Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 40 děl umělce Tom Roberts v našem katalogu
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Slumbering sea, Mentone (1887) is recorded as the most famous painting of Tom Roberts; it is held by the National Gallery of Victoria, Melbourne. Self portrait (1924) and Portrait of Louis Abrahams (1886) occupy the second and third entries. Of the 40 works by Tom Roberts recorded in the catalogue, the 40 best known are listed below, each entry with its date, the holding museum and a note on the work.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Portrét paní Tom Robertsové – Významná díla australského impresionismu Tom Roberts (1856–1931) byl průkopníkem australského impresionismu a významným představitelem Heidelbergské školy. Jeho tvorba reflektovala jedinečné podmínky australské krajiny, zejména intenzivní světlo, které ovlivnilo jeho koloristické zpracování obrazů. Tento dílo patří mezi nejvýznamnější výtvarné أعمال Robertsa, které jsou považovány za ikonickou reprezentaci doby a estetiky tohoto období. Jeho práce byly vystaveny mnohokrát a získaly uznání kritiky i veřejnosti. Název díla: Portrét…
To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…
In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…
In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…
Sir William Charles Windeyer1892 · National Portrait Gallery
12
James T. Donovan1892 · National Portrait Gallery
13
Mrs Lucy Scot Skirving1898 · Umělecká galerie Nového Jižního Walesu
14
Percy F.S. Spence1896 · Umělecká galerie Nového Jižního Walesu
15
Portrait of George Selth Coppin1895 · National Portrait Gallery
16
Sir James Reading Fairfax1898 · National Portrait Gallery
17
Hutt Valley1900 · Museum of New Zealand Te Papa Tongarewa
18
In Quarantine, Wellington1900 · Museum of New Zealand Te Papa Tongarewa
19
Mrs W.A.B. Greaves1899 · Umělecká galerie Nového Jižního Walesu
20
Edward TrenchardNational Gallery of Victoria
21
Roses1911 · Umělecká galerie Nového Jižního Walesu
22
Thames bargesUmělecká galerie Nového Jižního Walesu
23
The first basin1913
24
Sherbrooke Forest1924 · Umělecká galerie Nového Jižního Walesu
25
An autumn morning, Milson1888 · Umělecká galerie Nového Jižního Walesu
26
Harbourscape1890 · National Gallery of Australia
27
Circular Quay1989
28
Holiday sketch at Coogee1888 · Umělecká galerie Nového Jižního Walesu
29
Cloud studyNational Gallery of Victoria
30
Washing day KallistaUmělecká galerie Nového Jižního Walesu
31
Grey lady (Mrs Ince)Umělecká galerie Nového Jižního Walesu
32
Storm at seaUmělecká galerie Nového Jižního Walesu
33
Opening of the first Parliament of the Australian Commonwealth, 9th May 19011903 · National Portrait Gallery
34
Shearing the rams1890 · National Gallery of Victoria
35
The Big Picture1903 · Royal Collection
36
Coming South1886 · National Gallery of Victoria
37
Bailed up1927 · Umělecká galerie Nového Jižního Walesu
38
In a corner on the Macintyre1895 · National Gallery of Australia
39
Rejected1883
40
The Temple of Dendera, Upper Egypt1841 · Bristol Museum - Art Gallery
The four subjects most frequently represented among these works, each with its best-known example.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Tom Roberts | Obrazy z tohoto seznamu |
|---|---|---|---|
 Umělecká galerie Nového Jižního Walesu |
Sydney | 15 | Self portrait, Adagio, Fog, Thames Embankment |
 National Portrait Gallery |
Canberra | 7 | Practising the Minuet (Miss Hilda Spong), Portrét paní Tom Roberts, Sir William Charles Windeyer |
 National Gallery of Victoria |
Melbourne | 5 | Slumbering sea, Mentone, Edward Trenchard, Cloud study |
 National Gallery of Australia |
Canberra | 4 | Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Hutt Valley, In Quarantine, Wellington |
 Art Gallery of South Australia |
Adelaide | 1 | Andante |
 Royal Collection |
Londýn | 1 | The Big Picture |
 Bristol Museum - Art Gallery |
Bristol | 1 | The Temple of Dendera, Upper Egypt |
Select a decade to display its principal painting.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
Portrét paní Tom Robertsové – Významná díla australského impresionismu Tom Roberts (1856–1931) byl průkopníkem australského impresionismu a významným představitelem Heidelbergské školy. Jeho tvorba reflektovala jedinečné podmínky australské krajiny, zejména intenzivní světlo, které ovlivnilo jeho koloristické zpracování obrazů. Tento dílo patří mezi nejvýznamnější výtvarné أعمال Robertsa, které jsou považovány za ikonickou reprezentaci doby a estetiky tohoto období. Jeho práce byly vystaveny mnohokrát a získaly uznání kritiky i veřejnosti. Název díla: Portrét…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. The following entries are Self portrait (1924) and Portrait of Louis Abrahams (1886).
31 years: Tom Roberts was born in 1856 and Slumbering sea, Mentone is dated 1887.
Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Portrét paní Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) a Fog, Thames Embankment. The list above records the date and holding museum of each.
The catalogue records 40 works by Tom Roberts, dated between 1883 and 1927.
Principally in Umělecká galerie Nového Jižního Walesu (Sydney), National Portrait Gallery (Canberra) a National Gallery of Victoria (Melbourne). The museum table above gives the full distribution.
In 1890s: 12 of the 40 works listed on this page are dated to that period, including Adagio.
The earliest dated work listed here is Rejected (1883); the latest is Bailed up (1927).
Landscape (6), Australia (4) a Boats (3), out of the 40 works listed on this page.
Oil On Canvas, in 5 of the 40 works listed on this page.
Impressionism a Australian impressionism, as documented by the works on this page.
Self portrait, Adagio a Fog, Thames Embankment are among the 15 works on this page in the collection of the Umělecká galerie Nového Jižního Walesu, Sydney.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
