Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. John William Lewin døde i 1819; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1889.
I kontekst
Rock Warbler — John William Lewin
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 49 ved død.
Skyggelagt: John William Lewin' livstid (1770–1819) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/john-william-lewin-rock-warbler-9DHGHT-en/
Målt ud fra billedet
Hovedfarve
Rosy Brown #beb299
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 38 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i United Kingdom
Born into a lineage of scientific artistry in the United Kingdom, John William Lewin arrived on the shores of New South Wales in 1800, forever altering the visual record of a burgeoning colony. As the son of the renowned naturalist and illustrator William Lewin, his very foundation was built upon the meticulous observation of the natural world. While he originally intended to travel to Australia to document entomological life for a British patron, his arrival marked the beginning of a profound transformation in his art. He transitioned from the conventional natural history illustrations practiced in England to creating deeply authentic images that captured the unique essence of the Australian landscape.
Lewin’s journey was one of both scientific rigor and artistic evolution. Settling initially near Parramatta, he utilized every opportunity to venture into the untamed wilderness, accompanying expeditions to the Bass Strait, the Hunter River, and even the rugged terrain beyond the Blue Mountains. His work was not merely a collection of specimens but an attempt to grasp the very atmosphere of the bush. He possessed a rare ability to observe the translucent foliage of the eucalyptus and the delicate, feathery grasses of the interior, rendering them with a sense of light and life that avoided the stifling conventions of European art.
The breadth of Lewin's repertoire extended far beyond the wings of birds and the carapaces of insects. He was a versatile observer who captured the diversity of Australian fauna, from the enigmatic duck-billed platypus to the vibrant species of the sea. His skill in documenting the bounty of the colony is perhaps most strikingly realized in his oil painting, Fish catch and Dawes Point, Sydney Harbour, which stands as the earliest known oil painting on canvas in Australia. In this work, he masterfully arranged various species like the snapper and hammerhead shark, suggesting an abundance that mirrored the hopes of the new settlement.
Beyond his scientific contributions, Lewin held significant roles within the colonial structure, serving as the city coroner and working under the patronage of Governors Philip Gidley King, William Bligh, and Lachlan Macquarie. His published works, such as Prodromus Entomology and Birds of New Holland with their Natural History, remain vital historical documents. Through his delicate watercolors and precise engravings, he provided a window into a world that was, to the European eye, entirely new. Today, his legacy lives on not only in museum collections but in the very names of the species that continue to inhabit the lands he so lovingly documented.
Notable Species Named After Him: Lewin's rail, Lewin's honeyeater, and Lewin's euploea.
Key Artistic Contributions: The first professional artist of the New South Wales colony and creator of the first illustrated book engraved and printed in Australia.
wikioo.org/da/art/download/john-william-lewin-rock-warbler-9DHGHT-en/
Se nærmere efter
Rock Warbler — John William Lewin
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Blandt John William Lewins registrerede temaer – early career work, australian flora/fauna, documentary style, 18th century naturalism, scientific illustration, romantic landscape, nature appreciation, observation & detail – bringer "Rock Warbler" sit eget fokus på wildlife observation, bird illustration, natural landscape, watercolor painting, 19th century fauna, cool color palette, quiet contemplation.
Du kan bestille en håndmalet reproduktion af "Rock Warbler" af John William Lewin direkte på dens Håndmalet reproduktion-side: en håndmalet oliereproduktion på lærred af hør, lavet efter bestilling.
Røntgenvisningen af "Rock Warbler" af John William Lewin findes på værkets Røntgenundersøgelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.