Portræt af Else Hertzer

Else Hertzer: De 1 mest berømte malerier, dokumenteret

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Else Hertzer i vores katalog

Oversigt

Ifølge denne rangliste er Small Harbor near Wittenberg (1935) det mest berømte maleri af Else Hertzer. Denne liste er baseret på de 1 værker af Else Hertzer i kataloget og viser de 1 mest berømte, med dato, museum og beskrivelse for hvert værk.

1884 – 1978, Lutherstadt Wittenberg

Else Hertzer: de øverste 10 på listen

Else Hertzer efter år: de mest berømte malerier

De daterede værker af Else Hertzer, der er registreret på denne side, er alle fra 1935.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Else Hertzer: spørgsmål og dokumenterede svar

Hvilket maleri af Else Hertzer topper listen over de mest berømte værker?Vis svaret

Small Harbor near Wittenberg (1935)

Hvor gammel var Else Hertzer, da Small Harbor near Wittenberg blev malet?Vis svaret

51 år: Else Hertzer blev født i 1884, og Small Harbor near Wittenberg er dateret 1935.

Hvor mange værker af Else Hertzer er registreret?Vis svaret

Kataloget indeholder 1 værker af Else Hertzer.

Else Hertzer: liv og værk

The Artistic Journey of Else Hertzer

Born Else Heintze, this German artist began her creative evolution in the early 20th century. After marrying Otto Hertzer in 1909, she moved to the Tiergarten district of Berlin. Her early artistic explorations took place between 1911 and 1913 in Buttstadt, Thuringia, where she produced several paintings and drypoint etchings. As her career progressed, she joined the Berlin Secession Movement and began formal studies at the Academy of Arts in Berlin. Her pursuit of artistic development led her to Paris, where she took lessons under Andre Lhote in 1929. Her work, which spanned various media, eventually moved toward abstraction in her later years.

Style and Recognition

Hertzer’s body of work is noted for its versatility in thematic and stylistic aspects. Art historians have highlighted her early creative phase, specifically pointing to her powerfully expressionist watercolors from the 1920s. During the Second World War, she received a commission from her hometown to create a series of wall murals depicting the history of Wittenberg for a communal bunker. While her work initially fell into oblivion after her death, a subsequent rediscovery led to a new art-historical reassessment and various exhibitions in locations such as Berlin, Wittenberg, and Füssen.