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Guide til elevkunst

After the Storm

Navn Klasse Dato

Ralph Stubbs, After the Storm (1863), Reading Museum - Town Hall. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Ralph Stubbs wikioo.org/da/artists/ralph-stubbs/
Kunstnerens årstal
1824 – 1879
Malet
1863
Oprindelig størrelse
60 x 92 cm
Afholdt hos
Reading Museum - Town Hall wikioo.org/da/museums/reading-museum-town-hall-reading/

I kontekst

After the Storm — Ralph Stubbs

Hvor stor er den?

Originalen måler 60 × 92 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 55 ved død.

Malet da kunstneren var 39 år gammel. Kunstneren blev 55 år gammel. 1 af de 6 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Ralph Stubbs' livstid (1824–1879) ▲ dette værk, 1863 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wikioo.org/da/art/similar/ralph-stubbs-after-the-storm-AS837M-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #d7cbc7

    Katalogiseret palet

    • #D7CBC7
    • #5A4840
    • #AEA198
    • #8D7868

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Ralph Stubbs i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%200 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 2 mest viste værker af Ralph Stubbs

    1. 1 After the Storm, 1863 dette maleri 50,0%100 visits
    2. 2 Inn at Upgang, Whitby 50,0%100 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 7 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. This painting ranks 1 of them, with 50,0% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Ralph Stubbs

    Ralph Stubbs: A Master of the Northern Seas

    The rugged beauty of the North Sea coastline, a realm of relentless winds and dramatic skies, has long captivated artists. Few have captured its essence with such poignant realism and emotional depth as Ralph Stubbs (1824-1879), a British marine painter whose legacy endures through his evocative depictions of coastal life, ships battling the elements, and the ever-changing moods of the sea. Born in Whitby, Yorkshire, a town inextricably linked to maritime history and legend, Stubbs’s artistic journey was shaped by both its tangible realities and the powerful folklore that permeated its atmosphere.

    Stubbs' early life was steeped in the traditions of the fishing industry. His father, also a marine artist, instilled in him a deep respect for the sea and an understanding of its unforgiving nature. This practical knowledge, combined with a keen observational eye, formed the bedrock of his artistic practice. Unlike many artists of his time who relied on idealized representations, Stubbs meticulously rendered every detail – the weathered faces of fishermen, the splintered timbers of battered vessels, the churning foam of crashing waves – conveying not just what he saw but also the palpable sense of struggle and resilience inherent in coastal existence.

    The Development of a Distinct Style

    Stubbs’s artistic development can be traced through a progression of stylistic choices. Initially influenced by the Romantic tradition, particularly the dramatic landscapes of Turner, his early works exhibited a certain theatricality and emphasis on atmospheric effects. However, as he matured, Stubbs moved towards a more restrained and observational approach. He began to prioritize accuracy in depicting the physical details of ships and harbors, meticulously studying their construction and rigging. This shift is most evident in his later paintings, such as “After the Storm,” a monumental canvas that captures the aftermath of a violent gale with breathtaking power and precision.

    A key element of Stubbs’s style was his masterful use of light and shadow. He expertly employed chiaroscuro – the dramatic contrast between light and dark – to create a sense of depth, volume, and movement within his compositions. His brushwork, often loose and expressive, conveyed the texture of weathered wood, damp stone, and turbulent water. He wasn’t simply painting scenes; he was conveying an experience, a feeling of being present in that harsh but beautiful environment.

    Subjects and Themes

    Stubbs' oeuvre is dominated by maritime subjects – fishing boats battling against towering waves, the silhouettes of ships against a fiery sunset, and the quiet solitude of harbors at dusk. He frequently depicted scenes from Whitby’s bustling harbor, capturing the daily rhythms of its fishermen and merchants. Beyond these immediate depictions of coastal life, Stubbs also explored themes of isolation, loss, and the enduring connection between humanity and the sea. His paintings often evoke a sense of melancholy and contemplation, reflecting the inherent vulnerability of those who depend on the ocean’s bounty.

    His most famous work, “After the Storm,” exemplifies this thematic depth. The painting isn't merely a record of a natural event; it’s an exploration of its aftermath – the wreckage strewn across the beach, the exhausted figures of the fishermen, and the lingering sense of both devastation and renewal. It speaks to the cyclical nature of life and the enduring spirit of those who face adversity with stoic determination.

    Legacy and Historical Significance

    Despite his considerable talent, Stubbs’s recognition during his lifetime was limited. He struggled financially throughout much of his career, often relying on commissions for portraits and smaller works to supplement his income. However, his paintings gradually gained appreciation in the decades following his death, establishing him as a significant figure in British marine art. Today, Ralph Stubbs is celebrated as one of the foremost artists who captured the spirit of the North Sea coast – a testament to his skill, observation, and profound understanding of the human condition.

    His work continues to resonate with viewers today, offering a powerful reminder of the enduring relationship between humanity and the sea, and the beauty and brutality that coexist within its vast expanse. The National Gallery holds several important examples of his work, ensuring that this master of the Northern Seas will continue to inspire and captivate generations to come.

