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The breakfast table

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John Brack, The breakfast table (1958), Art Gallery of New South Wales. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
John Brack wikioo.org/da/artists/john-brack/
Kunstnerens levetid
1920 – 1999
Malet
1958
Medie
Acrylic On Canvas
Oprindelig størrelse
122 x 68 cm
Bevægelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Afholdt hos
Art Gallery of New South Wales wikioo.org/da/museums/art-gallery-of-new-south-wales-sydney_da/
Influences
Australian life
Notable elements
Geometric composition
Style
Realism, Antipodeans
Subject
Domestic scene

I kontekst

The breakfast table — John Brack

Hvor stor er den?

Originalen måler 122 × 68 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Skyggelagt: John Brack' livstid (1920–1999) ▲ dette værk, 1958

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/john-brack-the-breakfast-table-D3ZKXS-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #1c1e18

    Gemt palet

    • #1C1E18
    • #D7D4B7
    • #E4DA4B
    • #686228
    Farvepalette
    Nature Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    The breakfast table — John Brack

    A Moment Frozen in Time: John Brack’s “The Breakfast Table”

    John Brack's "The Breakfast Table," painted in 1958, isn’t merely a depiction of a morning meal; it’s a carefully constructed tableau brimming with quiet observation and subtle commentary on Australian domestic life. This iconic work, now residing within the National Gallery of New South Wales, offers a captivating glimpse into a seemingly ordinary scene—a family breakfast—transformed by Brack's masterful use of color, composition, and perspective.

    The painting immediately draws the eye with its vibrant palette. Brack eschews the muted tones often associated with still life, opting instead for an almost fluorescent yellow for the tabletop, a hue that feels both startlingly modern and deeply rooted in the Australian landscape – reminiscent of the harsh sunlight reflecting off the red earth. This bold choice contrasts sharply with the deep shadows cast by the objects scattered across the surface, creating a dynamic interplay of light and dark that anchors the composition and imbues it with a sense of immediacy. The careful arrangement of the cutlery, plates, bottles, and cups isn’t haphazard; each element is deliberately positioned to contribute to the overall narrative.

    The Language of Domesticity

    Brack's genius lies in his ability to convey more than just the visual elements of a breakfast scene. He captures the feeling of that moment—the lingering traces of activity, the unspoken interactions between family members, and the subtle sense of routine that defines everyday life. The empty glasses, cups, and plates speak volumes about the recent departure of the occupants, while the scattered crumbs hint at the remnants of a shared meal. Brack’s use of aerial perspective – looking down on the table as if from above – creates an intimate yet slightly detached view, inviting the viewer to become a silent observer within this domestic drama.

    The painting's significance extends beyond its immediate subject matter. It emerged during a period of significant social and artistic change in Australia, coinciding with the rise of the Antipodeans group—a collective of artists who sought to capture the unique character of Australian life. Brack’s work, like that of his contemporaries (including Sidney Nolan and Russell Drysdale), challenged traditional European art conventions and embraced a distinctly Australian sensibility. “The Breakfast Table” exemplifies this shift by focusing on familiar subjects – domesticity, family, and everyday routines—and presenting them with a fresh, modern perspective.

    Symbolism and Brack’s Vision

    While seemingly straightforward, "The Breakfast Table" is rich in symbolic detail. The abundance of tableware suggests a sense of plenty and comfort, while the emptiness hints at a transient moment – a pause before the demands of the day begin. The carefully chosen objects—bottles, spoons, cups—are not merely props but represent the tools and rituals of daily life. Brack’s deliberate arrangement creates a geometric pattern that subtly reinforces the painting's sense of order and control, even as it captures the inherent chaos of a busy household.

    Furthermore, Brack was known for his sharp observations of Australian society and his ability to capture its quirks and contradictions. “The Breakfast Table” can be interpreted as a commentary on the changing role of women in post-war Australia—the shift from traditional domestic roles to more independent lifestyles. The painting’s focus on the mundane details of everyday life suggests a quiet celebration of the ordinary, while also hinting at the unspoken tensions and complexities that lie beneath the surface.

    A Timeless Masterpiece

    "The Breakfast Table" remains one of John Brack's most celebrated works, admired for its striking visual impact, its insightful commentary on Australian culture, and its enduring emotional resonance. It’s a painting that invites repeated viewing, revealing new layers of meaning with each encounter. Whether you are an art enthusiast, a collector seeking to add a significant piece to your collection, or simply someone looking for inspiration, “The Breakfast Table” offers a captivating glimpse into the heart of Australian life and the genius of one of its most important artists.

