Oversigt
On the Coast of France (1875) er registreret som John Appleton Browns mest berømte maleri; det er i Museum of Fine Artss samling i Boston. New England Landscape (1887) og A Showery May Morning indtager anden- og tredjepladsen. Af de 6 værker af John Appleton Brown, der er registreret i kataloget, er de 6 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
Nummer 1 til 10: de mest berømte John Appleton Brown malerier
John Appleton Brown: museer med værker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Appleton Brown | Malerier fra denne liste |
|---|---|---|---|
| Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning | |
| Cambridge | 1 | Pond in the Woods |
Årstal: de vigtigste John Appleton Brown malerier
Daterede værker af John Appleton Brown strækker sig fra 1875 til 1887 (13 år); indekset nedenfor viser hvert år med dets hovedværker.
Ofte stillede spørgsmål om John Appleton Brown's malerier
Hvad er John Appleton Browns mest kendte værk?Vis svaret
On the Coast of France (1875), Museum of Fine Arts, Boston. De følgende værker er New England Landscape (1887) og A Showery May Morning.
Hvor gammel var John Appleton Brown i året for On the Coast of France?Vis svaret
31 år: John Appleton Brown blev født i 1844, og On the Coast of France er dateret 1875.
Hvor mange værker af John Appleton Brown er registreret i kataloget?Vis svaret
Kataloget indeholder 6 værker af John Appleton Brown, dateret mellem 1875 og 1887.
Hvor findes de vigtigste værker af John Appleton Brown?Vis svaret
Primært i Museum of Fine Arts (Boston) og Harvard Art Museums (Cambridge). Tabellen over museer ovenfor viser den fulde fordeling.
Hvad er de tidligste og seneste mest kendte værker af John Appleton Brown?Vis svaret
Det tidligste værk på listen er fra On the Coast of France (1875); det nyeste er fra New England Landscape (1887).
Hvilke malerier af John Appleton Brown har Museum of Fine Arts i sin samling?Vis svaret
On the Coast of France, New England Landscape og A Showery May Morning er blandt de 5 værker på denne side i Museum of Fine Arts, Bostons samling.
Biografi om John Appleton Brown
The Life and Art of John Appleton Brown
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Artistic Style and Subject Matter
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.




