Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 43 værker af Willem de Poorter i vores katalog
Oversigt
The idolatry of King Solomon (1639) er registreret som Willem de Poorters mest berømte maleri; det er i Rijksmuseums samling i Amsterdam. An Allegorical Subject (The Just Ruler) (1636) og Vanitas Allegory (1634) indtager anden- og tredjepladsen. Af de 43 værker af Willem de Poorter, der er registreret i kataloget, er de 39 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
The air in the temple feels heavy, thick with the scent of burning incense and the weight of stone. A single, sharp light cuts through the gloom from the left, striking the pale skin of a nude female statue perched upon an elevated pedestal. This figure, a sculpture of Venus and Cupid, stands as a silent witness to the ritual unfolding below. King Solomon kneels in the dimness, his presence…
An Allegorical Subject (The Just Ruler) is an oil on oak panel by Willem de Poorter. Created about 1636, this work functions as an allegory. The paint clings to the wood, capturing a moment of stillness within a dark, interior space.
A heavy, somber stillness fills the room as a woman sits draped in deep crimson fabric, her gaze drifting upward in a moment of profound contemplation. The air feels thick with the weight of what is lost and what is fleeting. Beside her, a skeletal figure emerges from the deep shadows, its bony hand reaching out to hold a mirror that reflects nothing but darkness. This sudden, chilling encounter between…
The oil on panel work titled St. Paul and St. Barnabus at Lystra was executed by the Dutch Golden Age painter Willem de Poorter. This specific creation dates to 1636. The pigment rests upon a wooden surface, capturing a moment of intense human reaction through the medium of oil.
King Ezechias is an oil painting by Willem de Poorter, executed about 1635. The work belongs to the Dutch Golden Age, a period defined by the technical precision and stylistic shifts of the seventeenth-century Netherlands. De Poorter, a painter active in Haarlem, was a member of the Haarlem Guild of St. Luke by 1634.
In this oil on canvas, a group of figures occupies a shallow, dimly lit space within a cavernous setting. The composition is anchored by a table draped in a white cloth, which catches a strong light source originating from the left. Seated at this table is Mercury, wearing a winged cap, engaged in an interaction with Proserpina and two other figures. Proserpina is depicted in blue drapery, her form positioned…
The room is heavy with the weight of dark cloth and silent intention. A woman sits upon a throne, her figure draped in light-colored, flowing garments that catch the singular source of light. She reaches out, her fingers poised to receive a gift. Before her, a man kneels in the shadows, his posture one of humble offering. He holds a woven basket, its contents heavy with fruit, presenting the harvest…
The composition follows a sharp diagonal movement, drawing the eye from the lower left toward the elevated figure of Solomon in the upper right. This structured arrangement directs attention to the central interaction between the two monarchs. The Queen of Sheba kneels in white and gold, her presence framed by attendants, while Solomon sits enthronically in lavender and gold. The scene captures a moment of diplomatic encounter, steeped in themes…
Parable of the Talents1634 · Nationalgalleriet i Prag
12
Samson and Delilah1632 · Gemäldegalerie
13
Odysseus and Athena Hide the Trojan Booty1638 · Bavarian State Painting Collections
14
The Adulteress before Christ1640 · Staatliche Kunstsammlungen Dresden
15
An Allegory of Vanitas: The desecration of a tomb1640
16
Saul and David in the cave of En-Gedi1637 · Nationalmuseet i Warszawa
17
Mordecai Listening to the Conspiracy of Ahasuerus's Chamberlains, Bigthan and Teresh1638 · Royal Collection
18
Allegori på freden. Pax krones af Minerva1643 · Statens Museum for Kunst
19
A messenger brings the tidings of Saul's (and Jonathan's) death to David; the messenger falls prostrate to the ground before David (2 Samuel 1:1-11)1647 · Rafael Valls Limited
20
Allegory of Colonial Power1638 · Szépművészeti Múzeum
21
Vanitas still life1636 · Museum Boijmans Van Beuningen
22
Still-Life with Weapons and Banners1636
23
Resurrection of LazarusBavarian State Painting Collections
24
The Robing of EstherNational Gallery of Ireland
25
Artemisia Receives the Ashes of MausolusRhode Island School of Design Museum of Art
26
Lucrece Au Travail
27
Lucrèce Au Travail
28
Tobias And The Angel
29
Joseph Interprets Pharaoh's Dream
30
Croesus Shows Solon His Richness
31
St. Paul And St. Barnabas At Lystra
32
Joseph And His Brothers
33
Still Life With Weapons And Banners
34
Solomon And The Queen Of Sheba
35
Räuber Am Marmorsarkophag
36
A Woman Praying
37
An Allegorical Subject (The Just Ruler)
38
The Gold Weigher
39
Lucrèce À L'ouvrageMusée des Augustins
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Willem de Poorter | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 4 | King Ezechias, Mercury and Proserpina, A Peasant Handing a Fruit Basket to an Enthroned Woman |
 Staatliche Kunstsammlungen Dresden |
Dresden | 2 | Presentation of Christ in the Temple, The Adulteress before Christ |
 Bavarian State Painting Collections |
München | 2 | Odysseus and Athena Hide the Trojan Booty, Resurrection of Lazarus |
 Rijksmuseum |
Amsterdam | 1 | The idolatry of King Solomon |
 National Gallery |
London | 1 | An Allegorical Subject (The Just Ruler) |
 Nationalmuseum |
Stockholm | 1 | Vanitas Allegory |
 Vychodoslovenské Galéria |
Košice | 1 | At the Sarcophagus |
 Minneapolis Institute of Art |
Minneapolis | 1 | St. Paul and St. Barnabus at Lystra |
Willem de Poorter: daterede værker fra 1630 til 1647, i alt 18 år, indekseret år for år med de vigtigste malerier fra hvert år.
