Lady. (1650) od Peter LelyPortrait of a Lady.1650 · Národní muzeum ve Varšavě 33John Ogilby (1662) od Peter LelyJohn Ogilby1662 · Bodleianské knihovny 34The Letter (1650) od Peter LelyThe Letter1650 · Detroit Institute of Arts 35Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont (1665) od Peter LelyUnknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont1665 · National Portrait Gallery 36Bartholomew Beale (1670) od Peter LelyBartholomew Beale1670 · Dulwich Picture Gallery 37King James II (1667) od Peter LelyKing James II1667 · National Portrait Gallery 38Portrait of P. Lenéve, Alderman of Norwich (1656) od Peter LelyPortrait of P. Lenéve, Alderman of Norwich1656 · Walters Art Museum 39Diana and her Nymphs at a Fountain (1648) od Peter LelyDiana and her Nymphs at a Fountain1648 · Yale Center for British Art 40Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663) (1648) od Peter LelyLady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663)1648 · Petworth House 41The Three Younger Children of Charles I (1647) od Peter LelyThe Three Younger Children of Charles I1647 · Petworth House 42Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698) (1648) od Peter LelyElizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698)1648 · Ham House 43Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1646) od Peter LelySir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1646 · Dunham Massey Hall 44John Selden (1584–1654) (1644) od Peter LelyJohn Selden (1584–1654)1644 · Yale University Art Gallery 45Man Playing a Pipe (1648) od Peter LelyMan Playing a Pipe1648 46Boy Playing a Jew’s Harp (1648) od Peter LelyBoy Playing a Jew’s Harp1648 47Abraham Cowley (1666) od Peter LelyAbraham Cowley1666 · National Portrait Gallery 48Sir Edward Nicholas (1662) od Peter LelySir Edward Nicholas1662 · National Portrait Gallery 49Anne Hyde, Duchess of York; King James II (1660) od Peter LelyAnne Hyde, Duchess of York; King James II1660 · National Portrait Gallery 50Portrait of Anne Digby, Countess of Sunderland (1666) od Peter LelyPortrait of Anne Digby, Countess of Sunderland1666 · Hampton Court Palace 51Henry, Duke of Gloucester (1639-60) (1647) od Peter LelyHenry, Duke of Gloucester (1639-60)1647 · Royal Collection 52John Bainbridge (1582–1643) and daughter (1640) od Peter LelyJohn Bainbridge (1582–1643) and daughter1640 · New York Historical Society 53Portrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698) (1650) od Peter LelyPortrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698)1650 54Susanna And The Elders (1650) od Peter LelySusanna And The Elders1650 · Birmingham Museum and Art Gallery 55Portrait Of The Earl Rivers (?) (1655) od Peter LelyPortrait Of The Earl Rivers (?)1655 · Birmingham Museum and Art Gallery 56Elizabeth Dering, Lady Darell (1660) od Peter LelyElizabeth Dering, Lady Darell1660 · National Gallery of Ireland 57Miss Mary Middleton, Plas Newydd, Wrexham (1650) od Peter LelyMiss Mary Middleton, Plas Newydd, Wrexham1650 · National Library of Wales 58Portrait of Mrs. Leneve (1657) od Peter LelyPortrait of Mrs. Leneve1657 · Clevelandské muzeum umění 59Miss Lawson, Mrs (later Lady) Chicheley (1660) od Peter LelyMiss Lawson, Mrs (later Lady) Chicheley1660 · Wimpole Hall 60Called Frances Cromwell (1638-1720), the daughter of Oliver Cromwell (1654) od Peter LelyCalled Frances Cromwell (1638-1720), the daughter of Oliver Cromwell1654 61Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18) (1653) od Peter LelyLady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)1653 · Petworth House 62Lady Anne Percy, Lady Stanhope (1633-1654) (1657) od Peter LelyLady Anne Percy, Lady Stanhope (1633-1654)1657 · Petworth House 63Called (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill (1658) od Peter LelyCalled (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill1658 · Petworth House 64Mrs Sackville (1660) od Peter LelyMrs Sackville1660 · Knole House 65Robert Spencer, 2nd Earl of Sunderland (1641-1702) (1660) od Peter LelyRobert Spencer, 2nd Earl of Sunderland (1641-1702)1660 · Knole House 66Cimon and Iphigenia (1654) od Peter LelyCimon and Iphigenia1654 · Knole House 67N. Wray (1655) od Peter LelyN. Wray1655 · Kingston Lacy 68The Penitent Magdalen (1652) od Peter LelyThe Penitent Magdalen1652 · Kingston Lacy 69Sir Ralph Bankes, MP (?1631-1677) (1655) od Peter LelySir Ralph Bankes, MP (?1631-1677)1655 · Kingston Lacy 70Called Elizabeth Palmer, Lady Wroth (d. before 1672) (1650) od Peter LelyCalled Elizabeth Palmer, Lady Wroth (d. before 1672)1650 · Killerton 71Sir William Compton (1625-1663) (1654) od Peter LelySir William Compton (1625-1663)1654 · Ham House 72An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727) (1660) od Peter LelyAn Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)1660 · Ham House 73Elizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a  Black Servant (1651) od Peter LelyElizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a Black Servant1651 · Ham House 74Possibly Lady Katherine Murray (d.1669/70) (1649) od Peter LelyPossibly Lady Katherine Murray (d.1669/70)1649 · Ham House 75Called Lady Elizabeth Grey, Lady Delamer (1621/2-1690) (1659) od Peter LelyCalled Lady Elizabeth Grey, Lady Delamer (1621/2-1690)1659 · Dunham Massey Hall 76Called Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1659) od Peter LelyCalled Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1659 · Dunham Massey Hall 77Apollonia Yate (1655) od Peter LelyApollonia Yate1655 · Coughton Court 78A Gentleman Dressed 'alla Romana'  wearing a Golden-coloured Cloak (1655) od Peter LelyA Gentleman Dressed 'alla Romana' wearing a Golden-coloured Cloak1655 · Calke Abbey 79Sir Robert Long, 1st Bt (1598-1673) (1657) od Peter LelySir Robert Long, 1st Bt (1598-1673)1657 · Belton House 80Sir Christopher Myngs (1625-1666) (1650) od Peter LelySir Christopher Myngs (1625-1666)1650 · National Maritime Museum 81Edward Montagu, 1st Earl of Sandwich (1650) od Peter LelyEdward Montagu, 1st Earl of Sandwich1650 · National Maritime Museum 82Portrait of a Woman (1649) od Peter LelyPortrait of a Woman1649 · Bavarské státní sbírky malby 83Susanna and the Elders (1652) od Peter LelySusanna and the Elders1652 84Henry Stone (1648) od Peter LelyHenry Stone1648 · National Portrait Gallery 85Henry, Duke of Gloucester (1639-1660) (1649) od Peter LelyHenry, Duke of Gloucester (1639-1660)1649 · Royal Collection 86Anne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II (1661) od Peter LelyAnne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II1661 · Scottish National Portrait Gallery 87Portrait of a Lady with a Blue Drape (1660) od Peter LelyPortrait of a Lady with a Blue Drape1660 · Dulwich Picture Gallery 88Lady Frances Savile, Later Lady Brudenell (1668) od Peter LelyLady Frances Savile, Later Lady Brudenell1668 · Yale Center for British Art 89Portrait of Samuel Crew (1650) od Peter LelyPortrait of Samuel Crew1650 · Groeningemuseum 90Portrait of a Man (1656) od Peter LelyPortrait of a Man1656 · Statens Museum for Kunst 91Family Portrait of Lord Wharton (1656) od Peter LelyFamily Portrait of Lord Wharton1656 92Finding of Moses (1650) od Peter LelyFinding of Moses1650 · Musée des Beaux-Arts 93Portrait Of The Hon Mrs Lucy Loftus (1667) od Peter LelyPortrait Of The Hon Mrs Lucy Loftus1667 · Birmingham Museum and Art Gallery 94Margaret Brooke (c.1647–1667), Lady Denham (1664) od Peter LelyMargaret Brooke (c.1647–1667), Lady Denham1664 95Joceline Percy, 11th Earl of Northumberland (1644-1670) (1671) od Peter LelyJoceline Percy, 11th Earl of Northumberland (1644-1670)1671 · Petworth House 96Lady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page (1662) od Peter LelyLady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page1662 · Petworth House 97Elizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691) (1664) od Peter LelyElizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691)1664 · Petworth House 98Called Sophia Fairholme, Marchioness of Annandale (1668-1716) (1664) od Peter LelyCalled Sophia Fairholme, Marchioness of Annandale (1668-1716)1664 · Petworth House 99Called Elizabeth Wriothesley, Countess of Northumberland (1646 -1690) (1662) od Peter LelyCalled Elizabeth Wriothesley, Countess of Northumberland (1646 -1690)1662 · Petworth House 100Richard Legh (1634-1687) (1667) od Peter LelyRichard Legh (1634-1687)1667 · Lyme Park

