Guide til elevkunst — Self Portrait

Navn Klasse Dato

barkley leonnard hendricks, Self Portrait (2013), Chrysler Museum of Art. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner: barkley leonnard hendricks wikioo.org/da/artists/barkley-leonnard-hendricks/
Kunstnerens levetid: 1945 – 2017
Malet: 2013
Medie: Acrylic On Canvas
Oprindelig størrelse: 97 x 97 cm
Bevægelse: Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Afholdt hos: Chrysler Museum of Art wikioo.org/da/museums/chrysler-museum-of-art-norfolk_da/
Artistic style: Realistic portraiture
Influences: European art
Notable elements: Life-size depiction
Subject or theme: Self-representation

Ophavsret Dette værk er stadig beskyttet af ophavsret. barkley leonnard hendricks døde i 2017; ophavsretten varer 70 år efter kunstnerens død, og er derfor gældende indtil 2087. Billedet vises her som undervisningsmateriale; rettighederne tilhører rettighedshaveren.

Self Portrait — barkley leonnard hendricks

Dimensioner

Originalen måler 97 × 97 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

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Skyggelagt: barkley leonnard hendricks' livstid (1945–2017) ▲ dette værk, 2013

Sammenlignelige værker

Take All the Time You Need (Adrienne Hawkins), 1975 wikioo.org/da/art/barkley-leonnard-hendricks-take-all-the-time-you-need-adrienne-hawkins-D9PJ9K-en/
Bahsir, 1975 wikioo.org/da/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/
Wonder Woman, 1978 wikioo.org/da/art/barkley-leonnard-hendricks-wonder-woman-D9PHW7-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Farver

Målt ud fra billedet

Hovedfarve

Espresso #4a4b4c

Gemt palet

#4A4B4C
#D1D2CF
#8F908D
#1B1B1A

Primær farve: Espresso
Intensitet: Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
Kontrast: Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
Harmoni: Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
Lysstyrke: Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
Mætning: Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

Self Portrait — barkley leonnard hendricks

The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

A Study in Composition: Lines, Light, and the Urban Grid

The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

Symbolism and Context: A Reflection on Representation

Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

“Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

Kunstner

barkley leonnard hendricks

Født i Philadelphia, United States of America

Early Life and Education

Born: April 16, 1945, in Philadelphia, Pennsylvania

Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

Artistic Development and Influences

European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

Notable Works and Exhibitions

Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

Legacy and Historical Significance

Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

Further Information

Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

Museum

Chrysler Museum of Art

Udstillet på Norfolk, USA

Et fristed for lys og visioner

Beliggende i hjertet af Norfolk, Virginia, står Chrysler Museum of Art som et dybtgående vidnesbyrd om den transformative kraft, der ligger i vision og generøsitet. Det, der begyndte i 1933 som det ydmyge Norfolk Museum of Arts and Sciences, blomstrede op til en fremtrædende kulturel destination, i høj grad takket være den skelsættende donation fra Walter P. Chrysler Jr. i 1971. I dag fungerer museet som et lysende fristed, hvor fem årtusinders menneskelig kreativitet mødes og tilbyder en kronologisk odyssé, der inviterer besøgende til at gennemrejse den kunstneriske evolutions vidtstrakte landskab. Fra de tidlige civilisationers antikke hvisken til de moderne mesterværkers dristige, instinktive energi, tilbyder museet en fordybende oplevelse, der transcenderer både tid og geografi.

Sjælen i Chrysler ligger i dets betagende mangfoldige samlinger, hvor det monumentale møder det delikate. Man kan ikke vandre gennem dets sale uden at blive bergtaget af den verdensberømte glassamling, et glitrende panorama, der sporer mediets rejse fra skrøbelig antikvitet til moderne innovation. Her skaber den iriserende glans fra

Louis Comfort Tiffany’s

lampeskærme miniatureuniverser af lys, som står i dialog med massive, bjergtagende glasmosaikker. Denne beherskelse af lyset spejles i museets europæiske gallerier, hvor Caravaggios dramatiske

chiaroscuro

og Vermeers omhyggelige, stille interiører åbner vinduer til selve essensen af den menneskelige tilstand. Samlingen udvides yderligere ind i barokkens storhed med værker af Bernini og Rubens, og bevæger sig fra John Singleton Copleys raffinerede amerikanske portrætkunst til Jackson Pollock og Mark Rothkos rå, følelsesladede abstraktion.

