Portræt af Daniel Saint

Liste over de 6 mest berømte malerier af Daniel Saint

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 7 værker af Daniel Saint i vores katalog

Oversigt

Det mest kendte maleri af Daniel Saint er Portrait de Mme Savary, duchesse de Rovigo (1840). De næste indlæg er Portrait of Lodewijk Napoleon Bonaparte (1810) og Portrait of the duchess of berry. Katalogen dokumenterer 7 værker af Daniel Saint; de 6 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1778 – 1847, Saint-Lô Flest værker: Nationalmuseum

Daniel Saint: de 10 vigtigste malerier

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Portrait of Lodewijk Napoleon Bonaparte (1810) af Daniel Saint

Portrait of Lodewijk Napoleon Bonaparte

1810 · Wallace Collection, London

Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

6
Lady with a Greyhound (1842) af Daniel Saint

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Daniel Saint: museer med værker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Daniel Saint Malerier fra denne liste
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Wallace Collection, LondonWallace Collection London 1 Portrait of Lodewijk Napoleon Bonaparte
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Daniel Saint: hovedværker efter år

De daterede værker af Daniel Saint på denne side strækker sig fra 1810 til 1842, en periode på 33 år, præsenteret år for år.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Daniel Saints malerier: reference-spørgsmål

Hvilket maleri af Daniel Saint er det mest kendte?Vis svaret

Portrait de Mme Savary, duchesse de Rovigo (1840). De følgende poster er Portrait of Lodewijk Napoleon Bonaparte (1810) og Portrait of the duchess of berry.

Hvor gammel var Daniel Saint, da Portrait de Mme Savary, duchesse de Rovigo blev malet?Vis svaret

62 år: Daniel Saint blev født i 1778, og Portrait de Mme Savary, duchesse de Rovigo er dateret 1840.

Hvor mange værker af Daniel Saint er dokumenteret?Vis svaret

Kataloget indeholder 7 værker af Daniel Saint, dateret mellem 1810 og 1842.

Hvilke museer udstiller de mest kendte malerier af Daniel Saint?Vis svaret

Primært i Nationalmuseum (Stockholm), Wallace Collection (London) og Château de Chambord (Chambord). Tabellen over museer ovenfor viser den fulde fordeling.

Hvilke er de tidligste og seneste værker af Daniel Saint på denne liste?Vis svaret

Det tidligste værk på listen er fra Portrait of Lodewijk Napoleon Bonaparte (1810); det nyeste er fra Lady with a Greyhound (1842).

Hvilke værker af Daniel Saint er i samlingen hos Nationalmuseum?Vis svaret

Unknown Man og Charles X, King of France and Navarre er blandt de 2 værker på denne side i Nationalmuseum, Stockholms samling.

Daniel Saint: biografiske noter

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.