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Guide til elevkunst

Baboon

Navn Klasse Dato

Robert Andrew Parker, Baboon (1967). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Robert Andrew Parker wikioo.org/da/artists/robert-andrew-parker/
Kunstnerens levetid
1927 –
Malet
1967
Oprindelig størrelse
71 x 54 cm

I kontekst

Baboon — Robert Andrew Parker

Dimensioner

Originalen måler 71 × 54 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 40 år gammel. 11 af de 17 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1967 hvert dateret maleri, årti for årti

Første værker: frem til 1958 Primære arbejdsår: 1958–1967 Senere værker: fra 1967

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wikioo.org/da/art/similar/robert-andrew-parker-baboon-AS7SSB-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #a89766

    Gemt palet

    • #A89766
    • #F0EAE0
    • #716242
    • #CFC0A5

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Robert Andrew Parker i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Robert Andrew Parker

    1. 1 At The Beach, 1967 50,0%
    2. 2 Self Portrait, 1963 50,0%
    3. Baboon, 1967 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 18 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Robert Andrew Parker

    The Visionary of Quiet Intensity: The Life and Legacy of Robert Andrew Parker

    Robert Andrew Parker (1927–2023) emerged as a singular, evocative voice in the landscape of American art, weaving a career that spanned over seven decades of profound creativity. Born in Norfolk, Virginia, Parker’s early life was marked by both fragility and resilience. Afflicted with tuberculosis as a child, his family relocated to the arid climates of New Mexico in hopes of restoring his health. This period of isolation, though born of necessity, became a foundational era for his artistry; unable to attend traditional school, he spent his formative years sketching and painting under the gentle tutelage of his mother, an amateur artist who nurtured his burgeoning talent. It was within this quiet, observant childhood that Parker first learned to translate the world around him into visual language, a skill that would later define his mastery of emotion and atmosphere.

    His formal journey into the heart of American modernism led him to the Art Institute of Chicago, where he earned his bachelor's degree in 1952. This academic rigor, combined with formative experiences at the Skowhegan School of Painting and Sculpture, provided him with a sophisticated toolkit of technique and experimentation. Parker’s professional trajectory was nothing short of cinematic; in 1956, Metro-Goldwyn-Mayer recruited him to assist in the production of the biographical film Lust for Life. In a remarkable display of technical prowess, Parker’s hands were used to simulate the brushstrokes of Vincent van Gogh, creating authentic-looking replicas of masterpieces like Wheatfield with Crows to serve as backdrops for the film. This unique intersection of fine art and cinema foreshadowed his lifelong ability to blend reality with a heightened, almost surreal, sense of perception.

    A Symphony of Ink, Color, and Jazz

    Parker’s artistic identity was deeply intertwined with the improvisational spirit of jazz music. Much like the legendary musicians he admired—including Thelonious Monk, Duke Ellington, and Dave Bracing—Parker approached the canvas with a sense of rhythmic intuition. His work often mirrored the syncopation of jazz, capturing fleeting moments of feeling through a distinctive expressionist lens. This connection was not merely thematic but structural; his ability to distill complex narratives into visually arresting images allowed him to become one of the most sought-after illustrators of his era. From the sophisticated pages of The New Yorker and Sports Illustrated to iconic album covers for jazz giants, Parker’s aesthetic permeated the very fabric of mid-century American visual culture.

    Technically, Parker was a master of diverse media, moving seamlessly between the delicate transparency of watercolors and the tactile, structural depth of woodblock printing. His prints, such as the hauntingly beautiful Man Sitting, A (1962), demonstrate a sophisticated use of muted palettes and deliberate compositions to evoke themes of isolation, melancholy, and even artificiality. In other works, like the whimsical Bulldog in a Chair 2, he displayed a capacity for playfulness and Naive Art influences, utilizing bold colors and simplified forms to create a sense of charm and spontaneity. This duality—the ability to pivot from profound psychological depth to lighthearted whimsy—is what makes his oeuvre so endlessly captivating.

    Enduring Achievements and the Triumph of Spirit

    The significance of Robert Andrew Parker’s contribution to American art is cemented by both his critical acclaim and his remarkable personal perseverance. In 1970, he received the prestigious Caldecott Honor for his illustrations in Pop Corn and Ma Goodness, a testament to his ability to communicate complex emotions to even the youngest of audiences. His career was characterized by an unrelenting commitment to the craft; even as he faced the challenges of macular degeneration in his later years, Parker refused to let his vision dim. He continued to produce work well into his nineties, proving that the artist's drive is often independent of physical limitation.

    Looking back upon his vast body of work, several key elements define his historical importance:

    Versatility of Medium: His seamless transition between fine art painting, woodblock printing, and commercial illustration.

    Cultural Integration: The successful marriage of visual expressionism with the improvisational rhythms of the jazz era.

    Narrative Depth: An unparalleled ability to use muted tones and surreal elements to explore themes of human solitude and psychological complexity.

    Legacy of Resilience: A life story that serves as an inspiration, moving from a childhood of illness to becoming a cornerstone of American illustration.

    Robert Andrew Parker remains a vital figure for collectors and historians alike. His work does not merely represent objects or figures; it captures the "quiet intensity" of the human condition, inviting every viewer to linger in the shadows and light of his beautifully rendered worlds.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Baboon

    wikioo.org/da/art/download/robert-andrew-parker-baboon-AS7SSB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Parker, Robert Andrew. Baboon. 1967, https://wikioo.org/da/art/robert-andrew-parker-baboon-AS7SSB-en/
    APA
    Parker, Robert Andrew (1967). Baboon [Painting]. https://wikioo.org/da/art/robert-andrew-parker-baboon-AS7SSB-en/
    Chicago
    Robert Andrew Parker. Baboon. 1967. https://wikioo.org/da/art/robert-andrew-parker-baboon-AS7SSB-en/
    Harvard
    Parker, Robert Andrew (1967) Baboon. Available at: https://wikioo.org/da/art/robert-andrew-parker-baboon-AS7SSB-en/

    Se nærmere efter

    Baboon — Robert Andrew Parker

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Bruno, Mr. and Mrs. Philip tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Robert Andrew Parker var omkring 40 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Kan jeg se "Baboon" som et diasshow i fuld skærm?

    Et diasshow er tilgængeligt på siden Diaporama for "Baboon" af Robert Andrew Parker.

    Hvor kraftig er kontrasten i "Baboon" af Robert Andrew Parker?

    "Baboon" af Robert Andrew Parker fremviser en Gentle kontrast mellem sine lyse og mørke områder.

    Hvor intense er farverne i "Baboon" af Robert Andrew Parker?

    Farveintensiteten i "Baboon" er Balanced. Intensitet beskriver, hvor kraftige farverne fremstår.