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Gerhard Marcks Mest populære malerier

De 4 værker af Gerhard Marcks, som vores besøgende ser mest på, rangeret efter popularitet og præsenteret ét efter ét.

Udgave 2026 · 4 kunstværker Hvert kunstværk males efter bestilling
Lærred af linned · Ægthedscertifikat · Leveres over hele verden Gerhard Marcks · 1889 – 1981

The Owl (Die Eule) from the portfolio New European Graphics, 1st Portfolio Masters of the State Bauhaus, Weimar, 1921 (Neue europäische Graphik, 1. Mappe Meister des Staatlichen Bauhauses in Weimar, 1921) af Gerhard Marcks

1921 · original 35 x 27 cm

Se det mest populære værk af Gerhard Marcks rangeret som nr. 1: The Owl (Die Eule) from the portfolio New European Graphics, 1st Portfolio Masters of the State Bauhaus, Weimar, 1921 (Neue europäische Graphik, 1. Mappe Meister des Staatlichen Bauhauses in Weimar, 1921)

Color Palette: Neutrals

Teknik: Håndmalet olie på lærred
Fremstillet af: Bestilles af en uddannet maler
Popularitet: Nr. 1 af 4 værker af Gerhard Marcks
Levering: Verden over, ca. 5 uger

fra$17728 × 36 cm Bestil dette kunstværk

Sintrax Coffee maker af Gerhard Marcks, 1925

1925 · Nacionalmuseet for dekorativ kunst i Madrid, Madrid · original 15 x 31 cm

Se det mest populære værk af Gerhard Marcks rangeret som nr. 2: Sintrax Coffee maker

Color Palette: Pastels

Teknik: Håndmalet olie på lærred
Fremstillet af: Bestilles af en uddannet maler
Popularitet: Nr. 2 af 4 værker af Gerhard Marcks
Levering: Verden over, ca. 5 uger

fra$17726 × 39 cm Bestil dette kunstværk

La Farucca II af Gerhard Marcks, 1952

1952 · original 63 x 49 cm

Se det mest populære værk af Gerhard Marcks rangeret som nr. 3: La Farucca II

Color Palette: Neutrals

Teknik: Håndmalet olie på lærred
Fremstillet af: Bestilles af en uddannet maler
Popularitet: Nr. 3 af 4 værker af Gerhard Marcks
Levering: Verden over, ca. 5 uger

fra$20228 × 36 cm Bestil dette kunstværk

Samme størrelse som originalen$26449 × 63 cm Bestil i original størrelse

Death by the Maenads (Tod durch die Mänaden) from the portfolio Orpheus 10 Woodcuts on the Verses of Ovid (10 Holzschnitte zu den Versen des Ovid) (1948) by Gerhard Marcks

1948 · original 38 x 46 cm

Se det mest populære værk af Gerhard Marcks rangeret som nr. 4: Death by the Maenads (Tod durch die Mänaden) from the portfolio Orpheus 10 Woodcuts on the Verses of Ovid (10 Holzschnitte zu den Versen des Ovid)

Color Palette: Neutrals

Teknik: Håndmalet olie på lærred
Fremstillet af: Bestilles af en uddannet maler
Popularitet: Nr. 4 af 4 værker af Gerhard Marcks
Levering: Verden over, ca. 5 uger

fra$17735 × 29 cm Bestil dette kunstværk

Samme størrelse som originalen$19946 × 38 cm Bestil i original størrelse

Kunstneren

Gerhard Marcks

1889 – 1981

Hurtige fakta

Lifespan92 years
Copyright statusUnder copyright
Top 3 worksThe Owl (Die Eule) from the portfolio New European Graphics, 1st Portfolio Masters of the State Bauhaus, Weimar, 1921 (Neue europäische Graphik, 1. Mappe Meister des Staatlichen Bauhauses in Weimar, 1921), Sintrax Coffee maker, La Farucca II
NationalityGermany
Color intensitybalanced
Died1981

Biografi

Early Life and Education

Gerhard Marcks was born on February 18, 1889, in Berlin, Germany.
At the age of 18, he began an apprenticeship with sculptor Richard Scheibe, where he honed his skills in sculpting animals using terracotta.
He married Maria Schmidtlein in 1914 and together they raised six children.
Marcks served in the German army during World War I, an experience that significantly impacted his health for years to come.

Bauhaus Affiliation and Artistic Development

Following WWI, Marcks became involved with influential art groups like the Novembergruppe and the Arbeitsrat für Kunst, alongside artists such as Walter Gropius and Lyonel Feininger.
In 1919, he joined the faculty of the newly founded Bauhaus in Weimar, appointed as the Form Master of the pottery workshop. He collaborated with master potter Max Krehan, blending artistic vision with traditional craftsmanship.
During his time at the Bauhaus, Marcks explored woodcutting techniques, inspired by Feininger, and began creating works like “Die Katzen” (“The Cats”) and “Die Eule” (“The Owl”).
His artistic focus gradually shifted from animal forms to the human figure, a subject that would dominate his work for the remainder of his career.
He resigned from Bauhaus when it moved to Dessau in 1925, feeling its increasing emphasis on technology conflicted with his artistic principles.

Mid-Career and Challenges Under Nazism

Marcks took a teaching position at the Halle School of Arts and Crafts, dedicating himself to figurative sculpture.
His Expressionistic style became more subdued but retained emotional depth.
The rise of the Nazi regime brought significant challenges. He was dismissed from his post in 1933, and his work was labeled “degenerate” in 1937, leading to its inclusion in the infamous "Degenerate Art" exhibition in Munich.
Despite persecution, Marcks remained in Germany throughout World War II, making trips to Italy where he worked at Villa Romana in Florence and Villa Massimo in Rome.
His studio in Berlin was bombed during an air raid in 1943, resulting in the destruction of many artworks.

Later Life and Legacy

After WWII, Marcks became a professor of sculpture at the Landeskunstschule (Regional Art School) in Hamburg for four years before retiring to Cologne.
He designed numerous war memorials dedicated to soldiers and civilians.
Gerhard Marcks died on November 13, 1981, in Burgbrohl, Eifel, Germany.
The Gerhard Marcks Haus, a museum dedicated to his work, was established in Bremen, Germany, housing over 12,000 sketches, prints, and sculptures.
A significant collection of his works is also held at Luther College in Decorah, Iowa, including the monumental bronze statue “Oedipus and Antigone”.
His work continues to be recognized for its expressive power, humanist themes, and contribution to modern sculpture.

Spørgsmål og svar

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Af WikiOO.org' redaktion Opdateret 8. september 2026

Samlerens quiz

Gerhard Marcks was initially apprenticed to a sculptor. What was the name of this mentor?
Marcks held a key position at the Bauhaus. What was his role there?
During which historical period did Marcks face persecution from the Nazi regime?
Besides sculpture, what other art forms did Gerhard Marcks explore?
Where is the Gerhard Marcks Museum located?

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