Portræt af Ambrosius Holbein

Ambrosius Holbein: Katalog over de 13 mest berømte malerier

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 14 værker af Ambrosius Holbein i vores katalog

Oversigt

Portrait of Hans Herbst (Herbster) (1516) er registreret som Ambrosius Holbeins mest berømte maleri; det er i Kunstmuseum Basels samling i Basel. Virgin and Child (1514) og Christ as a mediator (1515) indtager anden- og tredjepladsen. Af de 14 værker af Ambrosius Holbein, der er registreret i kataloget, er de 13 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.

1494 – 1519, Augsburg Flest værker: Kunstmuseum Basel

Nummer 1 til 10: de mest berømte Ambrosius Holbein malerier

1
Portrait of Hans Herbst (Herbster) (1516) af Ambrosius Holbein

Portrait of Hans Herbst (Herbster)

1516 · Oil On Panel · Kunstmuseum Basel, Basel

Portrait of Hans Herbst (Herbster) is a work by Ambrosius Holbein, executed in 1516. The artist, a German and later Swiss painter, produced this portrait during a period of significant professional transition. At the time of this work's creation, Holbein was active in Basel, where he served as a journeyman within the studio of Hans Herbster.

2
Virgin and Child (1514) af Ambrosius Holbein

Virgin and Child

1514 · Oil On Panel · Kunstmuseum Basel, Basel

Ambrosius Holbein painted Virgin and Child in 1514. This Northern Renaissance devotional painting emerged from the artistic traditions of the German and Swiss regions during a period of significant stylistic transition. The work reflects the technical rigor characteristic of the Holbein family workshop, where the artist received early instruction in the crafts of painting and printmaking.

3
Christ as a mediator (1515) af Ambrosius Holbein

Christ as a mediator

1515 · Oil · Kunstmuseum Basel, Basel

In this religious oil painting from 1515, Ambrosius Holbein presents a celestial scene of divine mediation titled Christ as a mediator. The work captures a profound theological moment through a densely populated arrangement of figures. At the upper left, God the Father emerges from a radiant golden mandorla, draped in a red mantle and holding a globus cruciger. Below him, the Holy Spirit descends in the form of a white…

4
The Island of Utopia (1518) af Ambrosius Holbein

The Island of Utopia

1518 · Woodcut · Kunstmuseum Basel, Basel

The Island of Utopia, created by Ambrosius Holbein about 1518, presents a detailed topographical view of a crescent-shaped landmass. The subject matter centers on an idealized island society, drawing from the descriptions of a specific fictional social and political structure. This depiction focuses on the geographical and human elements of the territory, including mountains, rivers, and various architectural structures. The landscape is populated by figures and maritime vessels, suggesting a…

5
Death of the Virgin (1518) af Ambrosius Holbein

Death of the Virgin

1518 · Oil On Canvas · Academy of Fine Arts Vienna, Wien

To gaze upon this depiction of the Death of the Virgin is to step across the threshold into a moment suspended between earthly life and eternal grace. Painted in 1518 by Ambrosius Holbein, this work captures not merely an ending, but a profound transition—a sacred repose attended by devotion. The composition centers around the figure of the Virgin Mary, laid out upon her bed, embodying a quiet dignity even as…

6
Portrait of a Young Man (1518) af Ambrosius Holbein

Portrait of a Young Man

1518 · Oil On Panel · Hermitage Museum, Sankt Petersborg

In the quiet intimacy of this oil-on-wood panel, we encounter more than just a face; we meet a moment frozen in time. The Portrait of a Young Man, believed to be a self-portrait of the gifted Ambrosius Holbein, serves as a poignant fragment of the Northern Renaissance. Executed around 1518 in the vibrant German city of Augsburg, the painting captures a figure poised on the precipice of greatness, yet marked…

Ambrosius Holbein, yderligere resultater: 11 til 13

Hovedmotiver i værkerne af Ambrosius Holbein

De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.

Ambrosius Holbein: museer med værker

De 4 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Ambrosius Holbein Malerier fra denne liste
Kunstmuseum Basel, BaselKunstmuseum Basel Basel 4 Portrait of Hans Herbst (Herbster), Virgin and Child, Christ as a mediator
Kunstmuseum Basel, BaselKunstmuseum Basel Basel 1 The Island of Utopia
Academy of Fine Arts Vienna, WienAcademy of Fine Arts Vienna Wien 1 Death of the Virgin
Hermitage Museum, Sankt PetersborgHermitage Museum Sankt Petersborg 1 Portrait of a Young Man

Årstal: de vigtigste Ambrosius Holbein malerier

Ambrosius Holbein: 5 års daterede værker på denne side, fra 1514 til 1518, dokumenteret år for år.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Ofte stillede spørgsmål om Ambrosius Holbein's malerier

Hvad er Ambrosius Holbeins mest kendte værk?Vis svaret

Portrait of Hans Herbst (Herbster) (1516), Kunstmuseum Basel, Basel. De følgende værker er Virgin and Child (1514) og Christ as a mediator (1515).

Hvor gammel var Ambrosius Holbein i året for Portrait of Hans Herbst (Herbster)?Vis svaret

22 år: Ambrosius Holbein blev født i 1494, og Portrait of Hans Herbst (Herbster) er dateret 1516.

Hvad er de ti mest kendte værker af Ambrosius Holbein?Vis svaret

Portrait of Hans Herbst (Herbster), Virgin and Child, Christ as a mediator, The Island of Utopia, Death of the Virgin, Portrait of a Young Man, Portrait of a Young Boy with Blond Hair (detail), Portrait of a man, And Hans Holbein og Teacher. Listen ovenfor viser datoen og det museum, der ejer hvert værk.

