Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Adolf Eberle døde i 1914; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1984.
I kontekst
Whose Dinner is it — Adolf Eberle
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 71 ved død.
Skyggelagt: Adolf Eberle' livstid (1843–1914) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/adolf-eberle-whose-dinner-is-it-9HTL9L-en/
Målt ud fra billedet
Hovedfarve
Phthalo Green #2c2213
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 19 værker af denne kunstner, hvoraf 6 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Munich, Germany
Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.
Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of Pfändung der letzten Kuh (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.
Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are Erster Rehbock (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; Feldschule in Wallensteins Lager(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and Die verunglückte Musikprobe(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.
Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of Childhood Fun at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.
wikioo.org/da/art/download/adolf-eberle-whose-dinner-is-it-9HTL9L-en/
Se nærmere efter
Whose Dinner is it — Adolf Eberle
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Siden Forhåndsvisning for "Whose Dinner is it" giver dig mulighed for at se en forhåndsvisning af kunstværket, før du bestiller.
"Whose Dinner is it" af Adolf Eberle benytter en Earthy farvepalette. Paletten opsummerer værkets overordnede farvekarakter.
Ophavsretsstatus for "Whose Dinner is it" - i det offentlige domæne – ophavsretten er udløbet - følger af kunstnerens død i 1914.