Oversigt
Night Scene of Indian Tipi (1895) er registreret som Benjamin Raborgs mest berømte maleri; det er i Smithsonian American Art Museums samling i Washington, D.C.. Af de 1 værker af Benjamin Raborg, der er registreret i kataloget, er de 1 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
Nummer 1 til 10: de mest berømte Benjamin Raborg malerier
Benjamin Raborg: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Benjamin Raborg | Malerier fra denne liste |
|---|---|---|---|
| Washington, D.C. | 1 | Night Scene of Indian Tipi |
Årstal: de vigtigste Benjamin Raborg malerier
Hver dateret Benjamin Raborg-indgang på denne side er angivet med årstallet 1895; værkerne er opført efter rangering.
Ofte stillede spørgsmål om Benjamin Raborg's malerier
Hvad er Benjamin Raborgs mest kendte værk?Vis svaret
Night Scene of Indian Tipi (1895)
Hvor gammel var Benjamin Raborg i året for Night Scene of Indian Tipi?Vis svaret
24 år: Benjamin Raborg blev født i 1871, og Night Scene of Indian Tipi er dateret 1895.
Hvor mange værker af Benjamin Raborg er registreret i kataloget?Vis svaret
Kataloget indeholder 1 værker af Benjamin Raborg.
Hvor findes de vigtigste værker af Benjamin Raborg?Vis svaret
Primært i Smithsonian American Art Museum (Washington, D.C.). Tabellen over museer ovenfor viser den fulde fordeling.
Biografi om Benjamin Raborg
The Quiet Observer of the West
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
A Life in Motion
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.