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Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939)

Navn Klasse Dato

alice mary burton, Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939) (1939), The Museum of Fulham Palace. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
alice mary burton wikioo.org/da/artists/alice-mary-burton/
Kunstnerens levetid
1893 – 1968
Malet
1939
Oprindelig størrelse
149 x 98 cm
Afholdt hos
The Museum of Fulham Palace wikioo.org/da/museums/the-museum-of-fulham-palace-london/

I kontekst

Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939) — alice mary burton

Hvor stor er den?

Originalen måler 149 × 98 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Skyggelagt: alice mary burton' livstid (1893–1968) ▲ dette værk, 1939

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #826b56

    Gemt palet

    • #826B56
    • #291F1F
    • #AF9B81
    • #5E4339
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    alice mary burton

    Alice Mary Burton: A Victorian Portraitist of Dignity and Social Commentary

    Alice Mary Burton (1893-1968) stands as a quietly significant figure in late 19th and early 20th-century British portraiture. Often overshadowed by her more flamboyant contemporaries, Burton’s work reveals a meticulous eye for detail, a profound understanding of human psychology, and a subtle yet powerful engagement with the social realities of her time. Her canvases are not merely representations of individuals; they are carefully constructed narratives, imbued with dignity, observation, and a keen awareness of the nuances of class and status.

    Born in Nogent-sur-Oise, France, to British parents – producer Sybil Burton (née Williams) and actor Richard Burton – Alice’s early life was steeped in artistic influence. Her father's career as a minor league baseball player provided a grounding in the practical world, while her mother’s involvement in theatrical productions exposed her to the vibrant energy of the stage. Crucially, Burton received formal training at the Byam Shaw and Vicat Cole School of Art and later at the Regent Street Polytechnic School of Art, honing her skills in drawing and painting. These formative years instilled a deep appreciation for classical techniques alongside an emerging interest in capturing the complexities of human character.

    Burton’s artistic development coincided with a period of significant social change in Britain. The Victorian era was giving way to Edwardian society, marked by increasing industrialization, urbanization, and evolving social hierarchies. Burton's portraits reflect this shifting landscape, often depicting members of the British elite – dignitaries, politicians, and prominent figures from various spheres of life. However, she doesn’t simply offer idealized depictions; instead, she subtly interrogates their positions within society, revealing both their power and their vulnerabilities. Her work is notable for its realism, capturing not just physical likeness but also subtle expressions of mood and personality.

    The Art of Dignified Observation

    Burton’s technique is characterized by a remarkable level of detail and precision. She employed a meticulous approach to her compositions, carefully studying the subjects she painted and rendering their features with painstaking accuracy. Her portraits are often rendered in rich, dark tones, creating a sense of depth and atmosphere. She was particularly adept at capturing the nuances of expression – a flicker of sadness in an eye, a hint of amusement on a smile – that revealed the inner lives of her subjects. This ability to penetrate beneath surface appearances is what elevates her work beyond mere likenesses.

    Influenced by the academic tradition and the works of artists like William Powell Thomas, Burton’s style can be described as a blend of realism and classical restraint. She avoided excessive ornamentation or dramatic gestures, instead favoring a more understated approach that allowed her subjects to speak for themselves. Her portraits are not flamboyant displays of wealth or status; they are quiet meditations on character and circumstance. Her use of light and shadow is particularly noteworthy, creating a sense of drama and depth within the frame.

    Notable Portraits and Social Context

    Among Burton’s most celebrated works are her portraits of prominent figures such as Professor Winifred Cullis, a pioneering medical researcher, and Mary, Princess Royal. The portrait of Cullis, painted in 1939, exemplifies Burton's ability to capture both intellectual rigor and personal dignity. The Princess Royal’s portrait, completed shortly before her marriage to Henry Lascelles, Viscount Harewood, showcases her regal bearing and quiet strength. These portraits are not simply representations of individuals; they are carefully constructed narratives that reflect the social and political context in which they were created.

    Burton's work also offers a glimpse into the lives of lesser-known figures – members of the aristocracy, politicians, and artists. Her portraits of these individuals reveal a keen interest in documenting the changing social landscape of Britain during this period. She was particularly interested in capturing the dignity and resilience of those who navigated the complexities of Victorian and Edwardian society.

