Portræt af Ivan Ivarson

Liste over de 1 mest berømte malerier af Ivan Ivarson

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Ivan Ivarson i vores katalog

Oversigt

Det mest kendte maleri af Ivan Ivarson er Self portrait (1927), som er en del af samlingen på National Portrait Gallery of Sweden, Strängnäs. Katalogen dokumenterer 1 værker af Ivan Ivarson; de 1 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1900 – 1939, Göteborgs Kristine församling Flest værker: National Portrait Gallery of Sweden

Ivan Ivarson: de 10 vigtigste malerier

Ivan Ivarson: museer med værker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Ivan Ivarson Malerier fra denne liste
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Self portrait

Ivan Ivarson: hovedværker efter år

Alle daterede værker af Ivan Ivarson på denne side er fra 1927; de er angivet nedenfor i rækkefølge efter rangering.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Ivan Ivarsons malerier: reference-spørgsmål

Hvilket maleri af Ivan Ivarson er det mest kendte?Vis svaret

Self portrait (1927)

Hvor gammel var Ivan Ivarson, da Self portrait blev malet?Vis svaret

27 år: Ivan Ivarson blev født i 1900, og Self portrait er dateret 1927.

Hvor mange værker af Ivan Ivarson er dokumenteret?Vis svaret

Kataloget indeholder 1 værker af Ivan Ivarson.

Hvilke museer udstiller de mest kendte malerier af Ivan Ivarson?Vis svaret

Primært i National Portrait Gallery of Sweden (Strängnäs). Tabellen over museer ovenfor viser den fulde fordeling.

Ivan Ivarson: biografiske noter

A Life in Color

Born on July 20, 1900, in Gothenburg, Sweden, Ivan Ivarson lived a life that moved between the quiet corners of his home and the bright light of the Mediterranean. His early years were spent studying at Valands Painting School from 1922 to 1925 under Tor Bjurström. During this time, he resided in a family villa in Hagen, Långedrag. The colors he used later would become as much a part of his identity as the places he inhabited.

In 1927 and 1928, travel took him through France and Italy. These trips brought a change to his brushwork, as the light from the Mediterranean began to wash over his canvases. He found inspiration in the paintings of Pierre Bonnard. By 1929, he had moved to Helsingør, working in the studio of Carl Kylberg. His marriage to the artist Märta Taube in 1928 marked a period of deep productivity, with their son Per appearing in many of his works from their time at Stenungsön.

The later years brought shifts in geography and personal circumstances. Following a divorce in 1932, he returned to Gothenburg, focusing much of his attention on city motifs. He eventually moved to France, seeking a milder climate for his failing health. He died in Paris on June 26, 1939, at the age of 39.

The Language of Pigment

Ivarson’s approach to the canvas was defined by an intense relationship with color. He once remarked that he wished he could eat color, a sentiment reflected in his heavy use of pigment. He is often associated with a specific shade known as Ivarsonblått, a deep ultramarine blue that he frequently paired with red, green, and yellow. His technique relied on fast brushwork and bold coloring, where contours often appeared blurred or dissolved into the surrounding light.

His work is categorized by several distinct elements:

  • Style: A naive expressionist approach characterized by thick, energetic applications of paint.
  • Motifs: Landscapes, harbor views, street scenes, and portraits, with a particular fondness for flowers.
  • Color Palette: High-contrast combinations featuring deep blues alongside bright primary tones.

The subjects he chose were often grounded in the everyday. He painted flowers in vases, fruit harvests, and the bustling activity of ports. Even when depicting cityscapes like Stora Tullhuset in Gothenburg, the focus remained on how light and color interacted with the structures.

Legacy and Presence

As a member of the Color and Form group in Stockholm and part of the Gothenburg collegists, Ivarson helped shape a specific movement within Swedish art. His work remains held in several significant collections, ensuring his visual language continues to be studied in institutional settings. His paintings can be found in:

  • National Museum, Stockholm
  • Moderna Museet, Stockholm
  • Gothenburg Art Museum
  • Museum of Gävle

The permanence of his work lies in the way he captured the atmosphere of a specific era through pure pigment. Whether it was a street in St Georges de Didonne or a simple still life, the focus remained on the physical presence of the paint itself.