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Liste over de 1 mest berømte malerier af A. Reddock
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af A. Reddock i vores katalog
Oversigt
Det mest kendte maleri af A. Reddock er Andrew Meikle (1811), som er en del af samlingen på National Portrait Gallery, London. Katalogen dokumenterer 1 værker af A. Reddock; de 1 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.
1774 – 1842
Flest værker: National Portrait Gallery
A. Reddock: de 10 vigtigste malerier
A. Reddock: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af A. Reddock | Malerier fra denne liste |
|---|---|---|---|
 National Portrait Gallery |
London | 1 | Andrew Meikle |
A. Reddock: hovedværker efter år
Alle daterede værker af A. Reddock på denne side er fra 1811; de er angivet nedenfor i rækkefølge efter rangering.
Værker per år
Vælg et årstal for at se de vigtigste malerier fra det år.
A. Reddocks malerier: reference-spørgsmål
Hvilket maleri af A. Reddock er det mest kendte?Vis svaret
Andrew Meikle (1811)
Hvor gammel var A. Reddock, da Andrew Meikle blev malet?Vis svaret
37 år: A. Reddock blev født i 1774, og Andrew Meikle er dateret 1811.
Hvor mange værker af A. Reddock er dokumenteret?Vis svaret
Kataloget indeholder 1 værker af A. Reddock.
Hvilke museer udstiller de mest kendte malerier af A. Reddock?Vis svaret
Primært i National Portrait Gallery (London). Tabellen over museer ovenfor viser den fulde fordeling.
A. Reddock: biografiske noter
The Hand of the Scottish Portraitist
In the quiet corners of the Scottish landscape during the late eighteenth and early nineteenth centuries, the brush of A. Reddock moved to capture the likenesses of a changing era. Born in 1774, this painter emerged from a time when the dignity of the individual was increasingly sought through the medium of oil and canvas. Reddock, often associated with the town of Falkirk, dedicated his life to the art of the portrait, seeking to fix the character of his subjects upon the surface of the work.
His life was one of quiet observation. While the world around him underwent the tremors of industrial and social shifts, Reddock focused his gaze upon the faces of those who shaped the era. His work was not merely about the likeness of a person, but about the presence they held in the room. Through his hands, the fleeting essence of a sitter was rendered into something permanent.
A Legacy of Likeness
The records of his skill are found in the portraits he left behind, some of which have been preserved within the halls of Glasgow Life Museums. One such work, a portrait of Andrew Meikle, reveals the artist's ability to document the men of his time. Meikle, an engineer credited with the invention of the threshing machine, was captured by Reddock's hand, linking the artist to the very spirit of Scottish innovation. In such works, we see the intersection of art and history, where the painter records the faces of those who altered the course of industry.
Reddock's technical approach was rooted in the traditions of his station. He worked with a focus on the essential features that defined a person's status and character. His ability to render the likeness of figures like Lady Hannah Anne Gardiner Maxwell suggests a painter who understood the nuances of social standing and the subtle play of light upon a subject's countenance. He remained active in his craft until his passing in 1842, leaving behind a body of work that serves as a window into the Scottish social fabric of the early nineteenth century.