Oversigt
History (Lab 1964 Grey) (2005) er registreret som Adam Pendletons mest berømte maleri; det er i Carnegie Museum of Arts samling i Pittsburgh. Af de 1 værker af Adam Pendleton, der er registreret i kataloget, er de 1 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
Nummer 1 til 10: de mest berømte Adam Pendleton malerier
Adam Pendleton: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Adam Pendleton | Malerier fra denne liste |
|---|---|---|---|
| Pittsburgh | 1 | History (Lab 1964 Grey) |
Årstal: de vigtigste Adam Pendleton malerier
Hver dateret Adam Pendleton-indgang på denne side er angivet med årstallet 2005; værkerne er opført efter rangering.
Ofte stillede spørgsmål om Adam Pendleton's malerier
Hvad er Adam Pendletons mest kendte værk?Vis svaret
History (Lab 1964 Grey) (2005)
Hvor gammel var Adam Pendleton i året for History (Lab 1964 Grey)?Vis svaret
21 år: Adam Pendleton blev født i 1984, og History (Lab 1964 Grey) er dateret 2005.
Hvor mange værker af Adam Pendleton er registreret i kataloget?Vis svaret
Kataloget indeholder 1 værker af Adam Pendleton.
Hvor findes de vigtigste værker af Adam Pendleton?Vis svaret
Primært i Carnegie Museum of Art (Pittsburgh). Tabellen over museer ovenfor viser den fulde fordeling.
Biografi om Adam Pendleton
The Multidisciplinary Practice of Adam Pendleton
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
Themes and Conceptual Frameworks
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: