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Windows

Navn Klasse Dato

Fairfield Porter, Windows (1968). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Fairfield Porter wikioo.org/da/artists/fairfield-porter/
Kunstnerens levetid
1907 – 1975
Malet
1968
Oprindelig størrelse
51 x 47 cm

I kontekst

Windows — Fairfield Porter

Dimensioner

Originalen måler 51 × 47 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 61. The artist lived to 68. 28 of the 38 dated works by this artist in our catalogue came earlier.

Skyggelagt: Fairfield Porter' livstid (1907–1975) ▲ dette værk, 1968

First works: up to 1958 Main working years: 1958–1968 Late works: from 1968

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/fairfield-porter-windows-AQTBYV-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #4f4e4f

    Gemt palet

    • #4F4E4F
    • #DEDCDE
    • #BAB8B9
    • #1E1916
    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Fairfield Porter over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 Kina 61,1%
    2. 2 USA 27,8%
    3. 3 Schweiz 5,6%
    4. 4 Storbritannien 5,6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Fairfield Porter

    1. 1 The Edge in the Morning, 1961 9,5%
    2. 2 Clothesline, 1958 9,5%
    3. 3 Schwenk, 1959 9,5%
    4. 4 Maine Coast, 1958 9,5%
    5. 5 Forsythia and Pear in Bloom, 1968 4,8%
    6. 6 Hawkweed 4,8%
    7. 7 Primroses and Goldenrod 4,8%
    8. 8 Penny, 1962 4,8%
    9. 9 Woods and Rocks 4,8%
    10. 10 The Kittiwake and The John Walton, 1962 4,8%
    11. 11 Harbor View (Central Garage) 4,8%
    12. 12 Blue Inlet with Sailboat 4,8%
    13. 13 Barn at Sunset 4,8%
    14. 14 Creepo (the Dog) 4,8%
    15. 15 Promenade Three Works 4,8%
    16. 16 Child Writing, 1965 4,8%
    17. 17 Jerry on a Stool, 1957 4,8%
    18. Windows, 1968 this painting 0,0%

    Together these works take 100,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 55 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Kunstner og museum

    Kunstner

    Fairfield Porter

    Fairfield Porter (1907–1975): Bridging Realism and Impression

    Fairfield Porter (June 10, 1907 – September 18, 1975) was an American painter and art critic who profoundly shaped the landscape of postwar American art. Born to James Porter, an architect, and Ruth Furness Porter, a poet steeped in literary tradition, Porter’s artistic journey began at Harvard University where he honed his skills with Arthur Pope and Alfred North Whitehead. This formative influence would later permeate his distinctive style—a masterful blend of observation and expressive brushwork that cemented his place as one of the foremost practitioners of representational painting during the Abstract Expressionist era. He championed a humanist vision, prioritizing daily life and capturing its subtle beauty alongside intellectual engagement.

    Early Life & Education: Porter’s upbringing instilled in him a deep appreciation for both art and literature. His father's profession provided exposure to architectural principles, while his mother’s poetic sensibilities nurtured an understanding of nuanced emotion and lyrical prose. Harvard’s Fine Arts program solidified his artistic foundation, equipping him with technical skills alongside intellectual curiosity.

    Move to New York City & Artistic Influences: In 1928, Porter relocated to New York City, immersing himself in the burgeoning artistic milieu of the Jazz Age and establishing connections with influential figures like Willem de Kooning and Thomas Hart Benton. These encounters profoundly impacted his artistic sensibilities, fostering a fascination with gesture and spontaneity—characteristics that would become hallmarks of his oeuvre.

    The Art Students’ League & Bonnard's Legacy: His studies at the Art Students’ League under Boardman Robinson were instrumental in shaping Porter’s commitment to socially relevant art. Notably, he drew inspiration from Pierre Bonnard, whose muted palettes and flattened perspectives served as a cornerstone of Porter’s artistic vocabulary. As John Ashbery eloquently stated, “Porter tended to prefer the late woolly Vuillards to the early ones everyone likes,” reflecting Bonnard's enduring influence on his visual language.

    A Painter's Vision: Realism Revisited

    Despite the dominance of Abstract Expressionism in the postwar years, Porter steadfastly adhered to a representational style—a deliberate choice that underscored his conviction about the importance of authentic experience as subject matter. He famously declared, “When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: ‘make everything more beautiful.’” This sentiment encapsulates Porter’s artistic philosophy and distinguishes him from many of his contemporaries who embraced radical abstraction.