Vælg et årstal for at se de vigtigste malerier fra det år.
The oil on panel work titled St. Paul and St. Barnabus at Lystra was executed by the Dutch Golden Age painter Willem de Poorter. This specific creation dates to 1636. The pigment rests upon a wooden surface, capturing a moment of intense human reaction through the medium of oil.
Andre værker fra 1630
In this work, Samson and Delilah, Willem de Poorter presents a scene of profound tension and vulnerability. Created about 1632, the painting captures a moment of impending betrayal within a dimly lit interior. Samson reclines in a state of repose, his strength seemingly surrendered to sleep, while Delilah sits beside him. Her expression is one of wary observation, a quiet contrast to the physical presence of the man beside her.…
A heavy, somber stillness fills the room as a woman sits draped in deep crimson fabric, her gaze drifting upward in a moment of profound contemplation. The air feels thick with the weight of what is lost and what is fleeting. Beside her, a skeletal figure emerges from the deep shadows, its bony hand reaching out to hold a mirror that reflects nothing but darkness. This sudden, chilling encounter between…
Andre værker fra 1634
An Allegorical Subject (The Just Ruler) is an oil on oak panel by Willem de Poorter. Created about 1636, this work functions as an allegory. The paint clings to the wood, capturing a moment of stillness within a dark, interior space.
Andre værker fra 1636
The air in the temple feels heavy, thick with the scent of burning incense and the weight of stone. A single, sharp light cuts through the gloom from the left, striking the pale skin of a nude female statue perched upon an elevated pedestal. This figure, a sculpture of Venus and Cupid, stands as a silent witness to the ritual unfolding below. King Solomon kneels in the dimness, his presence…
The idolatry of King Solomon (1639), Rijksmuseum, Amsterdam. De følgende værker er An Allegorical Subject (The Just Ruler) (1636) og Vanitas Allegory (1634).
31 år: Willem de Poorter blev født i 1608, og The idolatry of King Solomon er dateret 1639.
The idolatry of King Solomon, An Allegorical Subject (The Just Ruler), Vanitas Allegory, At the Sarcophagus, Presentation of Christ in the Temple, St. Paul and St. Barnabus at Lystra, King Ezechias, Mercury and Proserpina, A Peasant Handing a Fruit Basket to an Enthroned Woman og Solomon and the Queen of Sheba. Listen ovenfor viser datoen og det museum, der ejer hvert værk.
Kataloget indeholder 43 værker af Willem de Poorter, dateret mellem 1630 og 1647.
Primært i Statens Museum for Kunst (København), Staatliche Kunstsammlungen Dresden (Dresden) og Bavarian State Painting Collections (München). Tabellen over museer ovenfor viser den fulde fordeling.
I 1635: 4 af de 39 værker, der er listet på denne side, er dateret til den periode, herunder At the Sarcophagus.
Det tidligste værk på listen er fra St. Paul and St. Barnabus at Lystra (1630); det nyeste er fra A messenger brings the tidings of Saul's (and Jonathan's) death to David; the messenger falls prostrate to the ground before David (2 Samuel 1:1-11) (1647).
Drapery (7), Woman (6) og People (3) ud af de 39 værker, der er listet på denne side.
Oil, i 6 af de 39 værker, der er listet på denne side.
Baroque, som dokumenteret af værkerne på denne side.
King Ezechias, Mercury and Proserpina og A Peasant Handing a Fruit Basket to an Enthroned Woman er blandt de 4 værker på denne side i Statens Museum for Kunst, Københavns samling.