Peter Lely: works by period

Principal subjects in the work of Peter Lely

The four subjects most frequently represented among these works, each with its best-known example.

Peter Lely: holding museums

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Peter Lely Obrazy z tohoto seznamu
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 18 Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex, George Villiers, 2nd Duke of Buckingham
Petworth House, PetworthPetworth House Petworth 10 Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663), The Three Younger Children of Charles I, Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 6 Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait Of Sir John Nicholas
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Edward Montagu, first Earl of Sandwich, Sir Ralph Bankes, Diana Kirke, later Countess of Oxford
Ham HouseHam House 14 Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698), Sir William Compton (1625-1663), An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 8 James VII and II, when Duke of York, John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman, John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland
Hampton Court Palace, LondýnHampton Court Palace Londýn 11 Henrietta Boyle, Countess of Rochester (1646-1687), Anne Hyde, Duchess of York (1637-71), Margaret Brooke, Lady Denham (ca 1647-67)
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 7 N. Wray, The Penitent Magdalen, Sir Ralph Bankes, MP (?1631-1677)

Peter Lely: principal painting of each decade

Díla podle dekád

Select a decade to display its principal painting.

Peter Lely's paintings: reference questions

Which painting by Peter Lely is the most widely known?Display the answer

Queen Mary II (1677), National Portrait Gallery, Londýn. The following entries are James VII and II, when Duke of York (1661) and Portrait of a man, thought to be George Booth, Lord Delamere (1660).

What was the age of Peter Lely when Queen Mary II was painted?Display the answer

59 years: Peter Lely was born in 1618 and Queen Mary II is dated 1677.

Which ten paintings by Peter Lely are the best known?Display the answer

Queen Mary II, James VII and II, when Duke of York, Portrait of a man, thought to be George Booth, Lord Delamere, Henrietta Boyle, Countess of Rochester (1646-1687), Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait of Lady Penelope Spencer, Henrietta Maria královna Anglie, Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman a Edward Montagu, first Earl of Sandwich. The list above records the date and holding museum of each.

How many works by Peter Lely are documented?Display the answer

The catalogue records 240 works by Peter Lely, dated between 1640 and 1680.

Which museums hold the best-known paintings of Peter Lely?Display the answer

Principally in National Portrait Gallery (Londýn), Petworth House (Petworth) a Birmingham Museum and Art Gallery (Birmingham). The museum table above gives the full distribution.

In which period were Peter Lely's best-known works painted?Display the answer

In 1660s: 41 of the 100 works listed on this page are dated to that period, including James VII and II, when Duke of York.

Which are the earliest and latest dated works by Peter Lely on this list?Display the answer

The earliest dated work listed here is John Bainbridge (1582–1643) and daughter (1640); the latest is Simon Patrick (1680).

Which subjects recur most in the work of Peter Lely?Display the answer

Man (24), Woman (19) a Lace (12), out of the 100 works listed on this page.

Which medium predominates in the work of Peter Lely?Display the answer

Oil On Canvas, in 40 of the 100 works listed on this page.

With which art movement is Peter Lely associated?Display the answer

Baroque style, as documented by the works on this page.

Which works by Peter Lely are in the collection of the National Portrait Gallery?Display the answer

Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex a George Villiers, 2nd Duke of Buckingham are among the 15 works on this page in the collection of the National Portrait Gallery, Londýn.

Are reproductions of paintings by Peter Lely available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Peter Lely: biographical notes

Sir Peter Lely: Malíř dvorských snů

Sir Peter Lely, narozen v roce 1618 ve vesnici Soest v Westfálsku, byl postavou, jejíž život i dílo prostoupaly dvěma kontinenty a nakonec ho ugruntovaly jako nejvýznamnějšího portrétního malíře anglického dvora v pozdní éře Stuartů. Jeho cesta začala uprostřed chaosu třicetileté války, přičemž jeho nizozemské dědictví formovalo uměleckou citlivost hluboce zakořeněnou jak v severoevropských tradicích, tak v tehdy rozkvétajícím barokním stylu. Po počáteční výchově v Haarlem u Pietersa de Grebbera, mistra Gildu svatého Lukáše, si Lely zdokonalil dovednosti v precizních technikách flamandského malířství – což byla záڪlad, která měla hluboce ovlivnit jeho ranou tvorbu. Přesto právě jeho přesun do Anglie kolem roku 1643 skutečně definoval jeho odkaz a proměnil jej ze zručeného řemeslníka v dvorského umělce a klíčovou postavu při formování anglické umělecké identity.

