Papirformat

Guide til elevkunst

Harmagh

Navn Klasse Dato

James Brooks, Harmagh (1967). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
James Brooks wikioo.org/da/artists/james-brooks/
Kunstnerens levetid
1906 – 1992
Malet
1967
Oprindelig størrelse
121 x 153 cm

I kontekst

Harmagh — James Brooks

Hvor stor er den?

Originalen måler 121 × 153 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Skyggelagt: James Brooks' livstid (1906–1992) ▲ dette værk, 1967

Sammenlignelige værker

  • Number 13, 1965 wikioo.org/da/art/james-brooks-number-13-D3FJ7Z-en/
  • Untitled, 1952 wikioo.org/da/art/james-brooks-untitled-D7RA89-en/
  • B 1955 wikioo.org/da/art/james-brooks-b-1955-AQRGVR-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/james-brooks-harmagh-AQRGVX-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #d9d1ba

    Gemt palet

    • #D9D1BA
    • #616A64
    • #98A198
    • #1B1618
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    James Brooks

    Født i St. Louis, United States of America

    Early Life and Education

    Born: October 18, 1906, St. Louis, Missouri

    Family moved to Dallas, Texas in 1916

    Studied art at Southern Methodist University (1922-1924)

    Private lessons with James A. Waddell and Martha Simkins in Dallas

    Moved to New York City in 1926

    Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides

    Worked as a commercial artist to support himself

    The WPA Years and Early Murals

    Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942

    Painted three murals for the WPA, demonstrating social realist style.

    Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.

    Friendships with Jackson Pollock and Philip Guston during this period

    Abstract Expressionist Period: Style and Development

    Served as a combat artist in the U.S. Army (1942-1945)

    Returned to New York City in 1946, reconnected with Pollock and Krasner

    Shifted towards Abstract Expressionism, influenced by Surrealist principles

    Developed a unique staining technique: Experimenting with the bleed of paste through canvas.

    Early works showed influences of Synthetic Cubism.

    Palette initially featured browns, grays, blacks and vivid colors.

    Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.

    Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., Pask, Burwak, Jondol).

    Major Exhibitions and Recognition

    First solo exhibition at the Peridot Gallery in New York City (1949)

    Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.

    Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.

    Documenta, Kassel, West Germany (1959).

    John Simon Guggenheim Memorial Foundation Fellowship (1969)

    Legacy and Historical Significance

    Considered a first-generation Abstract Expressionist painter.

    Known for his innovative staining techniques and lyrical abstraction.

    His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.

    Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.

    Died on March 9, 1992, in East Hampton, New York.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Harmagh

    wikioo.org/da/art/download/james-brooks-harmagh-AQRGVX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Brooks, James. Harmagh. 1967, https://wikioo.org/da/art/james-brooks-harmagh-AQRGVX-en/
    APA
    Brooks, James (1967). Harmagh [Painting]. https://wikioo.org/da/art/james-brooks-harmagh-AQRGVX-en/
    Chicago
    James Brooks. Harmagh. 1967. https://wikioo.org/da/art/james-brooks-harmagh-AQRGVX-en/
    Harvard
    Brooks, James (1967) Harmagh. Available at: https://wikioo.org/da/art/james-brooks-harmagh-AQRGVX-en/

    Kig nærmere efter

    Harmagh — James Brooks

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Number 13 (1965) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. James Brooks var omkring 61 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.