    Kunstner og museum

    Kunstner

    John Brack

    Født i Melbourne, Australia

    **early life and career**

    john brack, an australian painter, was born in melbourne in 1920 and passed away in 1999. as a member of the antipodeans group, brack's work is characterized by its unique capture of the idiosyncrasies of his time.

    **artistic style and significance**

    brack's early works are notable for their powerful and succinct depiction of australian life, surpassing any artist before or since. his iconic style forged a decade on canvas with sharp precision, akin to barry humphries' performances on stage.

    **notable works and exhibitions**

    * collins st., 5 pm, a 1955 painting, is considered a companion piece to brack's earlier work, the bar. this piece is part of the national gallery of victoria's australian art collection and exhibited in the ian potter centre in federation square, melbourne. * the breakfast table, another notable piece by brack, is showcased at the art gallery of new south wales in sydney.

    **comparison to other artists**

    * in contrast to arthur streeton's more serene landscapes, such as sandridge, brack's work offers a glimpse into urban australian life. * charles edward conder's going home (the gray and gold) showcases a different aspect of the australian experience, one that is more nostalgic and less focused on daily city life.

    **legacy and influence**

    brack's unique style has left an indelible mark on australian art. his ability to capture the essence of his time in such a powerful manner has influenced generations of artists. for those interested in exploring more of brack's work or learning about other influential australian artists, visit john brack's page on AllPaintingsStore or explore the categories section for a broader range of artistic styles and movements.

    view brack's works at the national gallery of victoria: collins st., 5 pm

    explore more australian artists like clifton ernest pugh ao at his page on AllPaintingsStore

    discover the diverse range of artistic styles and movements in the categories section

    *note:* this article is a translation from german, but for the purpose of this response, it will be presented in english as per the instruction.

    Museum

    Art Gallery of New South Wales

    Udstillet i Sydney, Australien

    A Window into Colonial Australia: The Art of New South Wales

    Indsættet i hjertet af Sydney, omgivet af Gadigal peoples’ land – en erkendelse der er dybt forankret i galleriets værdier – byder Art Gallery of New South Wales på mere end blot et samlingssted for malerier og skulpturer. Det er en rejse gennem århundreder af kulturel udveksling, en udforskning af Australiens komplekse identitet formet af både indfødte og koloniale kræfter. Fra de præcise detaljer i tidlige graveringer, der fanger ankomsten af guvernør Arthur Phillip, til den pulserende energi i nutidig gadekunst, tilbyder galleriet et utroligt varieret udvalg, der afspejler de mange oplevelser, der har formet kunstens landskab i kolonitiden og fortsætter med at resonere i dag.

    Galleriets historie begynder i 1872 med New South Wales Academy of Art. I starten var det primært en platform for årlige udstillinger, men hurtigt udviklede det sig til et vitalt forum for fremstormende kunstnere. Bygningen – oprindeligt konstrueret som Royal North Shore Hospital i 1856 – er ikke blot en smuk arkitektonisk perle, men også en central del af galleriets fortælling. Designet af John Habens med sin imponerende victorianske facade vidner om en tid, hvor hospitaler var symboler på borgerskab og fremskridt. Galleriets genåbning i 1973 var et bevidst valg – en respektfuld genopstandelse af den historiske struktur, der samtidig skabte et passende rum for kunstnerisk udtryk. De omhyggelige restaureringer har bevaret den originale pragt, lagdelt arkitekturhistorie med den dynamiske energi i nutidige udstillinger. Kig opad og bemærk de højloftede buer, det intrikate murerarbejde – hvert element hvisker historier fra generationer forbi.

    A Legacy of Patronage and Artistic Voice

    Galleriets samling er særligt beriget af Charles Jones’s indflydelse, en fremtrædende kunstmæsterværge og samler, der understøttede Sydney-kunstneres talenter i det 19. århundrede. Jones havde en dyb forståelse for potentialet i kolonien og aktivt fremmede dens kunstneriske udvikling. Hans dedikation resulterede i en betydelig samling, der viser den konstante udvikling af kunstneriske stilarter og teknikker – fra den formelle elegance af tidlige portrætter til den romantiske skildring af Australiens barske skønhed. Det er værd at bemærke Francis Wheatleys præcise graveringer, der fanger figurer som Arthur Phillip Esq., et rørende indblik i de tidlige stadier af bosættelsen og det britiske styre. Galleriet huser også en imponerende samling af Jones’s anskaffelser, der afspejler hans skarpsindighed og engagement i at støtte lokale talenter.

