Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Nicolas Dorigny døde i 1746; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1816.
I kontekst
Psyche — Nicolas Dorigny
Originalen måler 65 × 40 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 88 ved død.
Malet da kunstneren var 35 år gammel. Kunstneren blev 88 år gammel. 0 af de 3 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Nicolas Dorigny' livstid (1658–1746) ▲ dette værk, 1693 hvert dateret maleri, årti for årti
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: wikioo.org/da/art/similar/nicolas-dorigny-psyche-D7CCJE-en/
Målt ud fra billedet
Primær farve
Gray #756e57
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 3 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
Psyche — Nicolas Dorigny
Engravings based on the works of Raphael at the Villa Farnesina (Rome, Italy).
Kunstner og museum
Født i Paris, France
The trajectory of Nicolas Dorigny was redirected by a physical change that many might have found devastating. Born in Paris, he began his adult life following the path of legal studies, a profession for which his education had prepared him. However, at the age of thirty, the onset of deafness forced a departure from the law and a turn toward the arts. This transition was not merely a change in occupation but a complete reconstruction of his sensory engagement with the world.
He did not approach the copper plate as an amateur. Trained by his father, Michel Dorigny, he brought a disciplined hand to the medium of engraving. While his early works utilized the point, he eventually developed a more sophisticated technique that unified the point and the graver. This method allowed for a vigorous style that sought to capture the light and shade found in the works of Gérard Audran. His hands spoke where his hearing had failed.
In 1687, Dorigny moved to Italy, beginning a residency that would last twenty-eight years. This period in Rome allowed him to immerse himself in the classical tradition, producing reproductions of antique statues and studying the great masters. His time in Italy was marked by a deep connection to the works of Raphael, particularly the mosaics and paintings found in the Villa Farnesina. He sought to translate the grandeur of these compositions into the precise language of print.
His reputation eventually crossed the channel. In 1711, Queen Anne invited him to England to undertake a significant project: engraving the Raphael Cartoons at Hampton Court. This undertaking required years of meticulous labor, reaching completion in 1719. The recognition of his skill was formalized in 1720 when King George I knighted him. Though he attempted to find success painting portraits of the English nobility, his true strength remained in the etched line and the engraved plate.
The final chapter of his life brought him back to France. Returning in 1725, he was received into the Académie Royale, a significant professional achievement that validated his standing within the French artistic establishment. Even as he faced physical challenges with his eyes, he continued to contribute to the artistic landscape, exhibiting sacred subjects at the Salon between 1739 and 1743.
His body of work remains characterized by its breadth and its subject matter. He produced more than 140 prints, often focusing on the following themes:
Reproductions of Raphael’s works, including the planets of the Chigi Chapel and the Cartoons of the Apostles.
Engravings based on the paintings of Italian masters such as Guido Reni, Carlo Maratti, and Guercino.
Studies of classical sculptures and religious compositions.
He died in Paris in 1746, leaving behind a legacy defined by the technical precision of his engravings and a life that successfully navigated the transition from the courtroom to the studio.
wikioo.org/da/art/download/nicolas-dorigny-psyche-D7CCJE-en/
Se nærmere efter
Psyche — Nicolas Dorigny
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"Psyche" af Nicolas Dorigny er dateret til 1693.
"Psyche" af Nicolas Dorigny er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten beregnes ud fra kunstnerens dødsår, og Nicolas Dorigny døde i 1746.
De registrerede mål for "Psyche" af Nicolas Dorigny er 65 x 40 cm. Reproduktioner kan bestilles i andre størrelser, mens de samme proportioner bevares.