Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. John Shackleton døde i 1767; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1837.
I kontekst
Henry Pelham — John Shackleton
Originalen måler 124 × 102 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
▲ dette værk, 1752 hvert dateret maleri, årti for årti
Første værker: frem til 1749 Primære arbejdsår: 1749–1755 Senere værker: fra 1755
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: wikioo.org/da/art/similar/john-shackleton-henry-pelham-AQSF7Y-en/
Målt ud fra billedet
Primær farve
Walnut #623c19
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
John Shackleton, a name perhaps less celebrated than some of his contemporaries, nonetheless occupies a significant position in the annals of 18th-century British portraiture. Born into obscurity – the details of his parentage and early life remaining frustratingly unknown – Shackleton rose to become Principal Painter in Ordinary to both George II and George III, a testament to his skill and the esteem in which he was held by the royal court. His career unfolded during a period of burgeoning artistic consciousness in Britain, as the nation sought to establish its own distinct visual identity, moving away from continental influences and fostering a uniquely British aesthetic. Shackleton’s work embodies this transition, blending traditional techniques with an emerging sense of national pride and character.
Shackleton's initial steps into the art world are shrouded in mystery, but by the mid-18th century he had begun to establish himself as a capable portraitist. He secured commissions from notable figures of the day, including Henry Pelham, brother of the Prime Minister and Secretary at War, and William Windham, a prominent landowner and politician. These early portraits demonstrate a developing talent for capturing likeness with a degree of formality and precision characteristic of the Georgian era. His ability to convey both social standing and individual personality quickly garnered attention within London’s artistic circles. A portrait of John Bristowe, steward to the first Duke of Newcastle, further solidified his reputation, showcasing his skill in depicting textures and fabrics, and an eye for detail that would become a hallmark of his style.
The pivotal moment in Shackleton’s career arrived in 1749 with his appointment as Principal Painter in Ordinary to George II. This prestigious position placed him at the heart of royal patronage, responsible for creating official portraits of the King and Queen. He continued in this role through the reign of George III, even as Allan Ramsay emerged as a rival claimant to the title. Remarkably, Shackleton retained commissions from the Crown well into the 1760s, despite Ramsay’s growing prominence – a clear indication of the high regard in which his work was held by both monarchs. Numerous examples of his royal portraits survive today, offering valuable insights into the appearance and character of these important historical figures. A portrait of George II from 1755, now housed in the Scottish National Portrait Gallery, exemplifies his mature style: a dignified portrayal that balances regal authority with a subtle sense of humanity. The British Museum also holds several examples of his work, including engravings based on his paintings, demonstrating their widespread circulation and influence.
While best known for his royal commissions, Shackleton’s contributions extended beyond the realm of portraiture. He was an active participant in the burgeoning artistic community of London, serving as a member of the 1755 committee that proposed the establishment of a Royal Academy – a landmark event in British art history. In 1758, he was elected to membership in the Society for the Encouragement of Arts, Manufactures, and Commerce (later the RSA), further demonstrating his commitment to fostering artistic development. He also exhibited at the Free Society of Artists from 1763 to 1766, engaging with a wider circle of artists and showcasing his work to a broader audience. Shackleton’s will, dated shortly before his death in 1767, reveals intriguing details about his personal life and artistic interests, including bequests of marble heads and paintings by renowned masters like Vandyke and Gaspar Poussin – suggesting a refined taste and appreciation for the wider art historical canon. Although he left no direct heirs or formal studio, his influence can be seen in the work of subsequent portrait painters who followed in his footsteps, continuing to refine the tradition of royal portraiture that he helped establish. His legacy lies not only in the striking images he created but also in his dedication to promoting and elevating the status of art within British society.
wikioo.org/da/art/download/john-shackleton-henry-pelham-AQSF7Y-en/
Se nærmere efter
Henry Pelham — John Shackleton
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Se lignende værker til "Henry Pelham" på siden Lignende værker.
"Henry Pelham" måler 124 x 102 cm i sin oprindelige form. De originale dimensioner er en nyttig reference, når du skal vælge størrelsen på en reproduktion.
"Henry Pelham" af John Shackleton er registreret med en lysstyrke på deep_shadow og en luminans på Dark.