Hvor mange værker af Ambrosius Holbein er registreret i kataloget?Vis svaret

Kataloget indeholder 14 værker af Ambrosius Holbein, dateret mellem 1514 og 1518.

Hvor findes de vigtigste værker af Ambrosius Holbein?Vis svaret

Primært i Kunstmuseum Basel (Basel), Kunstmuseum Basel (Basel) og Academy of Fine Arts Vienna (Wien). Tabellen over museer ovenfor viser den fulde fordeling.

I hvilken periode skabte Ambrosius Holbein sine mest kendte værker?Vis svaret

I 1518: 3 af de 13 værker, der er listet på denne side, er dateret til den periode, herunder The Island of Utopia.

Hvad er de tidligste og seneste mest kendte værker af Ambrosius Holbein?Vis svaret

Det tidligste værk på listen er fra Virgin and Child (1514); det nyeste er fra The Island of Utopia (1518).

Hvilke motiver arbejdede Ambrosius Holbein oftest med?Vis svaret

Man (2), Blue background (2) og Cherubs (2) ud af de 13 værker, der er listet på denne side.

Hvilket medie brugte Ambrosius Holbein oftest?Vis svaret

Oil On Panel, i 3 af de 13 værker, der er listet på denne side.

Hvilke malerier af Ambrosius Holbein har Kunstmuseum Basel i sin samling?Vis svaret

Portrait of Hans Herbst (Herbster), Virgin and Child og Christ as a mediator er blandt de 4 værker på denne side i Kunstmuseum Basel, Basels samling.

Biografi om Ambrosius Holbein

A Glimpse into a Renaissance Life Cut Short: Ambrosius Holbein

Born in the vibrant artistic hub of Augsburg, Germany, in 1494, Ambrosius Holbein emerged from a family already steeped in creative legacy. His father, Hans Holbein the Elder, was a pivotal figure transitioning German art from the intricate detail of the Gothic period towards the burgeoning Renaissance ideals sweeping across Europe. This familial environment wasn’t merely one of proximity to artistry; it was an immersive training ground where young Ambrosius, alongside his younger brother—the more renowned Hans Holbein the Younger—absorbed not only painting techniques but also the skills of goldsmithing, jewelry making, and printmaking. The workshop resonated with a collaborative spirit, evidenced by their inclusion in a panel of their father’s 1504 altar-piece triptych, “The Basilica of St. Paul,” a testament to the Holbein family's unified artistic vision. Augsburg itself provided fertile ground for development; a thriving center of commerce and culture, it exposed Ambrosius to diverse influences that would shape his early style.

Basel and Artistic Flourishing

Around 1515, Ambrosius’s path led him to Stein am Rhein in Switzerland, where he collaborated with Thomas Schmid on murals within the St. George Monastery. This project showcased his aptitude for large-scale decorative painting, a skill honed through years of familial instruction. However, it was Basel that truly became the center of his artistic activity. Arriving around 1516, he initially worked as a journeyman in the studio of Hans Herbster, immersing himself further into the local art scene. His dedication and talent quickly earned him recognition; by 1517, Ambrosius was enrolled in the register of the Basel painters' guild, solidifying his position within the artistic community. A year later, in 1518, he achieved citizenship in Basel, a testament to his integration into the city’s social and professional life. This period marked a significant blossoming of his individual style, moving beyond familial influence towards a unique voice characterized by delicate realism and sensitive portraiture.

A Legacy in Paint: Notable Works and Artistic Style

Though his career was tragically brief, Ambrosius Holbein left behind a body of work that reveals a masterful talent poised for even greater achievements. Among his most celebrated paintings are the companion pieces, “Portrait of a Boy with Blond Hair” and “Portrait of a Boy with Brown Hair,” both housed in the Basel Kunstmuseum. These portraits exemplify his skill in capturing not merely likeness but also the individual character and inner life of his subjects. Beyond portraiture, Ambrosius explored religious themes with works like "Death of the Virgin", demonstrating a command of composition and narrative storytelling. He was also recognized as an important illustrator, creating “small format” artworks that reveal a meticulous attention to detail and a refined aesthetic sensibility. His style reflects the growing influence of Renaissance ideals in Northern Europe—a focus on realism, detailed observation, and a burgeoning humanism. He skillfully blended these influences with the existing traditions of German painting, resulting in works that are both innovative and deeply rooted in his artistic heritage. "The Island of Utopia" and “Signboard for a Schoolmaster” further demonstrate this range, showcasing his versatility across different genres and formats.

A Pivotal Figure: Historical Significance and Lasting Influence

Sadly, Ambrosius Holbein’s promising career was cut short by his death around 1519, at the young age of approximately twenty-five. This untimely passing left behind a relatively small but remarkably significant body of work. Despite its brevity, his artistic contribution played an important role in the transition from Gothic to Renaissance art not only in Basel but also beyond. He served as a crucial link between the older traditions and the new aesthetic sensibilities that were transforming European art. Perhaps most importantly, his contributions likely influenced the development of his younger brother, Hans Holbein the Younger, who would go on to become one of the most celebrated portrait painters of the Renaissance. Ambrosius’s legacy extends beyond his individual paintings; he is remembered as a key figure among Basel’s illustrators and artists specializing in “small format” works—a testament to his skill, innovation, and enduring impact on the artistic landscape of his time. His work continues to offer a fascinating glimpse into a pivotal moment in art history, revealing the talent and potential of an artist whose life was tragically cut short.