Papirformat

Guide til elevkunst

Oil Study

Navn Klasse Dato

Frederick Milner, Oil Study, Royal West of England Academy. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Frederick Milner wikioo.org/da/artists/frederick-milner/
Kunstnerens levetid
1855 – 1939
Oprindelig størrelse
25 x 36 cm
Afholdt hos
Royal West of England Academy wikioo.org/da/museums/royal-west-of-england-academy-bristol_da/

I kontekst

Oil Study — Frederick Milner

Dimensioner

Originalen måler 25 × 36 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 84 ved død.

Skyggelagt: Frederick Milner' livstid (1855–1939) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/frederick-milner-oil-study-AR27RG-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #454630

    Gemt palet

    • #454630
    • #AEAB7B
    • #DED8B5
    • #696A43

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Frederick Milner i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Frederick Milner

    1. 1 Near Ludlow, 1939 50,0%
    2. 2 Le château, Les Andelys, near Rouen, France 50,0%
    3. — Oil Study dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 9 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Frederick Milner

    The Impressionistic Vision of Frederick Milner

    Frederick Milner, a name synonymous with the evocative landscapes of the late Victorian and Edwardian eras, possessed a rare ability to translate the fleeting whispers of nature into enduring oil paintings. Born in 1855, his artistic journey was shaped by a rigorous academic foundation that balanced meticulous observation with an emerging passion for light and atmosphere. While his roots can be traced back to Doncaster, where he began his studies at the local art schools, it was his time at the prestigious Slade School of Fine Art that truly forged his technical prowess. Under the watchful eyes of masters such as Frederic Leighton and Joseph Noel Paton, Milner learned the importance of classical composition and the profound impact of capturing the grandeur of the British landscape. This period of intense training instilled in him a lifelong dedication to detail, yet it also planted the seeds for a more expressive, Impressionistic approach that would later define his most celebrated works.

    As his career matured, Milner’s focus drifted toward the dramatic and serene vistas of Cornwall, a region whose rugged coastline and shifting tides provided endless inspiration. He became a master of the coastal scene, capturing not just the physical geography of places like St Ives and Marazion, but the very soul of the Atlantic breeze and the shimmering light upon the water. His technique often employed loose, expressive brushstrokes and a rich impasto texture, allowing him to convey the movement of waves or the heavy mist of an early morning. This ability to blend academic precision with an emotive, atmospheric quality allowed him to transcend mere representation; he did not simply paint a river or a harbor, but rather invited the viewer to experience the temperature of the air and the quietude of a twilight scene.

    A Journey Through Light and Landscape

    Milner’s travels were as much a part of his artistic development as his formal education. While Cornwall remained his spiritual home, his curiosity led him far beyond the English coast. He explored the rolling hills of the Cotswolds, the verdant landscapes of Kent, and even ventured into the sun-drenched terrains of France, Spain, and Portugal. Each new environment offered a different palette of light for him to master. In the Cotswolds, he captured the tranquil rhythm of rural streams, while his excursions abroad introduced him to more vibrant, Mediterranean hues. This breadth of experience is evident in his diverse body of work, which ranges from the poignant, misty landscapes of Early Morning on the Somme to the bustling, detailed maritime scenes like Rochester.

    The significance of Milner’s contribution to British art lies in his role as a bridge between traditional realism and the burgeoning Impressionist movement. He maintained a deep respect for the structural integrity of his subjects—a legacy of his Slade training—yet he was unafraid to let color and light dissolve form in favor of mood. His works often feature:

    Atmospheric Depth: The use of hazy skies and soft light to create a sense of infinite space.

    Textural Richness: A heavy application of paint to mimic the rugged textures of rocks, foliage, and sea foam.

    Emotional Resonance: A focus on the "intangible" qualities of nature, such as the melancholy of dusk or the vitality of a gale.

    By the time of his passing in 1939, Frederick Milner had left behind a legacy of paintings that serve as windows into a bygone era of British landscape art. His ability to document the changing face of the English countryside and the Cornish coast ensures that his work remains a vital part of the historical record, offering a nostalgic yet profoundly moving encounter with the natural world.

    Museum

    Royal West of England Academy

    Udstillet på Bristol, United Kingdom

    A Sanctuary of British Artistry in Bristol

    Nestled within the elegant enclave of Bristol’s Clifton district, the

    Royal West of England Academy

    stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. The Academy emerged from the vision of

    Ellen Sharples

    , evolving from the Bristol Society of Artists into one of the United Kingdom’s most enduring regional bastions of fine art. This institution has long been a movement in itself, bolstered by early support from luminaries such as

    Isambard Kingdom Brunel

    and

    Prince Albert

    , transforming a local collective focused on picturesque landscapes into a prestigious home for diverse creative expressions.

    The architectural grandeur of the Academy serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilates and shell-heavened niches, where statues of legendary sculptors like

    John Flaxman

    and

    Sir Joshua Reynolds

    keep watch over the entrance. The subtle carvings of the

    Three Graces

    lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the

    Parthenon Frieze

    adorns the walls, grounding the space in the timeless ideals of classical antiquity.

    A Tapestry of Movement and Mastery

    The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. For the collector or the designer seeking narrative depth, the Academy provides an unparalleled look at the evolution of British identity through paint and form. The works celebrate a wide spectrum of styles, including:

    The atmospheric depictions of the

    Newlyn School

    , which captured the rugged, salt-sprayed essence of Cornish fishing life.

    The abstract, light-drenched energy of the

    St Ives School

    .

    The delicate floral contemplations of

    Elizabeth Blackadder

    .

    The spirited, personality-filled still lifes of

    Mary Fedden

    .

    The psychological complexity found in the works of

    Carel Weight

    .

    The evocative, storied terrains rendered by

    Bernard Dunstan

    .

    Beyond its permanent holdings, the Academy thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the

    RWA Drawing School

    , which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn to the historical resonance of its halls or the technical brilliance of its canvases, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Oil Study

    wikioo.org/da/art/download/frederick-milner-oil-study-AR27RG-en/

    Kildehenvisning til dette kunstværk

    MLA
    Milner, Frederick. Oil Study. n.d., Royal West of England Academy. https://wikioo.org/da/art/frederick-milner-oil-study-AR27RG-en/
    APA
    Milner, Frederick (n.d.). Oil Study [Painting]. Royal West of England Academy. https://wikioo.org/da/art/frederick-milner-oil-study-AR27RG-en/
    Chicago
    Frederick Milner. Oil Study. n.d. Royal West of England Academy. https://wikioo.org/da/art/frederick-milner-oil-study-AR27RG-en/
    Harvard
    Milner, Frederick (n.d.) Oil Study. Royal West of England Academy. Available at: https://wikioo.org/da/art/frederick-milner-oil-study-AR27RG-en/

    Se nærmere efter

    Oil Study — Frederick Milner

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Le château, Les Andelys, near Rouen, France tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvor meget lys ser farverne i "Oil Study" ud til at reflektere?

    Farverne i "Oil Study" udviser en Soft Shadow luminans.

    Er farverne i "Oil Study" af Frederick Milner mættede eller dæmpede?

    "Oil Study" af Frederick Milner er gengivet med en Subtle Color mætning.

    Hvordan finder jeg kunstværker, der minder om "Oil Study" af Frederick Milner?

    Værker, der ligner "Oil Study", er listet på kunstværkets Lignende værker-side.