    Landscape Art & Domestic Interiors: Porter's paintings predominantly depicted landscapes—often serene scenes of Maine’s Great Spruce Head Island—and intimate domestic interiors bathed in soft light. These subjects resonated with Ashbery’s observation about capturing “the underlying formal relationships,” demonstrating Porter’s meticulous attention to detail and his ability to convey profound emotion through subtle visual cues.

    The Influence of Vuillard & Impressionistic Technique: Like Bonnard, Porter embraced Vuillard's technique—characterized by flattened perspectives and muted colors—to achieve a luminous realism that transcended mere imitation. This stylistic approach mirrored Ashbery’s assertion about “making everything more beautiful,” reflecting Porter’s artistic ambition to elevate everyday life through evocative imagery.

    Notable Works & Recognition

    Porter's artistic legacy extends beyond his paintings; he was also a respected art critic whose writings championed the next generation of realist painters. His contributions to ArtNews and his role as an editor for The Nation solidified his reputation as a thoughtful voice within the American cultural landscape.

    “The Pear Tree” & “The Edge in the Morning”: These canvases exemplify Porter’s masterful use of color and light to convey mood and atmosphere. They demonstrate his ability to capture the essence of a particular moment—a quiet observation of nature or a glimpse into domestic tranquility—with remarkable sensitivity.

    “Brooklyn Bridge Plaza” & Collaborations: His depiction of Brooklyn Bridge Plaza captures the solitude and beauty of urban life, reflecting Porter’s fascination with capturing “the underlying formal relationships.” Furthermore, his collaborative projects with fellow artists like James Schuyler underscored his commitment to fostering artistic dialogue and promoting humanist values.

    Legacy & Enduring Influence

    Fairfield Porter bequeathed approximately 250 of his paintings to the Parrish Art Museum, ensuring that his work would continue to inspire future generations of artists and viewers alike. His unwavering dedication to realism—combined with his profound understanding of artistic technique—established him as a pivotal figure in American art history.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Windows

    wikioo.org/da/art/download/fairfield-porter-windows-AQTBYV-en/

    Kildehenvisning til dette kunstværk

    MLA
    Porter, Fairfield. Windows. 1968, https://wikioo.org/da/art/fairfield-porter-windows-AQTBYV-en/
    APA
    Porter, Fairfield (1968). Windows [Painting]. https://wikioo.org/da/art/fairfield-porter-windows-AQTBYV-en/
    Chicago
    Fairfield Porter. Windows. 1968. https://wikioo.org/da/art/fairfield-porter-windows-AQTBYV-en/
    Harvard
    Porter, Fairfield (1968) Windows. Available at: https://wikioo.org/da/art/fairfield-porter-windows-AQTBYV-en/

    Se nærmere efter

    Windows — Fairfield Porter

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Se tilbage på Anne in a Striped Dress (1967) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Fairfield Porter var omkring 61 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilken farve træder mest frem i "Windows"?

    Espresso (#4f4e4f) er den dominerende farve i "Windows" af Fairfield Porter.

    Hvornår blev "Windows" af Fairfield Porter skabt?

    "Windows" af Fairfield Porter er skabt i 1968.

    Hvor kan jeg se en forhåndsvisning af "Windows"?

    Siden Forhåndsvisning for "Windows" giver dig mulighed for at se en forhåndsvisning af kunstværket, før du bestiller.

    Hvor kan jeg downloade "Windows" af Fairfield Porter?

    En download er tilgængelig for "Windows": kunstværkets Download side tilbyder et højtopløseligt digitalt billeddownload.

    Hvorfor er ophavsretsstatus for "Windows" som den er?

    "Windows" af Fairfield Porter er stadig beskyttet af ophavsret. Ophavsrettens varighed løber fra kunstnerens død, som fandt sted i 1975.

    Hvor gammel var Fairfield Porter, da "Windows" blev skabt?

    Da "Windows" blev skabt i 1968, var Fairfield Porter – født i 1907 – 61 år gammel.

    Hvem er kunstneren bag "Windows"?

    Kunstneren bag "Windows" er Fairfield Porter. Værket er katalogiseret under Fairfield Porters navn.