Arkitektonisk elegance og levende kunstnerskab

Arkitektonisk er museet et mesterværk inden for modernistisk design, specifikt konstrueret til at fungere som et kar for lys. Udvidelsen i 201æ transformerede institutionen til et svimlende landskab af ekspansive gallerier og høje lofter, designet til at maksimere det naturlige lysindfald og fremme dyb kontemplation. Denne arkitektoniske elegance punkteres af legesyge øjeblikke, såsom tilstedeværelsen af Florentijn Hofmans

Rubber Duck

-skulptur, der hylder Norfolks maritime arv på en munter måde. For dem, der søger at overvære selve skabelsens gnist, huser museet Perry Glass Studio, et interaktivt rum, hvor den rytmiske dans mellem smeltet glas og håndværk kan opleves på tætteste hold, hvilket bygger bro mellem det færdige mesterværk og kunstnerens hånd.

Udover sin rolle som et skatkammer for værdier, er Chrysler Museum defineret ved sin urokkelige forpligtelse til inklusion og lokalt engagement. Ved at tilbyde gratis adgang sikrer institutionen, at kunsten forbliver en tilgængelig luksus, der nedbryder socioøkonomiske barrierer for at byde alle skønhedssøgere velkommen. For indretningsarkitekter og samlere fungerer museet som en uendelig kilde til inspiration, der tilbyder en rig palet af teksturer, historiske motiver og farveharmonier. Det er mere end blot et museum; det er et levende knudepunkt for kulturel udveksling, et sted hvor fortid og nutid ånder sammen og minder enhver besøgende om, at skønhed og innovation er essentielle elementer i et liv levet med mening.

Her kan du læse mere

Kunstneren barkley leonnard hendricks wikioo.org/da/artists/barkley-leonnard-hendricks/
Museet Chrysler Museum of Art wikioo.org/da/museums/chrysler-museum-of-art-norfolk_da/
Lignende værker Flere værker til sammenligning wikioo.org/da/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Værk Sort i Kunsten: Top 10 Berømte Malerier & Deres Mystik wikioo.org/da/articles/sort-i-kunsten-top-10-beromte-malerier-deres-mystik-dk-da/
Værk Mørkets Mestre: Top 10 Maler Domineret af Sort – Kunst & Indretning wikioo.org/da/articles/morkets-mestre-top-10-maler-domineret-af-sort-kunst-indretning-da/
Værk Mestrerlige Maler i Sort og Hvid: Top 10 Kunstværker med Ivory Black Nuancer wikioo.org/da/articles/mestrerlige-maler-i-sort-og-hvid-top-10-kunstvaerker-med-ivory-black-nuancer-dk-da/
Værk Dokumentarfotografiets Mestre: Top 10 Værker der Ændrede Kunsten – WahooArt.dk wikioo.org/da/articles/dokumentarfotografiets-mestre-top-10-vaerker-der-aendrede-kunsten-dk-da/

Findes online

QR-kode med link til downloadside for Self Portrait

wikioo.org/da/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Kildehenvisning til dette kunstværk

MLA: hendricks, barkley leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://wikioo.org/da/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
APA: hendricks, barkley leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://wikioo.org/da/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Chicago: barkley leonnard hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://wikioo.org/da/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Harvard: hendricks, barkley leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://wikioo.org/da/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Self Portrait — barkley leonnard hendricks

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Hvad fanger dit øje først, og hvorfor?
Hvilke farver eller former skaber stemningen — og hvad er den stemning?
Hvor mange ansigter kan du finde? ____ (vores katalog tæller 2 — er du enig?)
Vores katalog klassificerer dette værk under: self-portrait, artist studio, black and white. Er du enig? Hvad ville du tilføje eller fjerne?
Se tilbage på Take All the Time You Need (Adrienne Hawkins) (1975) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

Dit svar

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Self Portrait — barkley leonnard hendricks

Hvor godt kender du dette kunstværk?

Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?
- A A depiction of a historical event.
- B A realistic portrayal of an African American man in his studio.
- C An abstract representation of the artist's emotions.
2. According to the description, what is notable about the lighting in the photograph?
- A It’s uniformly bright and even.
- B It creates strong shadows and highlights.
- C It's primarily diffused natural light.
3. What school did Barkley Leonard Hendricks teach at before retiring?
- A Pennsylvania Academy of the Fine Arts (PAFA)
- B Yale University
- C Simon Gratz High School
4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?
- A Harvard University
- B Yale University
- C Simon Gratz High School
5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?
- A They are exclusively landscapes.
- B They feature monochromatic backdrops and life-sized depictions of Black Americans.
- C They primarily depict portraits of European royalty.

Min score: ____ ud af 5

Facitliste — til læreren

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1B · 2B · 3C · 4C · 5B