    Museum

    Reading Museum - Town Hall

    Udstillet i Reading, United Kingdom

    A Tapestry of Time: The Architectural Grandeur of Reading Museum

    Nestled within the stately, Italianate splendor of the Reading Town Hall, the Reading Museum serves as a profound testament to the enduring spirit of Berkshire’s heritage. To step through its doors is to enter a world where Victorian grandeur meets the pulse of modern discovery. The building itself, a masterpiece of architectural evolution, was shaped by the legendary Alfred Waterhouse, whose vision for the principal facade in 1875 bestowed upon the structure a sense of permanence and civic pride. As one wanders beneath its soaring ceilings and observes the ornate detailing that exemplifies the late 19th-century aesthetic, the museum reveals itself not merely as a repository of objects, but as a living monument to the aspirations of a town striving for prominence.

    The history of this institution is a narrative of transformation, mirroring the very evolution of Reading itself. Established in 1883 by Horatio Bland, the museum has expanded through decades of growth, with significant additions in 1906 and 1927, eventually undergoing a meticulous refurbishment at the turn of the millennium. This careful stewardship ensures that the architectural bones of the Town Hall—a Grade II* listed treasure—continue to provide a breathtaking stage for the treasures held within its galleries.

    From Roman Echoes to Industrial Artistry

    The collection at Reading Museum is a captivating dialogue between the ancient and the industrial, offering a sensory journey through the layers of human civilization. For the lover of archaeology, the Silchester Gallery provides an intimate encounter with the grandeur of Roman Britannia. Here, the echoes of Calleva Atrebatum resonate through meticulously reconstructed mosaics, intricate jewelry fragments, and the iconic Silchester Eagle and Horse sculptures, transporting visitors to a time of imperial splendor. This archaeological depth is balanced by a poignant exploration of local identity, where oral histories and Saxon artifacts breathe life into the town's earliest settlements.

    Yet, the museum’s soul also resides in its celebration of Reading’s industrial legacy, most notably through the exquisite collection of Huntley & Palmers biscuit tins. These are far more than mere relics of commerce; they are miniature canvases of late Victorian and Edwardian artistry. Adorned with delicate floral designs and stylized depictions of local landmarks, these tins embody a unique intersection of utility and aesthetic sensibility, making them a particular delight for collectors and designers who appreciate the beauty found in everyday objects. This blend of high art and industrial craft creates a narrative where history is felt through both the monumental and the minute.

    A Sanctuary for Artistic Expression and Discovery

    What truly distinguishes Reading Museum from more traditional, scholarly institutions is its vibrant commitment to accessibility and emotional engagement. It is a space designed to ignite curiosity in all ages, where interactive exhibits invite the viewer to become an active participant in the historical narrative. The museum’s art collection further enriches this experience, featuring evocative works such as

    Molly in the Pantry

    by Mark Lancelot Symons and the atmospheric

    Stage Setting

    by Andreas Duncan Carse. These pieces, alongside the contributions of Julius Leblanc Stewart, demonstrate a dedication to preserving a diverse artistic heritage that speaks to both regional pride and universal beauty.

    For the interior designer or art enthusiast seeking inspiration, the museum offers a masterclass in curation and atmosphere. Whether exploring themes of British landscape painting or marveling at the intricate craftsmanship of Roman tools, one finds a constant interplay of light, texture, and story. Reading Museum remains a beacon of cultural enrichment, a place where the past is not merely studied but felt, ensuring that every visit is an unforgettable encounter with the artistry of human existence.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for After the Storm

    wikioo.org/da/art/download/ralph-stubbs-after-the-storm-AS837M-en/

    Kildehenvisning til dette kunstværk

    MLA
    Stubbs, Ralph. After the Storm. 1863, Reading Museum - Town Hall. https://wikioo.org/da/art/ralph-stubbs-after-the-storm-AS837M-en/
    APA
    Stubbs, Ralph (1863). After the Storm [Painting]. Reading Museum - Town Hall. https://wikioo.org/da/art/ralph-stubbs-after-the-storm-AS837M-en/
    Chicago
    Ralph Stubbs. After the Storm. 1863. Reading Museum - Town Hall. https://wikioo.org/da/art/ralph-stubbs-after-the-storm-AS837M-en/
    Harvard
    Stubbs, Ralph (1863) After the Storm. Reading Museum - Town Hall. Available at: https://wikioo.org/da/art/ralph-stubbs-after-the-storm-AS837M-en/

    Se nærmere efter

    After the Storm — Ralph Stubbs

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Ship on a Beach by Moonlight (1842) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Ralph Stubbs var omkring 39 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Fremstår farverne i "After the Storm" kraftige eller bløde?

    Farveintensiteten i "After the Storm" er Balanced. Intensitet beskriver, hvor kraftige farverne fremstår.

    Hvor lys er "After the Storm" overordnet set?

    Den oplevede lysstyrke i "After the Storm" af Ralph Stubbs er brilliant. Den kan tilpasses lyset i det tiltænkte rum.

    Hvor stor er kontrasten i "After the Storm" af Ralph Stubbs?

    Lys-mørke-kontrasten i "After the Storm" er registreret som Balanced. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.