Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 22 værker af David Bailly i vores katalog
Oversigt
Ifølge denne rangliste er Johanna Visscher (1628) det mest berømte maleri af David Bailly; det befinder sig på Slovak National Gallery i Bratislava. Det efterfølges af Portrait of Ripperd Van Groenendijk (1650) og Portrait of Claudina Van Groenendijk (1633). Denne liste er baseret på de 22 værker af David Bailly i kataloget og viser de 22 mest berømte, med dato, museum og beskrivelse for hvert værk.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · Rijksmuseum
13
Portrait of a Man1641 · Metropolitan Museum of Art
14
Self-Portrait1625 · Rijksmuseum
15
Portrait of a Man, Possibly a Botanist1641 · Metropolitan Museum of Art
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · Rijksmuseum
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje WitsenRijksmuseum
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af David Bailly | Malerier fra denne liste |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 Metropolitan Museum of Art |
New York | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
Ithaca | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
Vælg et årti for at vise dets vigtigste maleri.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628), Slovak National Gallery, Bratislava. De følgende værker er Portrait of Ripperd Van Groenendijk (1650) og Portrait of Claudina Van Groenendijk (1633).
44 år: David Bailly blev født i 1584, og Johanna Visscher er dateret 1628.
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) og Vanitas. Listen ovenfor viser datoen og det museum, der ejer hvert værk.
Kataloget indeholder 22 værker af David Bailly, dateret mellem 1601 og 1651.
Primært i Rijksmuseum (Amsterdam), Slovak National Gallery (Bratislava) og Fine Arts Museums of San Francisco (San Francisco). Tabellen over museer ovenfor viser den fulde fordeling.
I 1630s: 5 af de 22 værker, der er listet på denne side, er dateret til den periode, herunder Portrait of Claudina Van Groenendijk.
Det tidligste værk på listen er fra Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601); det nyeste er fra Self-Portrait with Vanitas Symbols (1651).
Man (6), White collar (3) og Ruff (3) ud af de 22 værker, der er listet på denne side.
Oil On Panel, i 4 af de 22 værker, der er listet på denne side.
Baroque og Dutch baroque, som dokumenteret af værkerne på denne side.
Young man with a fur hat, Self-Portrait og Self-Portrait er blandt de 5 værker på denne side i Rijksmuseum, Amsterdams samling.
