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Surface 213

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Spørgsmål og svar

Hvilken farve træder mest frem i "Surface 213"?

Den dominerende farve i "Surface 213" af Giuseppe Capogrossi er Bronze (#ccad2a).

Er "Surface 213" overordnet set mest lys eller mørk?

"Surface 213" af Giuseppe Capogrossi er registreret med en lysstyrke på bright og en luminans på Bright Balance.

Har "Surface 213" stærke lys-mørke kontraster?

Lys-mørke-kontrasten i "Surface 213" er registreret som Statement. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.

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Giuseppe Capogrossi (1900 – 1972)

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Galleria Civica di Arte Moderna e Contemporanea Torino (Torino, Italien)

Oplev GAM Torino, et fremragende museum for moderne og samtidskunst i Italien med værker af futurister, Arte Povera-kunstnere, Modigliani og Andy Warhol.

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