Raná léta a vlivy: Most mezi severem a jihem

Lelyho raná díla odhalují fascinující syntézu různých vlivů. V počátcích vytvářel mytologické a náboženské scény, často zasazené do idylických pastorálních krajin – styl, který připomínal dílo Anthonyho van Dycka, jenž se stal nesmírně populárním na anglickém dvoře před svou předčasnou smrtí v roce 1641. Tato díla projevují jasné obdivování Van Dyckových elegantních kompozic, vyvážených postav a mistrovského využití světla a stínu. Přesto však Lelyho malba disponuje i výrazně pozemskou kvalitou, která odráží tradice Haarlem a integruje prvky severoevropského realismu. Obzvláště silný byl jeho vliv nizozemského baroka, což je patrné na jeho pozornosti k detailu, živé paletě barev a dynamických uspořádáních. Politická nestabilita té doby, poznamenaná anglickou občanskou válkou, nepochybně formovala Lelyho umělecká rozhodnutí a vedla k posunu směrem k intimnějším portrétům, které zachycovaly osobnostní rysy lidí obdivujících se dvorskému životu. Dvorský malíř a královská patronáž: Počátek nové éry Po obnovení monarchie v roce 1660 zažívá Lelyho kariéra neuvěřitelný vzestup. Byl jmenován hlavním dvorským malířem krále Charlese II., což byla pozice, kterou dříve zastával právě Van Dyck, a to znamenalo jasné uznání jeho umělecké hodnoty i trvalého původu jeho stylu. Toto jmenování s sebou přineslo i významná privilegia, včetně štědrého příjmu a přístupu k královským sbírkám. Lelyho portréty se staly nesmírně populárními; zachycovaly podobu významných postav – od dvůrských šlechtiček až po členy královské rodiny. Jeho schopnost vykreslit subjekty s důstojností i šarmem upevnila jeho postavení nejvýznamnějšího malíře dvora. Zvláštní je, že namaloval i Olivera Cromwella a Richarda Cromwella, přičemž u toho prvního nabídl překvapivě upřímný portrét bývalého lorda protektora, čímž dokázal svou ochotu zachytit realitu spíše než pouhou idealizaci.

Styl a technika: Mistr světla a formy

Lelyho umělecký styl je charakteristický svou elegancí, grácií a neuvěřitelnou technickou zručností. Disponoval výjimečnou schopností vykreslit textilie s ohromující realističností – což se stalo trvalým znakem jeho portrétů – a jeho práce se světlem a stínem vytvářela pocit hloubky a atmosféry, který diváka zcela pohltil. Ačkoliv byl zpočátku ovlivněn vyváženým stylem Van Dycka, Lely si vyvinul robustnější a expresivnější styl, který svým postavám vdechoval osobnost a charakter. Jeho kompozice jsou často dynamické a poutavé, přičemž oko diváka přirozeně vedou k klíčovým prvkům v rámci obrazu. Byl také vášnivým sběratelem kreseb starých mistrů, což bezpochyby obohacovalo jeho porozumění anatomii, perspektivě a základním uměleckým principům.

Odkaz a historický význam

Vliv Sirry Petera Lelyho na anglické umění je nepopíratelný. Založil tradici dvorského portrétního malířství, která přetrvala generace a formovala vizuální reprezentaci moci a statusu v rámci monarchie. Jeho vliv však sahá daleko za pouhé technické dovednosti; pomohl podpořit smysl pro uměleckou sebevědomost a inovaci, čímž přispěl k rozkvětu umění během éry Restaurace. Ačkoliv se jeho styl někdy skláněl k repetitivnosti – což je vlastnost často připisovaná potřebě vytvářet množství portrétů pro potřeby dvora – Lelyho odkaz zůstává nezpochybnitelný jako dílo jednoho z nejdůležitějších a nejvlivnějších anglických malířů. Jeho tvorba je i nadále uctívána pro svou krásu, eleganci a hluboký vhled do lidské povahy, čímž si trvale zajistil své místo v dějinách umění jako „Malíř dvorských snů“.

Všechna díla od Peter Lely: 240 →