    Legacy and Historical Significance

    Despite not achieving widespread fame during her lifetime, Alice Mary Burton’s work has been increasingly recognized for its artistic merit and historical significance. Her portraits offer a valuable insight into the social and cultural dynamics of Britain in the late 19th and early 20th centuries. Her meticulous technique, keen observation, and subtle engagement with social issues make her one of the most important portraitists of her generation.

    Today, Burton’s paintings are held in public collections across the United Kingdom and can be found in private collections worldwide. Her work continues to resonate with viewers who appreciate its quiet dignity, understated elegance, and profound understanding of human nature. She remains a testament to the power of portraiture as a means of documenting history and capturing the essence of individual lives.

    Museum

    The Museum of Fulham Palace

    Udstillet i London, United Kingdom

    Fulham Palace: A Journey Through History

    Discover 800 years of captivating history at Fulham Palace, the former residence of the Bishop of London. This remarkable site offers a unique glimpse into England’s past, blending historical architecture with beautiful gardens and fascinating collections.

    History & Origins

    The story of Fulham Palace stretches back to Saxon times, with evidence of activity dating back to 6000 BC. Continuously held by the Bishops of London since the 8th century as lords of the manor, it served as their principal residence from the 11th century until 1973. The palace has witnessed pivotal moments in British history, from royal visits to periods of political upheaval.

    Architecture & Design

    The Palace showcases a fascinating evolution of architectural styles. Key features include:

    Medieval Origins:

    Remnants of the original medieval palace can still be seen today.

    Tudor Courtyard:

    A beautifully preserved Tudor courtyard, constructed in the late 15th century.

    Georgian & Victorian Additions:

    Later additions reflect the tastes and needs of successive Bishops, creating a diverse architectural landscape.

    Collections Highlights

    Fulham Palace houses a rich collection that illuminates its long history:

    Bishop's Collections:

    Explore the personal collections of past Bishops, offering insights into their lives and interests.

    Medieval Artifacts:

    Discover archaeological finds from the site, including remnants of earlier structures.

    Historic Furniture & Art:

    Admire a selection of furniture, paintings, and decorative arts that reflect different periods in the palace’s history.

    The Palace Chapel

    : Explore the remains of the historic chapel.

    Gardens & Grounds

    Beyond the palace walls lie stunning gardens:

    Botanic Garden:

    A large and diverse botanic garden, offering a tranquil escape.

    Bishops Park:

    The Palace abuts Bishops Park, once part of the estate, providing ample space for recreation and relaxation.

    What Makes Fulham Palace Unique?

    Fulham Palace stands out as a unique cultural destination:

    Longest Continuous Occupation:

    It’s one of the few historic houses in London to have been continuously occupied for over 1300 years.

    Free Admission:

    Enjoy free access to the palace and gardens, making it an accessible attraction for all.

    A Blend of History & Nature:

    Experience a harmonious combination of historical exploration and natural beauty.

    Fulham Palace offers a captivating journey through time, inviting visitors to discover the stories of those who lived and shaped this remarkable place.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939)

    wikioo.org/da/art/download/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/

    Kildehenvisning til dette kunstværk

    MLA
    burton, alice mary. Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939). 1939, The Museum of Fulham Palace. https://wikioo.org/da/art/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/
    APA
    burton, alice mary (1939). Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939) [Painting]. The Museum of Fulham Palace. https://wikioo.org/da/art/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/
    Chicago
    alice mary burton. Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939). 1939. The Museum of Fulham Palace. https://wikioo.org/da/art/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/
    Harvard
    burton, alice mary (1939) Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939). The Museum of Fulham Palace. Available at: https://wikioo.org/da/art/alice-mary-burton-arthur-foley-winnington-ingram-1858-1946-bishop-AR2B92-en/

    Kig nærmere efter

    Arthur Foley Winnington Ingram (1858–1946), Bishop of London (1901–1939) — alice mary burton

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Professor Winifred Cullis (1875–1956) (1939) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. alice mary burton var omkring 46 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.