    Notable Exhibitions & Artistic Voices

    Art Gallery of New South Wales arrangerer konstant dynamiske udstillinger, der belyser forskellige temaer og kunstbevægelser. Nykkeudstillinger har inkluderet overbevisende retrospektiver dedikeret til pionerer som Charles Condor, hvis dramatiske havmalerier fanger den rå kraft af Stillehavet, og udforskninger af nutidig gadekunst – en levende refleksion over byliv og social kommentar. Archibald Prize, Australiens mest prestigefyldte portrætturv, er regelmæssigt udstillet på galleriet, hvilket giver et fascinerende indblik i nationens kunstneriske talent og dets udviklende perspektiver på identitet og repræsentation. Det er vigtigt at søge efter temaudstillinger, der fokuserer på Aboriginal kunst, der viser traditionelle fortællingsteknikker og kulturelle symboler – en essentiel komponent for at forstå Australiens rige kunstneriske arv. Galleriet afholder også regelmæssigt udstillinger fra internationale institutioner, hvilket udvider omfanget af dets samling og giver nye perspektiver.

    The Lewers Bequest: A Pivotal Collection

    Galleriets mest distinkte funktion er Lewers Bequest – en bemærkelsesværdig samling af 19. århundredes australske malerier, der er akkumuleret af Sir John Edward Lewers, en fremtrædende forretningsmand og kunstsamler. Denne donation markerer et afgørende øjeblik i den australske kunsthistorie, hvilket giver en unik mulighed for at studere udviklingen af kunstneriske stilarter og teknikker inden for kolonien. Samlingen omfatter værker af kunstnere som Frederick McCubbin, Tom Roberts og Russell Drysdale, der giver et omfattende overblik over periodens kunstneriske landskab. Lewers Bequest er placeret i en dedikeret hal, hvilket giver besøgende mulighed for at fordybe sig fuldt ud i denne ekstraordinære samling og værdsætte dens betydning i den bredere kontekst af australsk kunsthistorie.

    A Living Collection: Research & Community Engagement

    Art Gallery of New South Wales er mere end blot et udstillingsrum; det er et levende center for forskning og engagement med lokalsamfundet. Galleriets kuratoriske team undersøger aktivt oprindelsen og betydningen af deres kunstværker, hvilket bidrager til en dybere forståelse af australsk kunsthistorie. Galleriet tilbyder også en række uddannelsesprogrammer, workshops og ture designet til at engagere besøgende i alle aldre og baggrunde – fra skolegrupper til erfarne kunstentusiaster. Desuden udvider galleriets engagement sig ud over dets fysiske vægge gennem samarbejder med lokale skoler, universiteter og kulturelle organisationer, der fremmer kunstlitteracitet og støtter nye talenter. Galleriets hjemmeside giver omfattende ressourcer for forskere, studerende og kunstelskere, hvilket cementerer dets rolle som et vitalt center for australsk kunstforskning.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for The breakfast table

    wikioo.org/da/art/download/john-brack-the-breakfast-table-D3ZKXS-en/

    Kildehenvisning til dette kunstværk

    MLA
    Brack, John. The breakfast table. 1958, Art Gallery of New South Wales. https://wikioo.org/da/art/john-brack-the-breakfast-table-D3ZKXS-en/
    APA
    Brack, John (1958). The breakfast table [Painting]. Art Gallery of New South Wales. https://wikioo.org/da/art/john-brack-the-breakfast-table-D3ZKXS-en/
    Chicago
    John Brack. The breakfast table. 1958. Art Gallery of New South Wales. https://wikioo.org/da/art/john-brack-the-breakfast-table-D3ZKXS-en/
    Harvard
    Brack, John (1958) The breakfast table. Art Gallery of New South Wales. Available at: https://wikioo.org/da/art/john-brack-the-breakfast-table-D3ZKXS-en/

    Kig nærmere efter

    The breakfast table — John Brack

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: breakfast table, australian art, domestic scene. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Latin American Grand Final (1969) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    The breakfast table — John Brack

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary subject matter of John Brack’s ‘The Breakfast Table’?

      • A A bustling city street scene
      • B A detailed portrait of a family
      • C A domestic interior with breakfast items
    2. 2. In what year was ‘The Breakfast Table’ painted?

      • A 1950
      • B 1958
      • C 1965
    3. 3. Which art movement is John Brack most associated with?

      • A Impressionism
      • B The Antipodeans Group
      • C Surrealism
    4. 4. What technique does Brack primarily employ in ‘The Breakfast Table’?

      • A Pointillism
      • B Geometric abstraction
      • C Precise realism
    5. 5. The painting utilizes strong lighting. What effect does this lighting primarily create?

      • A A sense of warmth and intimacy
      • B Long shadows that emphasize the objects’ forms
      • C A bright, cheerful atmosphere

    Min score: ____ ud af 5

    Svarside — til læreren

    Dette starter en ny trykt side, så den kan blot udelades fra kopierne.

    1C · 2B · 3B · 4C · 5B