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Liste over de 6 mest berømte malerier af Hans Ødegaard
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Hans Ødegaard i vores katalog
Oversigt
Det mest kendte maleri af Hans Ødegaard er Salvage Depot at Vaterland (1903), som er en del af samlingen på Nationalmuseet for kunst, arkitektur og design, Oslo. De næste indlæg er Portrait of the Painter Rudolph Thygesen (1911) og Severin Grande (1909). Katalogen dokumenterer 6 værker af Hans Ødegaard; de 6 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.
1876 – 1943, Norderhov Municipality
Flest værker: Nationalmuseet for kunst, arkitektur og design
Hans Ødegaard: de 10 vigtigste malerier
Hans Ødegaard: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Hans Ødegaard | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet for kunst, arkitektur og design |
Oslo | 4 | Salvage Depot at Vaterland, Portrait of the Painter Rudolph Thygesen, Spansk danserinne |
Hans Ødegaard: hovedværk for hvert årti
Værker per årti
Vælg et årti for at vise dets vigtigste maleri.
Hans Ødegaards malerier: reference-spørgsmål
Hvilket maleri af Hans Ødegaard er det mest kendte?Vis svaret
Salvage Depot at Vaterland (1903), Nationalmuseet for kunst, arkitektur og design, Oslo. De følgende værker er Portrait of the Painter Rudolph Thygesen (1911) og Severin Grande (1909).
Hvor gammel var Hans Ødegaard, da Salvage Depot at Vaterland blev malet?Vis svaret
27 år: Hans Ødegaard blev født i 1876, og Salvage Depot at Vaterland er dateret 1903.
Hvor mange værker af Hans Ødegaard er dokumenteret?Vis svaret
Kataloget indeholder 6 værker af Hans Ødegaard, dateret mellem 1903 og 1930.
Hvilke museer udstiller de mest kendte malerier af Hans Ødegaard?Vis svaret
Primært i Nationalmuseet for kunst, arkitektur og design (Oslo). Tabellen over museer ovenfor viser den fulde fordeling.
I hvilken periode blev Hans Ødegaards mest kendte værker malet?Vis svaret
I 1900s: 2 af de 6 værker, der er listet på denne side, er dateret til den periode, herunder Salvage Depot at Vaterland.
Hvilke er de tidligste og seneste værker af Hans Ødegaard på denne liste?Vis svaret
Det tidligste værk på listen er fra Salvage Depot at Vaterland (1903); det nyeste er fra Cæsar Boeck Bang (1930).
Hvilke værker af Hans Ødegaard er i samlingen hos Nationalmuseet for kunst, arkitektur og design?Vis svaret
Salvage Depot at Vaterland, Portrait of the Painter Rudolph Thygesen og Spansk danserinne er blandt de 4 værker på denne side i Nationalmuseet for kunst, arkitektur og design, Oslos samling.
Hans Ødegaard: biografiske noter
The Weight of Norwegian Realism
Hans Ødegaard remains a vital figure for anyone seeking to understand the visual identity of early 20th-century Norway. His work does not rely on abstraction or fleeting trends; instead, it anchors itself in the tangible reality of the era. When looking at his contributions, one sees a painter who understood the gravity of his surroundings. His presence in the National Gallery of Norway confirms his standing within the canon of Norwegian art, moving beyond mere decoration to provide a factual, painted record of a changing nation.
His brushwork carries a specific, disciplined intent. In works like Skraphandel i Vaterland from 1903, he captures a sense of place that feels lived-in and unvarnished. He was not interested in idealizing the world. He chose to document it, focusing on the textures of daily life and the specific light of the Norwegian landscape.
A Curatorial Legacy
Ødegaard’s influence extended beyond the canvas and into the very structure of how Norwegian art was organized and perceived. He was not merely a creator of images but a gatekeeper of visual history. His work in the 1914 Jubilee Exhibition at Frogner in Kristiania was a decisive moment for the preservation of the national aesthetic. By organizing the presentation of older Norwegian art, he ensured that the lineage of the country's painters was recognized and maintained.
His efforts focused on several key figures who shaped the national style:
By bringing these artists into a prominent position, Ødegaard helped define the historical trajectory of Norwegian painting. He understood that for a modern art scene to function, it must have a firm grasp on its predecessors.
The Final Record
The progression of his career shows a steady commitment to his craft, moving from the gritty urban observations of the early 1900s to the more settled landscapes seen in Fra Tvedestrand in 1919. His work provides a bridge between the 19th-century traditions and the evolving sensibilities of the 20th century. He did not chase the avant-garde; he mastered the observation of the real. This makes his body of work a reliable, sharp-edged window into the Norwegian experience during a period of significant transition.